Two young guys work in a plant that manufactures oshibori (those moist hand-towels found in some Japanese restaurants). Their weird bond is based on uncontrollable rage--something neither ... See full summary »
Takemura has no friends and no family. He's a student but he doesn't have any particular ambitions. In other words, he isn't going anywhere fast. Were all this not enough, the sorry sad ... See full summary »
Leaving her alcoholic husband, Eiko takes their son Masaya away from Tokyo and back to her hometown in a Kyushu rural mining community. She toils to support him though many years of ... See full summary »
Majime, an eccentric man in publishing company, who has unique ability of words, joins the team that will compile a new dictionary, 'The Great Passage.' In the eclectic team, he becomes ... See full summary »
After the collapse of their relationship, Kiwako abducts the 6-month old child of a man she was having an affair with. Raising the child as her own, it is four years before the authorities catch up with her and the young child.
This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 ... See full summary »
Three employees of the Kimura Electrical Company are due to present a new robot to an important robot exhibition in the coming days, but after an accident in which the robot is destroyed, ... See full summary »
The Uchouten Hotel, is, like the name suggests ("uchouten" means something like "to be beside oneself with joy") an extremely fast-paced, incredibly hysterical comedy by Koki Mitani (who also wrote and directed "Warai no Daigaku") about a very busy New Year's Eve in the five star Avanti hotel.
The comedy varies from situational comedy to elements of typical Japanese slapstick and spiced up with unexpected turnouts and embarrassing cock-ups for the main characters.
The film sports some of Japan's most popular actors, such as SMAP singer Katori Shingo and Yakusho Kouji, famous worldwide for his part in the recently Hollywood remade "Shall we Dansu?".
The movie is classical Japanese humour performed flawlessly without retreating too much to old clichéd banalities. I warmly recommend it to any lover of high-paced comedy.
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