| Luisa Williams | ... | She | |
| Josh Philip Weinstein | ... | Commander (as Josh P. Weinstein) | |
| Gareth Saxe | ... | Organizer | |
| Nyambi Nyambi | ... | Organizer | |
| Frank Dattolo | ... | Bombmaker | |
| Annemarie Lawless | ... | Bombmaker's Assistant | |
| Teo Yoo | ... | Driver (as Tschi-Hun Kim) | |
| Richard Morant | ... | Flirt | |
| Jennifer Camilo | ... | Bathroom Girl | |
| Rosemary Apolinaris | ... | Bathroom Girl | |
| Jennifer Restrepo | ... | Bathroom Girl | |
| Julissa Perez | ... | Bathroom Girl | |
| rest of cast listed alphabetically: | |||
| Orlando S. Gondar | ... | Restaurant Guest | |
| JoJo Shaffer | ... | Shopper (uncredited) | |
Directed by | |||
| Julia Loktev | |||
Writing credits | ||
| Julia Loktev | (writer) | |
Produced by | |||
| Melanie Judd | .... | producer | |
| Jessica Levin | .... | producer | |
| Julia Loktev | .... | producer | |
Cinematography by | |||
| Benoît Debie | (director of photography) (as Benoit Debie) | ||
Film Editing by | |||
| Julia Loktev | |||
| Michael Taylor | |||
Casting by | |||
| Ellyn Long Marshall | |||
| Maria E. Nelson | |||
Production Design by | |||
| Kelly McGehee | |||
Set Decoration by | |||
| Zoe Hoare | |||
Costume Design by | |||
| Rabiah Troncelliti | |||
Makeup Department | |||
| Keith Palmer | .... | special makeup effects artist | |
Production Management | |||
| Melissa B. Miller | .... | production manager (as Melissa Miller) | |
Second Unit Director or Assistant Director | |||
| Richard Stuart Perkins | .... | additional assistant director (as Stuart Perkins) | |
| Cayetana Vidal | .... | assistant director | |
Art Department | |||
| Joel Custer | .... | set dresser | |
| Zoe Hoare | .... | property master | |
| Elizabeth J. Jones | .... | set dresser (as Elizabeth Jones) | |
| Michael McKowen | .... | set dresser | |
| Sayaka Nagata | .... | set dresser | |
| Sayaka Nagata | .... | shopper | |
| Garrett Ricciardi | .... | set dresser | |
| Jae Song | .... | set dresser | |
Sound Department | |||
| Brian Dunlop | .... | sound editor | |
| Raphael Laski | .... | location sound recordist | |
| Monique Reymond | .... | foley artist | |
| Leslie Shatz | .... | sound designer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Luisa Williams | .... | foley artist | |
Camera and Electrical Department | |||
| Michael Best | .... | additional first assistant camera | |
| Manuel Billeter | .... | first assistant camera | |
| Steven Capitano Calitri | .... | gaffer (as Steve Calitri) | |
| Shawn Greene | .... | gaffer (as Shawn Green) | |
| Jamison Grella | .... | grip | |
| Julian Harker | .... | second assistant camera | |
| Sean Taylor | .... | electrician | |
Casting Department | |||
| Lisa Chang | .... | casting assistant | |
| Sara Heinze | .... | casting assistant | |
| Meredith Jacobson | .... | extras casting: Amerifilm Casting (as Meredith Jacobson Marciano) | |
| Serena Norr | .... | casting assistant | |
| Kaz Phillips | .... | casting associate | |
| Josh Rubin | .... | casting assistant (as Josh Ruben) | |
| Ambika Samarthya | .... | casting assistant | |
Editorial Department | |||
| Burkhard Althoff | .... | commissioning editor | |
| Peter Bernaers | .... | colorist | |
| Kristin Choi | .... | editing intern | |
| Sophie Denize | .... | digital intermediate producer | |
| Jim Hurley | .... | high definition consultant | |
| Connor Kalista | .... | additional assistant editor | |
| Riva Marker | .... | assistant editor | |
| Matt Slevin | .... | editing intern | |
| David Tai Bornoff | .... | additional assistant editor (uncredited) | |
| Bob Fernley | .... | supervising digital intermediate producer: Efilm (uncredited) | |
Other crew | |||
| Emmy Catedral | .... | production assistant | |
| Ryan Cheresnick | .... | production assistant | |
| Gia Clark | .... | assistant to director | |
| Matt Cross | .... | production assistant | |
| Kathryn Dean | .... | production assistant (as Kate Dean) | |
| Olenka Denysenko | .... | production assistant | |
| Kelly Dorsey | .... | production assistant | |
| Steve Faughnan | .... | location scout | |
| Jonathan Gray | .... | legal services: Spivak & Gray | |
| Adam Mendes | .... | production assistant | |
| Malcolm Murray | .... | movement trainer | |
| Luba Proger | .... | title designer | |
| Karina Ramirez Cabrera | .... | production assistant (as Karina S. Ramirez Cabrera) | |
| Joe Santini | .... | sign language coach | |
| Fred Siegel | .... | tax consultant | |
| Nathan Silver | .... | production assistant | |
| Torrey Townsend | .... | production assistant | |
| Felicia Williams | .... | production assistant | |
| D.R. Farquharson | .... | project manager: EFilm (uncredited) | |
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| Munich | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | The Interpreter | Land of Plenty | All Good Things |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
A stark wisp of a film, 'Day Night Day Night' was a last second addition to my festival-going experience, on this the last day of the festival. Each year I try to attend something I know very little about and this entry in the Visions program of the festival sparked my interest by its air of mystery: a story that for the first half of the film follows an unspecified woman spending what appears to be her last night on earth in a hotel room, followed by a tension-building second day on the streets of New York. The less you know about the story the better the experience. The actress who plays the central character, on screen every moment of the film, is mesmerizing as the somewhat clumsy yet fanatic young woman at a precarious crossroad in her life; much of the film is comprised of extreme close-ups of her face, the flaring nostrils and heavy breathing alerting us to the dark thoughts running through her mind. The audience is given very little back story of what brought her to this hotel room awaiting her fate, and the ambiguity pays off in the second half preventing the thrust of her mission from going down a well-trod path. This film could have easily stopped at a couple different junctures and been less successful as result, however the director keeps the story moving towards a surprisingly heart-wrenching moment that validates its whole purpose.
Grade: 8/10