4 items from 2016
The best picture doesn’t always win Best Picture. Sometimes the best film of the year gets robbed. Cinelinx looks at the movies which should have won Best Picture but didn’t.
Whenever the Best Picture winner is announced at the Oscars, sometimes we say, “Yeah, that deserved to win,” but then again, sometimes we say, “Huh? Are they kidding me?!” There are a lot of backstage politics and extenuating factors in Hollywood that can determine which film wins the big trophy. The worthiest film doesn’t always take the statue home. Going back over the 88-year history of the Academy Awards, we look at which films didn’t really deserve to win and the ones which rightfully should have won.
The Best Pictures and the Better Pictures:
1927-8: The Winner-Wings
What should have won: Sunrise (Sunrise was given a special award for Artistic Quality of Production, but it »
- firstname.lastname@example.org (Rob Young)
The scent of Southern climbing roses mingles with the ugly acridity of small-town racial prejudice in “Sophie and the Rising Sun,” a safe, gentle-hearted romantic drama that succeeds most winningly as a study of resilient female fellowship. Writer-director Maggie Greenwald’s first adult-oriented feature since 2001’s “Songcatcher” amply exhibits the quiet virtues of feminist empathy and lyricism that have made her voice a much-missed one on the U.S. independent scene, but this WWII-set story of a sensitive woman (Julianne Nicholson) vilified by her community for befriending a non-white outsider nonetheless falls quite far from “Far From Heaven,” hampered by some broad-brush scripting and an unpersuasive dynamic between its onscreen lovers. Flavorful performances — particularly from Margo Martindale and Lorraine Toussaint as the heroine’s uncertain allies — are notable compensation in a film that deserves to connect with older, underserved female viewers.
Augusta Trebaugh’s novel of the same title was published, »
- Guy Lodge
The 2015 Oscar nominations have been announced with The Revenant leading the way with 12 nominations followed by Mad Max: Fury Road with ten. After crunching some numbers we've taken a look at how this year's crop of Best Picture nominees stacks up to prior, pre-nomination box office totals. Have a look at what we found after comparing this year's eight Best Picture nominees to 190 previous Best Picture contenders, going back 33 years to 1982. Note: Before reading on, please be aware this article is specifically comparing pre-nomination grosses (not adjusted for inflation) unless otherwise noted. To begin, Room is the sixth lowest grossing Best Picture nominee (pre-nominations) in the last 33 years with $5.1 million. The five lower grossing films are American Sniper ($3.3M), Letters from Iwo Jima ($2.5M), My Left Foot ($2.1M), The Dresser ($562k) and Amour ($371k). In fact, Room will likely end up as one of the top ten lowest grossing Best »
- Brad Brevet <email@example.com>
A new year means an opportunity to reflect on the past. This is our list of the 100 best films of the last 15 years, Part 1 #100 through 76.
The first decade and a half of the 21st century has brought a lot of changes to the landscape of film. The advancement and sophistication of computers has made realistic computer generated effects a mainstay in both big-budget and small-budget films. The internet and streaming technologies have given big Hollywood new competition in films produced independently and by non-traditional means. We went from purchasing films on yards of tape to plastic disks, and now we can simply upload them to the cloud. Advertisements for films have reached a higher, more ruthless level where generating hype through trailers and teasers is crucial for a film’s commercial success. Movie attendance has fluctuated along with the economy, but that hasn’t stopped films from breaking box office records, »
- firstname.lastname@example.org (G.S. Perno)
4 items from 2016
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