Set in beautiful Vancouver, four friends set out on an everyday errand and end up in a fight for their lives when they discover the body of a dead hooker left in their trunk. Lead by a sexy... See full summary »
A group of strangers who wake up in what appears to be an abandoned building, unable to remember how they got there, find themselves haunted by strange visions and are forced to face all the wrongs they have done in their lives.
Greg A. Sager
On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in ... See full summary »
Stan is a quiet, solitary detective in New York City. A few months ago, he solved a gruesome case of serial murders, although an undercover police officer lost her life. A new set of similar murders begins: the bodies are elaborately displayed and the killer uses equipment from art and early movie making in the tableau, or he leaves a clue as to where the investigators are to stand to get the full artistic effect. Stan is paired with a younger detective, Carl, whom he brushes off when Carl wants to get to know him. As pieces fall in place, it's a race to prevent the next killing, quite possibly someone close to Stan. Written by
When Stan meets his former partner, he rolls down the window of his car on the passenger's's side. During this scene the height of he window is changes in every shot. See more »
A poison harms.
A poison harms. It certainly does. You should know that - you've been poisoning yourself for years. Now that you've seen my work, I want some feedback. You and I both like the color blue, a pigment that was once quite precious. It's also the color of narcissism.
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I would give this movie about a 6.5 out of 10. It is entertaining, the central plot is somewhat original, and I was a fan of the cinematography. It's rather visually appealing.
That being said, it was definitely not all that I'd hoped for. One of the other reviewers said the filmmakers thought they were making a smarter movie than they actually were, and I have to say I agree with that. The plot concept and the idea of anamorphosis is rather original and has a lot of potential. Yet I feel as if the filmmakers thought that this concept was SO ingenious that they didn't need to develop other parts of the film. The back story, for example, is explicated through memories and conversations so that the past is never wholly or even adequately revealed to the audience. What's worse, the character development is completely lacking. Willem Dafoe, who acting-wise does a nice enough job, reveals certain attributes about his character in very subtle ways. The rest of the characters, however, are pretty one-dimensional and used strictly as plot devices. And, as is common in film, the police work done in the film is a bit illogical.
All and all, the film is all right. I'm a big fan of psychological thrillers and I was certainly on the edge of my seat for a great deal of this one. It's pretty instantly gratifying, but if you take a few minutes to think about what you just saw, you might see some of the flaws I just mentioned.
PS - for those of you who are squeamish: there is little/no actual violence, but plenty of gross dead bodies.
72 of 82 people found this review helpful.
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