| Jürgen Vogel | ... | Theo Stoer | |
| Sabine Timoteo | ... | Netti Engelbrecht | |
| André Hennicke | ... | Sascha | |
| Manfred Zapatka | ... | Netti's father Claus Engelbrecht | |
| Judith Engel | ... | Anja Schattschneider | |
| Anna Brass | ... | Raped woman in the dunes | |
| Anne-Kathrin Golinsky | ... | Seller in department store | |
| Maya Bothe | ... | Sybille | |
| Frank Wickermann | ... | Michael | |
| Anna De Carlo | ... | Waitress | |
| Bernadette Büllmann | ... | Singer of "Ave Maria" | |
| Andreas Laurenz Maier | ... | Marius (as Andreas L. Maier) | |
| rest of cast listed alphabetically: | |||
| Marcel Batangtaris | ... | Toni | |
Directed by | |||
| Matthias Glasner | |||
Writing credits(in alphabetical order) | ||
| Judith Angerbauer | ||
| Matthias Glasner | ||
| Jürgen Vogel | ||
Produced by | |||
| Frank Döhmann | .... | producer | |
| Matthias Glasner | .... | co-producer | |
| Christian Granderath | .... | producer | |
| Andrea Hanke | .... | producer: WDR | |
| Pit Krause | .... | line producer | |
| Markéta Polednová | .... | junior producer | |
| Andreas Schreitmüller | .... | producer: Arte | |
| Jürgen Vogel | .... | co-producer | |
Cinematography by | |||
| Matthias Glasner | |||
| Ingo Scheel | |||
Film Editing by | |||
| Mona Bräuer | |||
| Matthias Glasner | |||
| Julia Wiedwald | |||
Casting by | |||
| Simone Bär | |||
Production Design by | |||
| Tom Hornig | |||
| Conny Kotte | (as Conni Kotte) | ||
Costume Design by | |||
| Sabine Keller | |||
Makeup Department | |||
| Irene Rossi | .... | special makeup effects artist | |
Production Management | |||
| Martin Kopischke | .... | production manager | |
| Kathrin Laugalies | .... | unit manager | |
| Thomas Padre Kürsten | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Sarah Altmann | .... | assistant director | |
Art Department | |||
| Lutz Hornig | .... | prop assistant | |
| Andi Kunze | .... | assistant production designer | |
Sound Department | |||
| Hubert Bartholomae | .... | sound mixer | |
| Michael Müller | .... | foley editor | |
| Jörn Poetzl | .... | foley artist (as Joern Poetzl) | |
| Claudia Schuhmacher | .... | sound assistant (as Claudia Schumacher) | |
| Philipp Sellier | .... | foley recordist | |
| Stefan Soltau | .... | sound | |
| Stefan Soltau | .... | supervising sound editor | |
| Tini Tüllmann | .... | sound assistant | |
| Björn Wiese | .... | sound editor | |
Special Effects by | |||
| Karl-Heinz Bochnig | .... | special effects | |
| Volker Lorig | .... | special effects | |
| Niklas Voigt | .... | special effects supervisor | |
Visual Effects by | |||
| Wolf Bosse | .... | digital intermediate | |
| Lutz Lemke | .... | credits | |
| Tony Nitschke | .... | dustbuster | |
| Frieda Oberlin | .... | digital intermediate supervisor | |
| Philipp Orgassa | .... | digital intermediate colorist | |
| Gerhard Spring | .... | film recording | |
| Christian Tröger | .... | digital intermediate finisher | |
| Ralf Wacker | .... | digital intermediate supervisor | |
Stunts | |||
| Jason Oettle | .... | assistant stunt coordinator | |
| Steve Thiede | .... | stunt performer | |
| Rainer Werner | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Daniel Best | .... | lighting assistant | |
| Pit Holleber | .... | electrician | |
| Martin Neuse | .... | electrician | |
| Ingo Scheel | .... | gaffer | |
| Kai Stichel | .... | assistant camera | |
Casting Department | |||
| Silvia Davulcu | .... | extras casting | |
Editorial Department | |||
| Sergej Range | .... | on-line editor | |
| Bianca Stumpf | .... | color timer | |
| Adi Wolotzky | .... | assistant editor | |
| Silke Zirnité | .... | assistant editor | |
Music Department | |||
| Karin Gatzke | .... | music consultant | |
| Karin Gatzke | .... | music coordinator | |
| Björn Wiese | .... | composer: additional music | |
Transportation Department | |||
| Sören Hirtz | .... | production driver | |
| Wilm Huygen | .... | production driver | |
Other crew | |||
| Vivian Bach | .... | production assistant | |
| Salvatore di Franco | .... | production accountant | |
| Ralph Djouadi | .... | assistant set manager | |
| Dirk Drebelow | .... | story editor | |
| Heike Gnida | .... | production assistant | |
| Sandra Hofmann | .... | set manager | |
| Georg Höss | .... | head of legal affairs | |
| Kai Hülsmann | .... | location manager | |
| Lutz Lemke | .... | title designer | |
| Carla Schoenfelder | .... | production assistant | |
| Nadja Tausch | .... | location manager: Berlin | |
| Geraldine Voss | .... | assistant to producer | |
| Roberto Walter | .... | location manager | |
| Jan Zillmann | .... | location manager | |
| Jan Zillmann | .... | set manager | |
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| Kings & Queen | The Piano Teacher | Julietta | Boy A | A Life Interrupted |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Germany section |
I saw this at the German Film Festival in San Francisco, and having been to a few of these before, I was prepared for a depressing experience. What's with these Germans? Anyway . . . this is a brutal, thorough, carefully crafted portrayal of the tortured life of what Americans call with politically correct blandness a "sex offender." Our protagonist, Theo, is raping his third victim when we meet him. He is a smoldering, violent thug. We next encounter him, 9 years later, as he is released from a mental hospital into a supervised residential setting. He is a broken man. He is riding a beast he hates, and he has no idea when the beast will bite again.
As a portrayal of psychology, angst, subtlety of emotion, and real human relations, I would give this film a 10. The sparring session between Theo, and his budding girlfriend Nettie, is a brilliant display of the subtle forces which are torturing the both of them. The fact that these two people have the sparsest dialog in the history of cinema may not be realistically correct, but it is an excellent artistic way of turning the focus to their inner emotions. This film is art, after all -- not a documentary.
The only reason I didn't go for 10 stars is that I had a persistent feeling that something was missing. Maybe I'm old fashioned, but I would have liked some back story about Theo's youth, something that would make him a whole person. The film does work without that, but it is a lack that a writer and director of such brilliance could somehow have remedied.
This is not a feel good, date movie.