"4:30" traces the relationship between Xiao Wu, an eleven year old Chinese Boy and his tenant Jung, a thirty-something Korean man. Told entirely from the perspective of the boy, Xiao Wu, ... See full summary »
"4:30" traces the relationship between Xiao Wu, an eleven year old Chinese Boy and his tenant Jung, a thirty-something Korean man. Told entirely from the perspective of the boy, Xiao Wu, this story of two very different characters is less about friendship than about a shared experience and appreciation of solitude. "4:30" starts with Xiao sneaking to the room of Jung in the early hours of the morning, and stealing from the Korean man. Just as getting intoxicated is a habit for Jung, who only staggers back to his rented room when drunk, soon stealing for Xiao Wu becomes equally as compulsive. We soon realize that Jung's true intention for staying in Singapore is suicide. It is only through Xiao's encounter with Jung failing in his bid to die that he begins to understand his true fascination with Jung. Written by
I recently saw this at the 2007 Palm Springs International Film Festival. This is the second feature length film from noted short film director and writer Roystan Tan and I think this may have worked better as a short film rather than being dragged out into a 90 minute film. Very little dialog here. It's a story about an 11 year old cough medicine abusing-latch key boy named Xiao Wu whose mother is on business in Bejing and he's left alone in the apartment with a suicidal tenant from Korea named Jung who is drinking and popping pills. The long stretched out scenes are about exciting as watching paint dry. Xiao Wu keeps a journal about Jung and sneaks into his room and spies on him every morning at 4:30. As a 25 minute short this may have peaked my interest and tied everything in more neatly and concisely and left me wanting for more but as a 90 minute feature it left me wanting to abuse cough syrup or kill myself. I'll be kind and give this a 4.5 out of 10.
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