A psychological thriller based on the concept of anamorphosis, a painting technique that manipulates the laws of perspective to create two competing images on a single canvas.


(as H.S. Miller)


(as H.S. Miller),

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Cast overview, first billed only:
Alexandra Fredericks
Jorge 'George' Ruiz
Billy Wheelan ...
Young Man
Young Woman
Teenage Checkout Girl (as Desiree F. Casado)
Heavy-Set Detective
Robin Goldsmith ...
Stone-Faced Detective
Marcia Haufrecht ...
Diner Waitress


Stan is a quiet, solitary detective in New York City. A few months ago, he solved a gruesome case of serial murders, although an undercover police officer lost her life. A new set of similar murders begins: the bodies are elaborately displayed and the killer uses equipment from art and early movie making in the tableau, or he leaves a clue as to where the investigators are to stand to get the full artistic effect. Stan is paired with a younger detective, Carl, whom he brushes off when Carl wants to get to know him. As pieces fall in place, it's a race to prevent the next killing, quite possibly someone close to Stan. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


Madness. Mayhem. Mutilation. The masterwork of a serial killer.


Crime | Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for disturbing grisly images, some violence and language | See all certifications »

Parents Guide:





Release Date:

5 August 2008 (Netherlands)  »

Also Known As:

Anamorf  »

Box Office

Opening Weekend:

$3,120 (USA) (18 April 2008)


$5,912 (USA) (2 May 2008)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
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Did You Know?


When Stan meets his former partner, he rolls down the window of his car on the passenger's's side. During this scene the height of he window is changes in every shot. See more »


Stan: [lecturing to class] Don't be seduced. Avoid psychological speculation related to the killer's intent. We may never know why he did what he did. He may never know. Treat the boundaries of the crime scene like a frame, and limit your analysis to what is presented within it. Sit with it, don't rush things, and above all, in your initial encounter with the crime scene, trust your own eye. Remember, all you really have is what the killer left behind - his work, his aesthetic, if you will.
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Forget Me
Written and Performed by Judah Bauer/Russell Simins
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Frequently Asked Questions

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User Reviews

original ideas and cliché direction
6 November 2008 | by (Hungary) – See all my reviews

First of all, lets assume that this is a thriller-crime movie and thus is to be interpreted in the context of Silence of the Lamb and other serial killer movies. Thats all right, I like the genre.

What this genre needs is I think: 1) a psychological thread; a detective with psych issues, love, faith e.g. and these issues tend towards some sort of solution or elaboration 2) an intellectual thread; a complex, mind-stimulating, yet not too far- fetching murder case. 3) good realization; atmosphere that presents us the above two as (at least spiritually) real.

This film accomplishes these tasks: 1) An obsessive+compulsive detective with affection problems, buried past etc. And there is "character development", I like the atypical disintegrating end which is barely relieved by the end title music. 2)An artist-killer is not a never-heard-of idea, but anamorphosis is good idea. I liked the way the murder cases interconnect. I liked the way this all leads to the past. I liked, that some characters say 'forget about the past' some say 'go back! its the same'. 3)atmosphere is good, music good, murder scenes especially good.

Why did I gave it a 6? It is not original. Especially as for atmosphere creating, directing and filming. It is absolutely filled with clichés. There are original things are the character of the detective and the final...but maybe thats all... I still would say it is worth watching it, but it is just an other serial killer movie.

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