| Eva Röse | ... | Rita | |
| Niklas Engdahl | ... | Knut | |
| Lena Nyman | ... | Edith | |
| Eagle Eye Cherry | ... | Samir (as Eagle-Eye Cherry) | |
| Lotta Östlin Stenshäll | ... | Lisbeth | |
| Harald Lönnbro | ... | Henrik | |
| Bjørn Sundquist | ... | Retreatledare | |
| Margaretha Byström | ... | Fru Ekdahl (as Margareta Byström) | |
| Mathias Evanne | ... | Simon | |
| Sofia Bach | ... | Lollo | |
| Iwa Boman | ... | Annette | |
| Moa Westeson | ... | Samlagscoach | |
| Ing-Marie Carlsson | ... | Eva | |
| Lars-Erik Friberg | ... | Adam | |
| Henriette Steenstrup | ... | Receptionist / retreat | |
| Paula McManus | ... | Cecilia | |
| Göran Forsmark | ... | Rolf | |
| Carla Abrahamsen | ... | Receptionist / Tidningen | |
| Mia Benson | ... | Susanne | |
| Petra Hultgren | ... | Athena | |
| Jan Nyman | ... | Per Nielsen | |
| Anders Palm | ... | Olsson | |
| William Wahlstedt | ... | Jacob Felländer |
Directed by | |||
| Anette Winblad | (as Anette Winblad von Walter) | ||
Writing credits(in alphabetical order) | ||
| Kathrine Haugen | ||
| Anette Winblad | (as Anette Winblad von Winter) | |
Produced by | |||
| Christer Abrahamsen | .... | co-producer | |
| Tanya Badendyck | .... | co-producer | |
| Silje Hopland Eik | .... | co-producer | |
| Karl Fredrik Ulfung | .... | executive producer | |
| Moa Westeson | .... | producer | |
Original Music by | |||
| Ginge Anvik | |||
Cinematography by | |||
| Olof Johnson | |||
Film Editing by | |||
| Simen Gengenbach | |||
Art Direction by | |||
| Madeleine Lundberg | |||
Costume Design by | |||
| Madeleine Thor | |||
Makeup Department | |||
| Sara Klänge | .... | makeup artist (as Sara Wallström) | |
| Therese Sandersson | .... | assistant makeup artist | |
Production Management | |||
| Peter Bengtsson | .... | post-production supervisor | |
| Gisela Bergquist | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Lindborg | .... | second assistant director | |
| Bamse Ulfung | .... | assistant director | |
Art Department | |||
| Anna Coinberg | .... | property master | |
| Ayden Demirkiran | .... | carpenter | |
| Ulrika Holmér | .... | construction manager | |
| Cecilia Iversen | .... | painter | |
| Anne Palm | .... | set dresser | |
| Göran Westfelt | .... | carpenter | |
Sound Department | |||
| Klas Engström | .... | sound recordist | |
| Erik Guldager | .... | dialogue editor | |
| Erik Guldager | .... | sound re-recording mixer | |
| Mark Kenna | .... | consultant: Dolby film sound | |
| Tomas Krantz | .... | sound effects editor | |
| Stefan Ljungberg | .... | sound effects editor | |
| Ulf Olausson | .... | foley artist | |
| Gábor Pasztor | .... | sound re-recording mixer (as Gabor Pasztor) | |
| Bo Persson | .... | sound | |
| Pelle Sandberg | .... | sound recordist | |
| David Silverin | .... | foley artist | |
Camera and Electrical Department | |||
| Elias Branner | .... | video assistant | |
| Per Byrén | .... | electrician | |
| Emil Hall | .... | grip | |
| Mattias Högberg | .... | additional photographer | |
| Kidd Johnson | .... | best boy electric | |
| Lars Karlsson | .... | first assistant camera (as Lasse Karlsson) | |
| Bengt Wanselius | .... | still photographer | |
Casting Department | |||
| Sarah Lindborg | .... | extras casting (as Sara Lindborg) | |
Costume and Wardrobe Department | |||
| Eleonor Fahlén | .... | costume assistant | |
Editorial Department | |||
| Thomas Barkenäs | .... | digital intermediate colorist | |
| Elin Hallberg | .... | assistant editor | |
| Andrzej Kiwala | .... | color grader | |
| Martin Malm | .... | on-line editor | |
| Mattias Morheden | .... | trailer editor | |
| Roger Sellberg | .... | editorial supervisor | |
| Trevor Sims | .... | on-line editor | |
| Björn Skogsfjord | .... | on-line editor | |
Music Department | |||
| Stephen Coleman | .... | musician | |
Other crew | |||
| Annelie Arrefelt | .... | animal handler | |
| Mathias Berggren | .... | legal counsel | |
| Kirsten Bonnén Rask | .... | script editor | |
| Henrik Cednert | .... | title designer | |
| Linda Essen-Möller | .... | title designer | |
| Yaba Holst | .... | script editor | |
| Pia Janols | .... | production accountant | |
| K.G. Johansson | .... | script editor | |
| Peter Kandell | .... | location scout | |
| Hans Lönnerheden | .... | completion bond | |
| Julia Lönnerheden | .... | production assistant | |
| Susanne Ruben | .... | location manager | |
| Anita Rytting | .... | production coordinator | |
| Ulrica Segehem | .... | script supervisor | |
| Ylva Swedenborg | .... | publicist | |
| Sabina Österling | .... | production accountant | |
Thanks | |||
| Lia Boysen | .... | special thanks | |
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| You, the Living | Patrik, Age 1.5 | Prime | 8 Dates with Paul | The Stunt Man |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Norway section |
The idea behind the film is not really brand new, but it is very well done and watching it was good fun. Eagle Eye Cherry as the old lady's caretaker was awesome. The characters in Att göra en Pudel are sort of extreme but still authentic. A woman who dresses the the hair of dogs as the new age Cinderella is brilliant. Although it is hard to believe that a journalist who has bashed people for so long can really change into a compassionate and loving man, the message "do good and good things will come back to you" came across. I recommend this film to everyone who likes to watch romantic films with loads of humour. "Att göra en Pudel" is one of the best romantic comedies i have seen.