Critic Reviews

59

Metascore

Based on 33 critic reviews provided by Metacritic.com
75
This is an atmospheric, intense film, well acted, and when it's working it has a real urgency.
75
We Own the Night is defiantly, refreshingly unhip.
75
The movie really belongs to Phoenix, who gives a haunting performance with just the right degree of intensity.
75
The movie's climactic car chase is as absurdly thrilling as it is innovative. Set almost silently in a blue-gray daytime downpour, it has a tough, improvisatory danger that makes the movie. If John Coltrane went in for action sequences, he'd have dug this one.
75
With a cast like this, one has a right to expect something amazing, so the fact that We Own the Night is merely "entertaining" might cause disappointment in some quarters.
67
The story is too patterned and too contrived.
63
At times solid and suspenseful, at times dopily implausible and woefully familiar.
63
When it goes wrong, specifically when Bobby is given a badge like an angry Earp brother in "Gunfight at the O.K. Corral," the story turns into something barely at the level of a TV cop show.
63
Phoenix gives a nice performance as a man caught between loyalties but blind to the realities all around him, but Gray's screenplay is filled with clunky, Dr. Phil-sounding aphorisms that stop the movie cold.
60
The Hollywood Reporter
A more accomplished film than "Yards." Yet it will fail to satisfy police movie buffs, as procedures are de-emphasized, and the drama is too perfunctory and obvious.
50
Things are a little off. The style is gritty 1970s-style crime thriller, but the morals are straight out of 2007, and the movie is set in 1988.

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