On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
Three female college students take a detour from their partying, enticed by a beautiful European woman who promises seclusion, safety and maybe even romance. What they get is a living hell where they are sold to the highest bidder who's fondest wish is to kill them slowly. Hostel 2 also follows 2 American men who, on the flip side of the coin, are willing to pay to join an exclusive club where a life will end at their hands...any way they like. It's a story of human monsters and the almighty dollar as only Eli Roth could tell it. Written by
Paul Nomad of Dreadcentral.com
Eli Roth's severed head can be seen amongst others. However, Quentin Tarantino's head is not in any scenes (Roth notes in the commentary on the DVD that the person he used is often confused as Tarantino, but it is not him). See more »
While Lorna is suspended upside down her feet are clearly being held by thick cuffs designed for suspending a person in this way, however when a close up of her feet is shown she is supposed to be bound by some thin rough looking rope. This obviously would not have been possible to film with the actress actually hanging by such a thin rope as the weight of the human body hung by the ankles in this way would have caused injury to the actress. See more »
Italian Police Officer:
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At the very end of the credits, the Bubblegum Gang Leader can be heard saying "Bitches!" one last time. See more »
Most Satisfying Sequel in a Summer Full Of Disappointing Ones
It's strange that the critics who are giving this movie bad reviews aren't even giving an argument. They're simply saying it's "crud" and "torture porn." They are complaining that there is too much violence, while fans complain that there isn't enough. I strongly believe that this film deserves more credit than it's receiving. I also read a user comment on IMDb that said this film had the worst cast ever. That almost makes me think that the person did not see the movie.
The cast was the strongest aspect of the movie. German, Phillips, and Matarazzo were pretty damn perfect for their roles. They are the three leads, but the core of the film is the duo of Richard Burgi and Roger Bart. I knew they both looked kind of creepy but I had no idea they could act so well. Lionsgate did a very good thing by not pressuring Eli Roth into casting huge stars. I can honestly say that Burgi and Bart give the best performances in any horror movie I've seen in a long time. I also love how Roth wrote their characters. They were very real and believable because they're not just evil villains, they are family men. I thought I knew exactly where the characters were going, but Roth was successful in surprising me. I found it very entertaining to watch these two characters unravel. In addition to the main characters, the many offbeat minor characters were freaking amazing. I'm not certain at the moment who was in charge of casting, but to whoever was, I salute you. There are countless new characters with great faces, as well as the return of the desk clerk, who is surprisingly menacing. Roth also knows that he owes a lot to Italian cinema from the 70s and 80s. He's cast two famous actors from that period, as well as the director of the most infamous movie of all time. Their cameos were very (for lack of a much better word) good. I also have to mention the bubblegum gang. This time, the kids are interwoven nicely into the narrative. Their scenes were comedic but also had genuine emotional impact.
It is easy to notice that the photography, editing, and set designs of this film are much improved from the original. Unlike in the Saw films, the viewer is not distracted by these elements. Instead, the experience is enhanced. I was quite impressed.
I respect Roth much more as a filmmaker after this movie. There are several awesome montages, which I'm always a sucker for. He also constantly builds up our expectations (and, based on his other movies, we think everything will go according to plan) only to shatter them and fulfill in them in another way. This, in my opinion, is the way to go because it's both surprising and satisfying.
All in all, this movie offers SO much more than most horror sequels. Saw II, even though it was very successful, went in the direction of most horror sequels, focusing more and more on the killings instead of the people involved. Hostel Part II does the opposite, similar to Kill Bill. Fans may be disappointed that the torture scenes are shorter than in the first, but I think Roth handles the material wisely in most instances. And, yes, the girls' story is almost a mirror image of the boys' in the original, but it all feels fresh since we get to watch their journey knowing what's happening every step of the way.
The introduction with Jay Hernandez is one of the only things feels like something that's done in a lot of sequels. He should have been given more to do. It wouldn't have been necessary, but it would have been more interesting. His scenes here feel kind of forced, even though they're well done.
Oh, and about that ending. I didn't know how to feel at first. Roth has been promising so much. My first words after the movie were, "That wasn't the most shocking ending in history!" But the more I think about it, the more I love it. It's not a twist like I was expecting, although there is a nice twist in the climax. The final scene is very entertaining, however straight-forward it may be. It's still more fun than watching a bunch of billionaires steal money.
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