7.3/10
8,375
33 user 75 critic

Iklimler (2006)

Unrated | | Drama | 20 October 2006 (Turkey)
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A dowdy university instructor Isa is an inattentive husband to his younger, TV-business wife Bahar. Self-absorbed and selfish, Isa only communicates in the most rudimentary way, while she, similarly, detaches into crying jags and juvenile behavior.

Director:

12 wins & 7 nominations. See more awards »
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Cast

Cast overview:
Ebru Ceylan ...
Bahar
...
Isa
Nazan Kesal ...
Serap (as Nazan Kirilmis)
Mehmet Eryilmaz ...
Mehmet
Arif Asçi ...
Arif
Can Ozbatur ...
Guven
...
Taxi Driver
Fatma Ceylan ...
Isa's Mother
Emin Ceylan ...
Isa's Father
Semra Yilmaz ...
Semra
Ceren Olcay ...
TV Series Actress
Apo Demirkubuz ...
TV Series Actor (as Abdullah Demirkubuz)
Feridun Koc ...
TV Series Director
Zafer Saka ...
TV Series Crew Member
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Storyline

In Turkey, the middle-age University Professor Isa and his younger wife Bahar, who works in television, are spending summer vacation in Kas. After a couple of days, Isa decides to separate from Bahar since they do not communicate with each other. Bahar returns to Istanbul alone and then she travels to the countryside to work in a new project. Meanwhile Isa meets his former lover Serap with his friend Guven and later he rapes her in her house. Then he travels to meet Bahar and propose her to move in together again. What will be her decision? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Official Sites:

Country:

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Language:

Release Date:

20 October 2006 (Turkey)  »

Also Known As:

The Climate  »

Filming Locations:

 »

Box Office

Opening Weekend:

$9,665 (USA) (27 October 2006)

Gross:

$119,958 (USA) (25 May 2007)
 »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ebru Ceylan is Nuri Bilge's wife. See more »

Connections

Referenced in World Cinema (2007) See more »

Soundtracks

Piano Sonata in F minor, K. 466
Composed by Domenico Scarlatti
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User Reviews

 
RIch and Rewarding
17 July 2008 | by (Sydney, Australia) – See all my reviews

The films of Michelangelo Antonioni will either bore you to death or captivate you in the most subtle of ways. I fall into the latter category and am profoundly influenced by his work and the filmic conventions integral to them. It was my discovery of Antonioni's work that led to my discovery of New German Cinema, both of which ultimately shaped the way I watched and interpreted films. Brought up on a steady diet of Hollywood movies, I was conditioned to be a passive viewer, one swept away by movies made solely for entertainment purposes. In many ways I still am that little boy who gets lost in the fantasy world on the silver screen, but as an adult I've learned the films that truly make me feel alive are the ones forcing me to be an active participant in what is being projected before me. In other words, films that challenge me by asking questions in lieu of providing absolutes.

Nuri Bilge Ceylan's is an Antonioni disciple and his 2006 film Climates is unmistakably an Antonioni clone. From the story of a couple's dissolving relationship on vacation (one part L'Avventura one part La Notte) right down to the compositions of every shot and the very deliberate pacing, Ceylan wears his influence with pride. Cinematographer Gokhan Tiryaki beautifully frames every shot, where the meticulous compositions are allowed to play out in patient long takes. As it is with Antonioni's films, the minimal use of editing allows the viewer to study things they normally wouldn't get a chance to even consider. Things like landscape, diegetic sounds and subtleties expressed by the actors, all take on heightened significance where, ultimately, this minutiae plays a crucial role filling in the blanks predominant throughout the film. In other words, films like Ceylan's and Antonioni's challenge their viewers to think, to read between the lines and to actively search for context, meaning and subtext within every frame of their films.

As much as I love to revisit the thrills of my youth with standard Hollywood fare, nothing bests a filmgoing experience where I'm not only expected to think and feel as an adult, but am forced to act like one. What an interesting world we'd live in if the blockbusters were all films designed for adults.

http://eattheblinds.blogspot.com/


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