Stranger on a plane proposes exchanging murders to crime-busting Fed whose wife won't grant him a divorce. A gossip column tips the stranger, a novelist, to the prosecutor's dilemma, so he ... See full summary »

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(teleplay), (teleplay) | 5 more credits »
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Cast

Episode cast overview:
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Kookie (as Edward Byrnes)
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Marc Harrington
Ed Kemmer ...
David Evans (as Edward Kemmer)
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Pat Forsyth
Lynette Bernay ...
Mildred Evans (as Lynn Bernay)
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Aunt Ella
Harlan Warde ...
Lt. Ward
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Storyline

Stranger on a plane proposes exchanging murders to crime-busting Fed whose wife won't grant him a divorce. A gossip column tips the stranger, a novelist, to the prosecutor's dilemma, so he trails the attorney onto a flight from D.C. to L.A. David the prosecutor isn't sure whether the charming "John Smith," the author, is seriously insane or just has a very cavalier sense of humor, so David hires Stu Bailey to protect his philandering wife from murder. Stu gets some unwanted aid from the Fed's future sister-in-law, who he fluffs off as an interfering ditz, but she turns out to have a very Hawaiian eye. Written by David Stevens

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Action | Crime | Drama

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19 December 1958 (USA)  »

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(RCA Sound Recording)

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1.33 : 1
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Trivia

This episode features two guest stars who went on to regular roles on WB detective series: Richard Long, who played Rex Randolph on "Bourbon Street Beat" and later "77 Sunset Strip" itself, and Connie Stevens, who played Cricket on "Hawaiian Eye." See more »

Connections

Remake of Strangers on a Train (1951) See more »

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User Reviews

Stranger on a plane.

OK, even the dumbest will have recognized here a remake of Alfred Hitchcock 's STRANGER ON A TRAIN in this story of two men meeting in a plane and one proposing the other to kill his wife - or any relative - in exchange for the other to do the same. The stranger's character whose the phony name is John Smith is delightful, as Robert Walker was several years earlier. So, it's a remake but who cares, it is very pleasant to watch for the performances and not only. Some camera shot angles are exactly the same as in the Hitchcock's movie, for instance during the killing of the woman, where the audience can see the murder only through the reflection in the glasses fallen on the ground.


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