| Photos (see all 6 | slideshow) | Videos |
| Luisa Williams | ... | She | |
| Josh Phillip Weinstein | ... | Commander (as Josh P. Weinstein) | |
| Gareth Saxe | ... | Organizer | |
| Nyambi Nyambi | ... | Organizer | |
| Frank Dattolo | ... | Bombmaker | |
| Annemarie Lawless | ... | Bombmaker's Assistant | |
| Tschi Hun Kim | ... | Driver (as Tschi-Hun Kim) | |
| Richard Morant | ... | Flirt | |
| Jennifer Camilo | ... | Bathroom Girl | |
| Rosemary Apolinaris | ... | Bathroom Girl | |
| Jennifer Restrepo | ... | Bathroom Girl | |
| Julissa Perez | ... | Bathroom Girl |
Directed by | |||
| Julia Loktev | |||
Writing credits(in alphabetical order) | ||
| Julia Loktev | writer | |
Produced by | |||
| Melanie Judd | .... | producer | |
| Jessica Levin | .... | producer | |
| Julia Loktev | .... | producer | |
Cinematography by | |||
| Benoît Debie | (director of photography) (as Benoit Debie) | ||
Film Editing by | |||
| Julia Loktev | |||
| Michael Taylor | |||
Casting by | |||
| Ellyn Long Marshall | |||
| Maria E. Nelson | |||
Production Design by | |||
| Kelly McGehee | |||
Set Decoration by | |||
| Zoe Hoare | |||
Costume Design by | |||
| Rabiah Troncelliti | |||
Makeup Department | |||
| Keith Palmer | .... | special makeup effects artist | |
Production Management | |||
| Melissa B. Miller | .... | production manager (as Melissa Miller) | |
Second Unit Director or Assistant Director | |||
| Richard Stuart Perkins | .... | additional assistant director (as Stuart Perkins) | |
| Cayetana Vidal | .... | assistant director | |
Art Department | |||
| Joel Custer | .... | set dresser | |
| Zoe Hoare | .... | property master | |
| Elizabeth Jones | .... | set dresser | |
| Michael McKowen | .... | set dresser | |
| Sayaka Nagata | .... | set dresser | |
| Sayaka Nagata | .... | shopper | |
| Garrett Ricciardi | .... | set dresser | |
| Jae Song | .... | set dresser | |
Sound Department | |||
| Brian Dunlop | .... | sound editor | |
| Raphael Laski | .... | location sound recordist | |
| Monique Reymond | .... | foley artist | |
| Leslie Shatz | .... | sound designer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Luisa Williams | .... | foley artist | |
Camera and Electrical Department | |||
| Michael Best | .... | additional first assistant camera | |
| Manuel Billeter | .... | first assistant camera | |
| Steve Calitri | .... | gaffer | |
| Shawn Greene | .... | gaffer (as Shawn Green) | |
| Jamison Grella | .... | grip | |
| Julian Harker | .... | second assistant camera | |
| Sean Taylor | .... | electrician | |
Casting Department | |||
| Lisa Chang | .... | casting assistant | |
| Sara Heinze | .... | casting assistant | |
| Meredith Jacobson | .... | extras casting: Amerifilm Casting (as Meredith Jacobson Marciano) | |
| Serena Norr | .... | casting assistant | |
| Kaz Phillips | .... | casting associate | |
| Josh Rubin | .... | casting assistant (as Josh Ruben) | |
| Ambika Samarthya | .... | casting assistant | |
Editorial Department | |||
| Burkhard Althoff | .... | commissioning editor | |
| Peter Bernaers | .... | colorist | |
| Kristin Choi | .... | editing intern | |
| Jim Hurley | .... | high definition consultant | |
| Connor Kalista | .... | additional assistant editor | |
| Riva Marker | .... | assistant editor | |
| Matt Slevin | .... | editing intern | |
| David Tai Bornoff | .... | additional assistant editor (uncredited) | |
| Bob Fernley | .... | supervising digital intermediate producer: Efilm (uncredited) | |
Other crew | |||
| Emmy Catedral | .... | production assistant | |
| Ryan Cheresnick | .... | production assistant | |
| Gia Clark | .... | assistant to director | |
| Matt Cross | .... | production assistant | |
| Kathryn Dean | .... | production assistant (as Kate Dean) | |
| Olenka Denysenko | .... | production assistant | |
| Kelly Dorsey | .... | production assistant | |
| Steve Faughnan | .... | location scout | |
| Jonathan Gray | .... | legal services: Spivak & Gray | |
| Adam Mendes | .... | production assistant | |
| Malcolm Murray | .... | movement trainer | |
| Luba Proger | .... | title designer | |
| Karina Ramirez Cabrera | .... | production assistant (as Karina S. Ramirez Cabrera) | |
| Joe Santini | .... | sign language coach | |
| Fred Siegel | .... | tax consultant | |
| Nathan Silver | .... | production assistant | |
| Torrey Townsend | .... | production assistant | |
| Felicia Williams | .... | production assistant | |
| D.R. Farquharson | .... | project manager: EFilm (uncredited) | |
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48 hours in the life of a young woman. Day, night, day and night. This is as much as you should know if you are to get the maximum thrill.
The first sixty minutes is set-up. Mysterious, claustrophobic and schematic. The hue is gray.
The last thirty minutes is execution. Questionably realistic (can't say why without a spoiler) and overly melodramatic. Bright colors.
The set-up half is mesmerizing. Conceived with a documentarian eye. The details of the exposition gotten out of the real world. It's all very instructional and scary in its cold-bloodedness.
I have two complains. First, miscasting of at least one of the secondary characters. For a narrative that makes a previous commitment to a clear political label, the ancillary woman is not credible.
Second, the execution half is drawn out. I can see the director fell in love with the situation and wanted to milk it to the last drop, but to an audience it goes on for too long. Cut this material in half and overall you have a great deal more impact.