A guy's life is turned around by an email, which includes the names of everyone he's had sex with and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.
Three strangers meet at the New York funeral of a mutual friend named Henry. The three - Henry's Southern girl friend (Jacqueline McKenzie), his drifting ex-college buddy (Simon Baker-Denny... See full summary »
Pruitt Taylor Vince
A serpentine day in the life of ten seemingly disparate women: a porn star, a flight attendant, a psychiatrist, a masseuse, a bartender, a pair of call girls, etc. All of them with one crucial thing in common. Trouble.
Nick Fallin is a hotshot lawyer working at his father's ultrasuccessful Pittsburgh law firm. Unfortunately, the high life has gotten the best of Nick. Arrested for drug use, he's sentenced ... See full summary »
A small group of Catholics led by an ailing priest believe that Satan intends to become man, just as God did in the person of Jesus. The writings of a possessed mental patient lead them to ... See full summary »
Just before he's to marry Fiona, Roderick Blank receives an anonymous e-mail with 101 names on it; Fiona's is the 29th, the first 28 are women Rod has slept with, and the 30th turns out to be the stripper at his bachelor party. The notion that he will have sex with 70 more people sends Rod into crisis mode, especially after three odd men in an aseptic office confirm that a celestial machine has made an error. They suggest destroying the list, but Rod finds that easier said than done. Working his way through it consumes him, plus he realizes that death may await him after #101. Meanwhile, a femme fatale nicknamed Death Nell is putting men into a coma. Are they fated to meet? Written by
On "The List", the #86 girl on it is named Phoebe Caulfield. This is the name of the younger sister of Holden Caulfield in the novel 'The Catcher in the Rye'. See more »
When Miranda and Roderick finish their meal, Miranda gets up, and takes her plate and her napkin, along with Roderick's plate, but she leaves his napkin on the table. As she walks behind the chair where Roderick sits, the image cuts to a closer shot and you can see she is holding both plates and both napkins. See more »
Victor Rose III:
Stop. Mother deserves some respect, not to be treated as a leper... Despite her grotesque skin disease. Dessert?
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Conceptually, the film actually doesn't hit its point until the final twenty minutes in which Baker finally confronts Ryder and accepts his fate. The final coffee shop scene and discussion conjures memories of Daniel Waters' impeccable dialogue and pace ever-present in 1989's "Heathers". Yes, this isn't "Heathers" and thankfully, it isn't "Hudson Hawk" either, however, "Sex & Death 101", unlike both of the aforementioned films, doesn't stay with you, for better or worse. Again, the final scenes are well worth the wait and highlight exactly why Winona Ryder is everybody's favourite outsider. Her ability to present warped innocence and make it seem endearing is wonderful to watch. The moment that we see Death Nell writing in her journal (a throwback to Veronica Sawyer in Heathers) really emphasises this...Ryder's representation of the madness of youth and sex and sadness, all connected in one bizarre character. So, as a film, "Sex & Death 101" isn't great, but as an example of good screen writing and character development (in the case of Death Nell), it is interesting to experience.
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