A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Sexually adventurous Cristina and her friend Vicky, who is bright but cautious, holiday in Barcelona where they meet the celebrated and wholly seductive painter, Juan Antonio. Vicky is not about to dive into a sexual adventure being committed to her forthcoming marriage. But Cristina is immediately captivated by Juan Antonio's free spirit and his romantic allure is enhanced when she hears the delicious details of his divorce from fellow artist, the tempestuous Maria Elena. Written by
The movie features several books about sexuality : the novel Middlesex by Jeffrey Eugenides (when Vicky tries to sleep and Cristina writes poetry in the kitchen), The Sexual Life of Catherine M. by Catherine Millet (read by Cristina later in the movie) and Tropic of Capricorn by Henry Miller (read by Cristina right after the scene kissing with Juan Antonio and Maria Elena in the dark room) See more »
Cristina gets sick when they are at Oviedo for the week-end. The doctor goes to her hotel room and advises her to rest and tells that she became sick because of her ulcer. In another scene, someone asks for a painkiller and she takes aspirin from her purse, despite the fact that aspirin worsens ulcers. However, she could merely carry aspirin in the event family/friends need it, which is what happens during the movie. See more »
Vicky and Cristina decided to spend the summer in Barcelona. Vicky was completing her master's in Catalan Identity, which she had become interested in through her great affection for the architecture of Gaudí. Cristina, who spent the last six months writing, directing, and acting in a 12-minute film which she then hated, had just broken up with yet another boyfriend and longed for a change of scenery. Everything fell into place when a distant relative of Vicky's family who lived in...
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Barcelona is recognizable enough and exotic enough to frame the latest complication from Woody Allen. Allen himself claims to care very little about films. He doesn't consider them the center of his life. Strange, because I do, Woody Allen without his films is...well I don't know who or what he is. Here he ventures again outside New York in a shape and form that reminded me a little bit of Jacques Rivette. Scarlet Johansson and Rebecca Hall, as the blond and the brunette of the title, make a great pair of opposites or seemingly so. Javier Bardem is the artist that comes to ruffle their world and the spectacular Penelope Cruz (getting better and better with every movie) is the hysterical side of the artist's past. We spend a great deal of time sitting at tables eating and drinking while a voice over guide us through their physical and emotional journey. I was delighted, entertained ever aroused. Woody Allen keeps surprising and he's got it whether he cares about it or not.
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