| Cast overview, first billed only: | |||
| Rebecca Hall | ... | ||
| Scarlett Johansson | ... | ||
| Christopher Evan Welch | ... |
Narrator
(voice)
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| Chris Messina | ... | ||
| Patricia Clarkson | ... | ||
| Kevin Dunn | ... | ||
| Julio Perillán | ... | ||
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Juan Quesada | ... |
Guitarist in Barcelona
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Ricard Salom | ... |
Art Gallery Guest
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Maurice Sonnenberg | ... |
Art Gallery Guest
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| Javier Bardem | ... | ||
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Manel Barceló | ... | |
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Josep Maria Domènech | ... | |
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Emilio de Benito | ... |
Guitarist in Asturias
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Jaume Montané | ... |
Juan Antonio's Friend
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Sexually adventurous Cristina and her friend Vicky, who is bright but cautious, holiday in Barcelona where they meet the celebrated and wholly seductive painter, Juan Antonio. Vicky is not about to dive into a sexual adventure being committed to her forthcoming marriage. But Cristina is immediately captivated by Juan Antonio's free spirit and his romantic allure is enhanced when she hears the delicious details of his divorce from fellow artist, the tempestuous Maria Elena. Written by johnno.r[at]xtra.co.nz
Vicky Christina Barcelona isn't quite the work of genius that several critics are making it out to be, but it is Woody Allen's most solid film in nearly a decade and by far his sexiest.
I will admit that the claims that it's his best movie in 20 years may have raised my expectations unfairly. After all, the past two decades has brought us Sweet and Lowdown (inspired Sean Penn and Samantha Morton), Another Woman (inspired Gena Rowlands), Husbands and Wives (inspired Judy Davis), Bullets Over Broadway ("Don't Speak!") and what, in my humble opinion, is his most extraordinary film ever: Crimes and Misdemeanors.
That said, there is much in the film's Plus Column. Bardem has never been sexier in English. Rebecca Hall is a sublime revelation. Scarlett Johansson does her most consistent and least grating work since Girl With the Pearl Earring. The supporting cast is a treasure trove of great character actors: Kevin Dunn (usually but effectively charmless), Chris Messina (a complicated mix of sexy and dull), Pablo Schreiber (virtually a cameo), and Patricia Clarkson (earthy, tragic and terrific as always).
And then there's Penelope Cruz. Incapable of wrong-doing in my eyes since All About My Mother, she is everything you've heard she is. At first, the character appears to be another version of Rahda Mitchell's bad Melinda only dark and Spanish. But she evolves and blossoms, like a mushroom cloud in slow motion.
The story is simple and the structure is a bit unwieldy. As a result, the film feels longer than it is and while it does saunter, it's never boring. The screenplay seems more concerned with re-arranging the configurations of lovers and exploring its themes than it does with sustaining the dramatic tension.
The films only significant, though ultimately not fatal, flaw is Miss Johansson. For the legions who thought Javier Bardem could generate romantic and sexual chemistry with anyone or anything, well, I have bad news. When she is sharing the screen with both Bardem and Cruz, Johansson's limitations as an actor and as a screen presence.
Ultimately, though, Vicky Christina Barcelona is still a worthwhile endeavor. An enjoyable romp filled the requisite angst and passion of Woody Allen's better efforts. Best of all, there's Spain and Barcelona. The landscapes, people and architecture provide even more spectacular real estate porn than Melinda & Melinda. Not only does it make you want to go to Barcelona, it will make you feel like you've lived there and loved it.
Despite its unevenness,