Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for 50 years.
28-year-old Kansas University doctoral student Omar Razaghi wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to ... See full summary »
In the near future, where Earth has been devastated by natural disasters, and giant winds rule the planet, bounty hunter Matt kidnaps a murderer out of the hands of two police officers, ... See full summary »
An actor and would-be screenwriter, who at the very moment of his meeting with Fate, comes to discover that life is random and fortune is sightless. He is thrown into a vortex where time, dreams, and reality collide in an increasingly whirling slipstream. It's a surreal and dreamlike tale of one man's journey. Written by
Anthony Hopkins chose a moldy, mildewy storage room at the Redondo Beach Elks Lodge, CA to film his bedroom dream sequence because he didn't have to dress the walls to look moldy and mildewy. He also used the Lodge Room as a sound-stage for a TV news insert for a later bar scene and filmed the front of the Lodge as an emergency room entrance for his ambulance rush sequence. He signed autographs, posed for pictures, and used one of the Lodge members and his wife in the exterior scene. See more »
When characters Betty Lustig and Gina get in their vehicle, the California plate has one number; yet, as their drive continues, the license plate numbers have changed. See more »
Slipstream is a film written, directed and financed by Anthony Hopkins. If you've seen the previews you will know this looks to be a bizarre film, but I assure you, it's far more bizarre than the trailers make it seem. It's not for everyone, and any viewer has to have a great deal of patience to watch it. Don't expect your typical movie here, and that includes the traditional concept of a plot: Rising action, climax, falling action/conclusion. The movie twists from place to place and never gives much in the way of answers. Towards the very beginning a man runs out of his car and screams, "We've lost the plot!" In a way, that's exactly what this movie is about, but it's never exactly clear what happens in terms of character, or even what the plot is exactly.
Like a Lynch film without his signature twist where the "real world" is suddenly revealed, this film barrels onward into an incredibly strange experiment in film. If you're not into experimental films, or films that give questions and absolutely no answers, DO NOT SEE IT, YOU WILL NOT ENJOY IT. Even if you're into art films or films like David Lynch's, there's no guarantee that you'll like it, but I suggest you give it a rent. If you invest some time in it, I think the randomness starts to take form and meaning, but you have to be patient enough to invest that required time.
Again, to reiterate, if you're not into experimental films, skip this one. To those that are: Rent it, but watch it with an open mind.
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