A hustler who gets in trouble with a gang boss in the port town of Sukago agrees to make good with the don by putting him in contact with a mysterious hitman -- an assassin the hustler has ... See full summary »
When a not-so-stellar lawyer is in need of something to help her case she has to rely on an unconventional witness for testimony. Will the court agree to hear testimony from and will the ... See full summary »
A radio play is going to go on air at a Tokyo radio station. It is a weepy melodrama written by housewife Miyako, who is the winner of the competition run by the station. Suddenly, the ... See full summary »
After the forced suicide of Nobunaga Oda at the Incident at Honno-ji, powerful figures Katsuie Shibata, Hideyoshi Toyotomi, Nagahide Niwa and Tsuneoki Ikeda meet to decide on a successor. ... See full summary »
In pre-war Japan, a government censor tries to make the writer for a theater troupe alter his comedic script. As they work with and against each other, the script ends up developing in unexpected ways.
Ryoko Itakura is a government tax agent who has just landed a big promotion. Her first assignment is to catch wheeler-dealer Hideki Gondo. She has a tough job, since in Japan tax evasion is... See full summary »
In a Japanese high school, a class of adolescent geeks joins the new synchronized swimming teacher and takes up the challenge to take part in the competition, in spite of the mockeries of the "real sportsmen".
The Uchouten Hotel, is, like the name suggests ("uchouten" means something like "to be beside oneself with joy") an extremely fast-paced, incredibly hysterical comedy by Koki Mitani (who also wrote and directed "Warai no Daigaku") about a very busy New Year's Eve in the five star Avanti hotel.
The comedy varies from situational comedy to elements of typical Japanese slapstick and spiced up with unexpected turnouts and embarrassing cock-ups for the main characters.
The film sports some of Japan's most popular actors, such as SMAP singer Katori Shingo and Yakusho Kouji, famous worldwide for his part in the recently Hollywood remade "Shall we Dansu?".
The movie is classical Japanese humour performed flawlessly without retreating too much to old clichéd banalities. I warmly recommend it to any lover of high-paced comedy.
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