Alfred Hitchcock Presents: Season 2, Episode 7

Alibi Me (11 Nov. 1956)

TV Episode  -   -  Crime | Drama | Mystery
7.0
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Ratings: 7.0/10 from 188 users  
Reviews: 4 user

Georgie Minnelli kills his old childhood enemy Lucky Moore for interfering in his pinball machine racket. Now Georgie desperately needs an alibi.

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Title: Alibi Me (11 Nov 1956)

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Cast

Episode complete credited cast:
...
Himself - Host
...
Georgie Minnelli
Chick Chandler ...
Lucky Moore
Harvey Stephens ...
Lt. James Larkin
...
Uncle Leo
Harry Tyler ...
Timmy
...
Mrs. Salvatore
Shirley Smith ...
Goldie
Lee Erickson ...
Messenger Boy
Charles Cantor ...
Barney (as Charlie Cantor)
Herb Vigran ...
Newsman
Eugenia Paul ...
Viola
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Storyline

Georgie Minnelli confronts Lucky Moore, his old childhood enemy, for interfering in his pinball machine racket. Georgie waves a gun in Lucky's face, but Lucky isn't intimidated. A cop named Larkin has just been made lieutenant, and Larkin vowed long ago that if either of these hated rivals turns up dead, the other had better have a good alibi. Georgie couldn't possibly get away with it. But Lucky has pushed Georgie too far and his old enemy shoots him dead anyway. Now the young gangster is desperate for an alibi. But getting one won't be easy. Written by J. Spurlin

Plot Summary | Add Synopsis

Plot Keywords:

alibi | racket | old enemy | gun | gangster | See All (36) »


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Details

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Release Date:

11 November 1956 (USA)  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.33 : 1
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Quotes

[first lines]
Lucky Moore: No knock on the door? No "Can I come in please?" Just no class.
Georgie Minnelli: I want a showdown!
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Connections

Version of Suspense: Alibi Me (1952) See more »

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User Reviews

 
Fred Flinstone!
10 July 2013 | by (United States) – See all my reviews

A man walks upstairs to the final movement of the Moonlight Sonata, played in another room. He enters a door labeled "Brooklyn Amusement Corp." But this is a front and this is a gangster episode. A man pulls a "rod" (gun) on someone and we get our killing early, so the tale is about his post facto need for an alibi.

The actor who voiced Fred Flinstone pops up looking like Tony Soprano's uncle (he acted a lot in those days, including the original Postman Always Rings Twice).

I like the ending as written, but the slack story has lost all its energy by the time we get there.


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