IMDb > Re-cycle (2006)
Gwai wik
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Re-cycle (2006) More at IMDbPro »Gwai wik (original title)

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Overview

User Rating:
6.1/10   3,976 votes »
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Up 52% in popularity this week. See why on IMDbPro.
Writers:
Oxide Pang Chun (written by)
Cub Chin (written by)
(more)
Contact:
View company contact information for Re-cycle on IMDbPro.
Release Date:
1 July 2006 (Hong Kong) See more »
Tagline:
The abandoned don't just disappear.
Plot:
After writing three best-sellers about love story based on her own experiences, the successful writer... See more » | Add synopsis »
Awards:
3 wins & 3 nominations See more »
User Reviews:
Writing from experience… See more (43 total) »

Cast

  (in credits order)

Directed by
Oxide Pang Chun  (as Pang Brothers)
Danny Pang  (as Pang Brothers)
 
Writing credits
(in alphabetical order)
Cub Chin  written by
Sam Lung  written by
Oxide Pang Chun  written by (as Pang Brothers)
Danny Pang  written by (as Pang Brothers)
Thomas Pang  written by (as Pak Sing Pang)

Produced by
Sa-Nga Chatchairungruang .... producer
Somchai Cheewasutthanon .... executive producer
Alvin Lam .... producer
Daniel Lam .... executive producer
Oxide Pang Chun .... producer (as Pang Brothers)
Danny Pang .... producer (as Pang Brothers)
Thanitsaphong Sasinmanop .... executive producer
Chiu Suet Ying .... executive producer
 
Original Music by
Payont Permsith 
 
Cinematography by
Decha Srimantra (director of photography)
 
Film Editing by
Oxide Pang Chun  (as Pang Brothers)
Curran Pang 
Danny Pang  (as Pang Brothers)
 
Production Design by
Jirayut Prachumrat 
 
Art Direction by
Narongchai Aunn-Jai 
 
Costume Design by
William Fung 
Lim Chung Man  (as Man Lim Chung)
Dora Ng 
 
Production Management
Thammarak Kamuttmanoch .... production manager (as Thamarak Kamuthmanoch)
Marisa Kongka .... assistant production manager
Bandid Pacamon .... assistant production manager
 
Second Unit Director or Assistant Director
Thammarak Kamuttmanoch .... location assistant director (as Thamarak Kamuthmanoch)
Jill Wong .... location assistant director (as Jill Wong Pak Kei)
 
Sound Department
Preeda Gunbutr .... assistant sound designer (as Preeda Kunbutr)
Annop Jaikaew .... boom operator
Thanasak Julakate .... foley artist
Sooksun Klinkhajohn .... sound editor
Nakorn Kositpaisain .... sound designer
Chart Mahapichayakul .... foley artist
Somsak Pimpalai .... sound editor
Vachira Wongsarod .... re-recording mixer (as Wachira Wongsarojn)
 
Special Effects by
Chas Chi-Shing Chau .... special effects supervisor (as Chas Chau)
 
Visual Effects by
Yuen Fai Ng .... creative director
 
Costume and Wardrobe Department
Una Wang .... assistant costume designer
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
"Gwai wik" - Thailand (original title)
See more »
MPAA:
Rated R for frightening and disturbing images
Runtime:
108 min
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Quotes:
Old Man:This is a dimension of the abandoned. All discarded creations end up in this domain. And they may vanish any minute. We are here because we have been abandoned.See more »

FAQ

This FAQ is empty. Add the first question.
4 out of 6 people found the following review useful.
Writing from experience…, 30 October 2009
Author: lost-in-limbo from the Mad Hatter's tea party.

The Pang Brothers book marked a creatively grim, if disconnected little supernatural horror film balancing that of a novelist (a perfectly pitched performance by Angelica Lee) trying to write a horror novel, but finding out what she writes is personally happening to her. Being haunted by her work with the growing expectations, or a former if complicated love coming back on the scene. She enters a dream reality (where the title comes in to play), mixing the stark horror and fleeting happiness in what is a journey of discovery… up until its undermining ending. I was actually liking the (traditional, but stimulating) build-up (consisting of eerie sounds, lurking figures and a sense of danger) until she enters this fantasy world (like a nightmarish spin of 'Alice's in Wonderland'), where the story felt more like clips (well that's how memories kept hidden, waiting to be remembered simply come and then go) and being cluttered with crazy CGI… which wasn't badly projected, as some sequences were amazing, but eventually I grew tired of the routine. The Pang Brothers' surefooted handling is slick, letting the flowing cinematography craft out haunting frames and wonderfully strange imagery. Inspired, but emotionally starved and the story really loses momentum.

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