| Photos (See all 66 | slideshow) |
Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| Iris Yamashita | (screenplay) | |
| Iris Yamashita | (story) & | |
| Paul Haggis | (story) | |
| Tadamichi Kuribayashi | book "Picture Letters from Commander in Chief" and | |
| Tsuyoko Yoshido | book editor "Picture Letters from Commander in Chief" | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Paul Haggis | .... | executive producer | |
| Robert Lorenz | .... | producer | |
| Tim Moore | .... | co-producer | |
| Steven Spielberg | .... | producer | |
Original Music by | |||
| Kyle Eastwood | |||
| Michael Stevens | |||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
| Gary Roach | (as Gary D. Roach) | ||
Casting by | |||
| Phyllis Huffman | |||
Production Design by | |||
| Henry Bumstead | |||
| James J. Murakami | |||
Set Decoration by | |||
| Gary Fettis | |||
Costume Design by | |||
| Deborah Hopper | |||
Makeup Department | |||
| Patricia DeHaney | .... | key hair stylist (as Patricia Dehaney) | |
| Vincent J. Guastini | .... | burn effects | |
| Zoe Hay | .... | makeup artist | |
| Stefan Jorgen | .... | special makeup effects artist | |
| Eryn Krueger Mekash | .... | key makeup artist (as Eryn Krueger) | |
| Tania McComas | .... | makeup department head | |
| JoJo Myers Proud | .... | makeup artist (as JoJo Proud) | |
| Carol A. O'Connell | .... | hair department head | |
| Dennis Roden | .... | hair stylist | |
| Dave Snyder | .... | makeup artist | |
| Christien Tinsley | .... | special makeup effects artist | |
| Rebecca Wachtel | .... | third makeup artist (as Rebecca Watchel) | |
| Jay Wejebe | .... | makeup artist | |
| Roxy D'Alonzo | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Tim Moore | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Katie Carroll | .... | second assistant director | |
| Peter Dress | .... | second second assistant director (as Pete Dress) | |
| Donald Murphy | .... | first assistant director | |
| Michael Owens | .... | second unit director | |
| Kent Tsurumaru | .... | additional second second assistant director | |
Art Department | |||
| Scott M. Anderson | .... | assistant property master | |
| Kai Blomberg | .... | set dresser | |
| J.C. Brown | .... | calligraphy consultant (as JC Brown) | |
| J.C. Brown | .... | scenic artist (as JC Brown) | |
| Pam Cartmel | .... | art department coordinator | |
| Jaime Castaneda | .... | greens | |
| Jaime Castellanos | .... | greens gang boss | |
| James 'JD' Deal | .... | greensman | |
| Elixandro Diaz Jr. | .... | plaster supervisor | |
| James Fernandez | .... | on-set dresser | |
| Sara Gardner-Gail | .... | set decoration buyer | |
| Adrian Gorton | .... | set designer | |
| Steven Hanks | .... | greens gang boss | |
| Steven Hanks | .... | greens (as Stephen Hanks) | |
| John Horning | .... | assistant property master | |
| David Ladish | .... | set dresser | |
| Steven Ladish | .... | set dresser | |
| Gary A. Lee | .... | set designer (as Gary Lee) | |
| Christopher Morente | .... | greens foreman | |
| Michael Muscarella | .... | construction coordinator | |
| Roger Prater | .... | stand-by greens | |
| Edward J. Protiva | .... | construction | |
| Edward J. Protiva | .... | set dresser | |
| Michael Sexton | .... | property master | |
| Robert Silcock | .... | gang boss | |
| Brett C. Smith | .... | lead man | |
| Paul Weakland | .... | construction labor foreman | |
| Karl J. Weschta | .... | assistant property master | |
| Will Ziegenhorn | .... | art department production assistant | |
| Michael Biggie | .... | prop painter (uncredited) | |
| Robert M. Bouffard | .... | prop fabricator (uncredited) | |
| Matt Hausmann | .... | assistant food stylist (uncredited) | |
| James R. Lord | .... | propmaker gangboss (uncredited) | |
Sound Department | |||
| David A. Arnold | .... | supervising dialogue editor (as Dave Arnold) | |
| Bub Asman | .... | co-supervising sound editor | |
| David E. Campbell | .... | sound re-recording mixer (as Dave Campbell) | |
| William Cawley | .... | first assistant sound editor (as Bill Cawley) | |
| Vincent Cirilli | .... | ProTools engineer | |
| Lucy Coldsnow-Smith | .... | dialogue editor | |
| Gloria D'Alessandro | .... | dialogue editor | |
| Flash Deros | .... | boom operator | |
| Michael Dressel | .... | supervising foley editor | |
| Juno J. Ellis | .... | adr supervisor | |
| Robert Fernandez | .... | score mixer | |
| Christopher Flick | .... | foley editor (as Chris Flick) | |
| Dick Hansen | .... | utility sound (as Dick Hanson) | |
| Robin Harlan | .... | foley artist | |
| Jason W. Jennings | .... | sound effects editor (as Jay Jennings) | |
| Jason King | .... | sound effects editor | |
| Nicholas Vincent Korda | .... | adr editor (as Nicholas V. Korda) | |
| Greg LaPlante | .... | digital mastering | |
| Steve Mann | .... | sound effects editor | |
| Walt Martin | .... | sound mixer | |
| Charles Maynes | .... | sound designer | |
| Sarah Monat | .... | foley artist | |
| Ryan Murphy | .... | sound mix technician | |
| Alan Robert Murray | .... | supervising sound editor | |
| Kevin Murray | .... | assistant sound editor | |
| Rupert Nadeau | .... | assistant adr editor | |
| Thomas J. O'Connell | .... | adr mixer | |
| Jordan O'Neill | .... | DTS Sound Mastering Engineer | |
| John T. Reitz | .... | sound re-recording mixer (as John Reitz) | |
| Gregg Rudloff | .... | sound re-recording mixer | |
| Randy Singer | .... | foley mixer | |
| Karen Spangenberg | .... | dialogue editor | |
| Shawn Sykora | .... | foley editor | |
| David Wolowic | .... | assistant sound editor (as Dave Wolowic) | |
Special Effects by | |||
| John J. Downey | .... | special effects technician | |
| Mike Edmonson | .... | special effects set coordinator | |
| Mike Edmonson | .... | special effects supervisor | |
| Jason Hansen | .... | special effects technician | |
| Brian Hillard | .... | special effects makeup: Tinsley Transfers | |
| Steve King | .... | special effects technician (as Steven King) | |
| Steven D. Kline | .... | special effects technician | |
| James Lacroix | .... | special effects technician | |
| James Lorimer | .... | special effects technician (as Jim Lorimer) | |
| Nick Papac | .... | special effects technician (as Nicholas M. Papac) | |
| David A. Poole | .... | special effects technician (as David Poole) | |
| Shari Ann Riley | .... | special effects technician | |
| Steve Riley | .... | special effects supervisor (as Steven Riley) | |
| Dominic V. Ruiz | .... | special effects technician | |
Visual Effects by | |||
| Austen Armus | .... | render coordinator | |
| Tohda Asuka | .... | lighting sequence lead: Digital Domain | |
| Geoffrey Baumann | .... | on-set survey and integration lead: Digital Domain | |
| Eric M. Beaver | .... | digital compositor (as Eric Beaver) | |
| Joel Behrens | .... | compositor: Digital Domain | |
| Niki Bern | .... | compositor | |
| Frank Bonniwell | .... | animator | |
| Andrew Bradbury | .... | CG lighting artist: Digital Domain | |
| Matthew E. Butler | .... | visual effects supervisor: Digital Domain (as Matthew Butler) | |
| Howard Cabalfin | .... | digital artist | |
| Dan Cobbett | .... | digital compositor: Digital Domain | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Janice Barlow Collier | .... | dustbuster: Digital Domain (as Janice Barlow) | |
| Brenton Cottman | .... | matte painter | |
| Shad Davis | .... | visual effects coordinator | |
| Eric Deinzer | .... | digital artist | |
| Gareth Dinneen | .... | compositor: Digital Doman | |
| Hugo Dominguez | .... | rotoscope artist: Digital Domain | |
| Joshua Doud | .... | data integration artist | |
| Christina Drahos | .... | digital compositor: Digital Domain | |
| Mark Duckworth | .... | rotoscope artist | |
| Edgar Díaz | .... | roto/paint artist: Digital Domain | |
| Jenn Epstein | .... | digital paint & rotoscope artist: Digital Domain | |
| Chad Finnerty | .... | animator | |
| Jay Frankenberger | .... | compositor: Digital Domain | |
| Antonio Freire | .... | production accountant | |
| Robert A.D. Frick | .... | CG lighting artist: Digital Domain | |
| Brian Gazdik | .... | digital effects artist: Digital Domain | |
| Swen Gillberg | .... | computer graphics supervisor: Digital Domain | |
| Mitchell J. Glaser | .... | visual effects editor | |
| Bryan Grill | .... | digital effects supervisor | |
| Ian A. Harris | .... | rotoscope artist: Digital Domain | |
| Marlan Harris | .... | visual effects | |
| Peter Herlein | .... | rotoscope artist: Digital Domain | |
| Brad Herman | .... | digital artist: Digital Domain | |
| David Hodgins | .... | computer graphics supervisor: Digital Domain | |
| Christopher Holsey | .... | scan record supervisor | |
| Holly Gregory Horter | .... | rotoscope artist: Digital Domain (as Holly Horter) | |
| Heather Hoyland | .... | senior compositor: digital domain | |
| Chia-Chi Hu | .... | digital compositor | |
| Melissa Huerta | .... | rotoscope artist: Digital Domain | |
| Steven Hur | .... | technical assistant | |
| Slavik IA | .... | animator (as Slavik Anishchenko) | |
| Atsushi Ikarashi | .... | digital effects artist | |
| Aruna Inversin | .... | digital compositor: Digital Domain | |
| Dag Ivarsoy | .... | digital compositor: Digital Domain | |
| Sarahjane Javelo | .... | digital paint/rotoscope artist: Digital Domain | |
| Jaimie Lee Jota-Finnerty | .... | senior digital coordinator: Digital Domain (as Jaimie Jota) | |
| Gabriella Urbina Kalaitzidis | .... | digital compositor: Digital Domain | |
| Jeff Kim | .... | digital compositor | |
| Seunghyuk Kim | .... | digital effects artist: Digital Domain (as Seung Hyuk Kim) | |
| Viviana Kim | .... | lead rotoscope artist: Digital Domain | |
| Michelle Ladd | .... | motion capture director | |
| Paul Lambert | .... | digital compositor | |
| Errol Lanier | .... | digital artist: Digital Domain | |
| Mårten Larsson | .... | visual effects lead | |
| Julian Levi | .... | visual effects producer | |
| Robert Liscombe | .... | digital artist | |
| Jo Lockman | .... | dustbuster | |
| Jo Lockman | .... | scanning and recording operator: Digital Domain | |
| Ross MacKenzie | .... | lead 3D integration artist: Digital Domain | |
| Michael Maker | .... | 3D integration artist: Digital Domain | |
| Michael Maloney | .... | digital compositor | |
| Rory McLeish | .... | CG lighting artist: Digital Domain | |
| Daniel Mejia | .... | rotoscope artist: Digital Domain | |
| Michael Melchiorre | .... | senior digital compositor | |
| Rohini Montenegro | .... | 3D integration artist: Digital Domain | |
| Marc Morissette | .... | digital compositor: Digital Domain | |
| Daniel Moy | .... | digital artist | |
| Jihyun Nam | .... | visual effects | |
| Erin L. Nelson | .... | digital restoration | |
| Winfield O'Brien | .... | visual effects production assistant: Digital Domain | |
| Melanie Okamura | .... | lead CG modeler: Digital Domain | |
| Kym Olsen | .... | digital compositor: Digital Domain | |
| Michael Owens | .... | visual effects supervisor | |
| Marlo Pabon | .... | digital compositor: Digital Domain | |
| Louis Paré | .... | digital lighting artist | |
| Lou Pecora | .... | lead digital compositor: Digital Domain | |
| Eric Petey | .... | animator | |
| Darren Poe | .... | compositing supervisor (as Darren M. Poe) | |
| Youngil Pyo | .... | digital effects artist: Digital Domain | |
| Youngil Pyo | .... | digital terrain lead: Digital Domain | |
| Thomas Reppen | .... | digital effects artist: Digital Domain | |
| Penny Runge | .... | visual effects coordinator | |
| David Sanchez | .... | 3D integration artist: Digital Domain | |
| Christopher Savides | .... | color grader: Digital Domain | |
| Tom Schultz | .... | data integration pool lead: Digital Domain | |
| Diana Sear | .... | CG lighting artist: Digital Domain | |
| Jason Selfe | .... | lead compositor: Digital Domain | |
| Stan Seo | .... | matte painter: Digital Domain | |
| Lisa Spence | .... | digital producer | |
| Tamara Stone | .... | digital compositor | |
| Åsa Svedberg | .... | lighter | |
| Sebastian Sylwan | .... | director of technology: Digital Domain | |
| Andy Tamandl | .... | animator: Digital Domain (as Andrew Tamandl) | |
| Hanzhi Tang | .... | lighting lead | |
| Wilson Tang | .... | digital restoration | |
| Fin Teo | .... | digital texture lead | |
| John Textor | .... | executive: Digital Domain | |
| Jen Underdahl | .... | digital coordinator | |
| John Velazquez | .... | animator | |
| Scott Vosbury | .... | digital paint & rotoscope artist: Digital Domain | |
| Bob Wiatr | .... | digital compositor | |
| Virginia Wilson | .... | digital effects coordinator: Digital Domain | |
| Deborah Wiltman | .... | digital compositor | |
| Michelle Winze | .... | production coordinator (as Michelle Jacobs) | |
| Paul Winze | .... | visual effects coordinator | |
| Midori Witsken | .... | digital artist: Digital Domain (as Midori Otsubo) | |
| Matthias Wittmann | .... | animation lead: Digital Domain | |
| Pam Wong | .... | 3D integration artist: Digital Domain | |
| Niki Yoblonski | .... | rotoscope artist: Digital Domain | |
| Jesse James Chisholm | .... | on-set survey and data integration: Digital Domain (uncredited) | |
| Lisa de la Garza | .... | visual effects senior staff: Digital Domain (uncredited) | |
| Amanda Hampton | .... | pipeline engineer (uncredited) | |
| Molly Hansen | .... | visual effects business affairs (uncredited) | |
| Bill Schaeffer | .... | digital paint and rotoscope artist (uncredited) | |
| Kristen Swanson | .... | dustbuster: Digital Domain (uncredited) | |
| David Wu | .... | roto/paint artist (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Laura Drake Mancini | .... | extras casting assistant | |
| Geoffrey Miclat | .... | casting associate | |
| Yumi Takada | .... | casting associate | |
| Dixie Webster | .... | extras casting | |
Costume and Wardrobe Department | |||
| Corey Bronson | .... | set costumer | |
| Ann Culotta | .... | set costumer | |
| Daniel Dirks | .... | set costumer (as Danny Dirks) | |
| Matthew Jerome | .... | costumer | |
| Mitchell Ray Kenney | .... | costume supervisor (as Mitchell Kenney) | |
| Andrea Knaub | .... | set costumer (as Andrea R. Knaub) | |
| Jack Taggart | .... | head ager and dyer | |
| John M. 'Jack' Wright | .... | costume supervisor (as Jack Wright) | |
Editorial Department | |||
| Ron Barr | .... | digital intermediate editor | |
| Jill Bogdanowicz | .... | digital film colorist | |
| Michael Cipriano | .... | assistant editor | |
| Bruce Lomet | .... | digital intermediate producer | |
| Blu Murray | .... | first assistant editor | |
| Hailey Murray | .... | post-production assistant | |
| Mark Sahagun | .... | digital editor | |
| Kurt Smith | .... | color timer | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer | |
| Donald Harris | .... | music editor (as Don Harris) | |
| Andrew McCormack | .... | musician: piano | |
| Lennie Niehaus | .... | conductor | |
| Lennie Niehaus | .... | orchestrator | |
| Richard Wheeler Jr. | .... | scoring crew | |
Transportation Department | |||
| Nicholas Acquaviva | .... | driver | |
| Michael DePue | .... | driver: generator | |
| Doug Dovichi | .... | driver | |
| Per Jansson | .... | production driver | |
| Shelly Little Feather | .... | driver | |
| Chuck Martinez | .... | driver | |
| Mike Ortiz | .... | driver: greens | |
| Frank Porras | .... | transportation | |
| Kirk Roberts | .... | transportation | |
| Domiciano Rodriquez | .... | transportation co-captain | |
| Alana Stelling | .... | transportation captain | |
| Larry Stelling | .... | transportation coordinator | |
| Dillin Craig | .... | driver (uncredited) | |
Other crew | |||
| Yoshi Ando | .... | adr voice artist | |
| Steve Beimler | .... | location manager | |
| Michael Bilog | .... | first assistant accountant | |
| Susan Bliss | .... | post script services | |
| Ben Bohling | .... | assistant: Mr. Spielberg | |
| Brinton Bryan | .... | key set production assistant | |
| Paul A. Calabria | .... | animal wrangler (as Paul Calabria) | |
| James D. Dever | .... | military technical advisor: Japan/USA | |
| Hitomi Durant | .... | production assistant | |
| David Fencl | .... | key armorer | |
| Michaël Gojon dit Martin | .... | armorer | |
| Jason Gondek | .... | production accountant | |
| Danielle Hartzell | .... | assistant production coordinator | |
| Leo Hernandez | .... | security supervisor (as Leo A. Hernandez) | |
| Tom Hogan | .... | key assistant location manager | |
| Tom Hogin | .... | key assistant location manager | |
| Judie Hoyt | .... | production executive: Malpaso (as Judie G. Hoyt) | |
| Kiko Ireton | .... | cultural advisor: Japan | |
| Yuki Ishimaru | .... | interpreter | |
| Yuki Ishimaru | .... | script translator | |
| Nancy G. James | .... | key craft service | |
| Linda Kai | .... | key assistant location manager | |
| Don Kincade | .... | set production aide | |
| Kristie Macosko Krieger | .... | assistant: Mr. Spielberg (as Kristie Macosko) | |
| Mable Lawson-McCrary | .... | script supervisor (as Mable Lawson McCrary) | |
| Thomas Longo | .... | extras coordinator | |
| Deana Lou | .... | assistant: Mr. Eastwood | |
| John Malakoff | .... | production travel consultant | |
| Jessica Meier | .... | additional assistant production office coordinator | |
| Matt Miller | .... | additional set production assistant | |
| Meg Mimura | .... | technical advisor | |
| Tom Minder | .... | assistant military advisor | |
| Tom Minder | .... | assistant military technical advisor | |
| Steven R. Molen | .... | head of production | |
| Joy Nakagawa | .... | interpreter | |
| Greg Newman | .... | assistant: Mr. Lorenz | |
| Alexander Nicksay | .... | high definition coordinator | |
| Phyllis Overall | .... | staff assistant | |
| Nick Papac | .... | armorer | |
| Denise Anderson Poore | .... | production assistant | |
| Ferguson Reid | .... | set medic (as Dr. Ferguson Reid) | |
| Ron Resch | .... | set medic (as Ronny Resch) | |
| Jenniphur Ryan | .... | assistant: Mr. Eastwood | |
| Gian Sardar | .... | assistant: Mr. Haggis | |
| Taffy Schweickhardt | .... | payroll accountant | |
| Karen Shaw | .... | production coordinator | |
| Takae Shimizu | .... | interpreter | |
| Yoshiaki Shioya | .... | english coach: Japan (as Yoshi Shioya) | |
| Linda Stelling | .... | set medic | |
| Miker Stovall | .... | additional assistant production coordinator | |
| Yoshikuni Taki | .... | production supervisor: Japan | |
| Quay Terry | .... | assistant military technical advisor (as SSgt. Quay Terry Ret.) | |
| Landon Trawny | .... | accounting clerk | |
| John Trujillo | .... | layout board | |
| Stephanie Whallon | .... | second assistant accountant | |
| Jim Wheelan | .... | assistant location manager: Barstow, Pisgah locations (as James H. Wheelan) | |
| Robert Boas | .... | i/o support (uncredited) | |
| Hideo Kimura | .... | adr voice artist (uncredited) | |
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| Downfall | Flags of Our Fathers | Nanking | Cross of Iron | The Last Samurai |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
In the second half of "Letters from Iwo Jima," a group of Japanese soldiers find an American who has been badly wounded and take him into their cave. Their general speaks English, so he begins talking to this soldier, whose name we later find out is Sam. Although the two men should be sworn to kill each other, they are able to have a connection in the one conversation they have. A while later, the general comes back into the room only to discover that Sam's wounds have killed him. He searches him for a while and discovers a letter written by his mother. The letter is full of words that truly come from the heart of this kid's mother, and by the time the general finishes reading the letter, every soldier in that cave has realized that Americans aren't these savages; these hate-driven murderers. No, they all realize that Americans are exactly like they are, and that they don't want to be there and want to return home safely just like their enemies. I believe the point that Clint Eastwood is making with his Iwo Jima saga is just this: these two enemies were far more alike than they had imagined and they were both fighting only in hopes of returning home safely to their family.
As for the specific film itself. In just about every way imaginable, this absolutely brilliant film is a step up from "Flags of our Fathers" (which is not something I say easily, as "Flags" is a terrific film in my opinion). From the acting of the incredible ensemble cast (most notably from Ken Watanabe's Oscar-worthy performance), to the film's delicate but powerful script, to the beautiful imagery of the film (the color distortion could not be any more brilliant than it is here), to Clint Eastwood's absolutely perfect knowledge of film and what works in a film like this.
Many people are wondering whether this will be able to compete for Best Picture at the Oscars this year. It is true that just about all of the film is spoken in Japanese, but the truth is that Eastwood has created nothing short of a masterpiece with this work, and a foreign language doesn't even come close to making that extremely obvious. I think that this film is very comparable in quality to Steven Spielberg's (who is one of the producers of the film) "Saving Private Ryan." Although Spielberg's film has more entertainment value (as it features more action) and has an opening scene that cannot be contended with, Eastwood sends out an even more powerful message about war than Spielberg did, as it turns out that watching soldiers battle with no way out makes you feel the pains of war more than watching the soldiers on the invading side of the army. The fact that "Ryan" was able to strongly compete for Best Picture (and just about win the award) makes me very certain that this film has great chances, even if Martin Scorsese seems to be tough to beat at this point. What I think allows this to compete with "The Departed" is the fact that this film doesn't take the "cool" route that Scorsese took, which isn't something that the Academy has honored in the past.
The score, written by Kyle Eastwood (Clint's son), captures the feel of the movie better than any score written for any movie this year. It is very quiet music, but listening to it makes you think about all the people that die as victims of war.
To sum it all up, "Letters from Iwo Jima" is one of the greatest war films ever made, and is easily does the best job of depicting war as something that harms all involved that I have ever seen. Clint Eastwood has, with this achievement, engraved his name as one of the greatest American directors in film history.