Struggling writer Travis Hall lands a job as a night-shift security guard, thinking that the long, quiet hours will help him finish up his latest novel. The absurdity of the job, however, distracts him from his ambition.
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A group of teenagers come together to indulge in that great Canadian pastime, the house-party, and find themselves literally confined to the kitchen trapped by an extraordinary well ... See full summary »
WWII vet Eddie Boyd is torn between providing for his young family and an unfulfilled dream of becoming a Hollywood star. He discovers a way to do both, but his dream leads him down a path of danger and tragedy.
Stan is a quiet, solitary detective in New York City. A few months ago, he solved a gruesome case of serial murders, although an undercover police officer lost her life. A new set of similar murders begins: the bodies are elaborately displayed and the killer uses equipment from art and early movie making in the tableau, or he leaves a clue as to where the investigators are to stand to get the full artistic effect. Stan is paired with a younger detective, Carl, whom he brushes off when Carl wants to get to know him. As pieces fall in place, it's a race to prevent the next killing, quite possibly someone close to Stan. Written by
I would give this movie about a 6.5 out of 10. It is entertaining, the central plot is somewhat original, and I was a fan of the cinematography. It's rather visually appealing.
That being said, it was definitely not all that I'd hoped for. One of the other reviewers said the filmmakers thought they were making a smarter movie than they actually were, and I have to say I agree with that. The plot concept and the idea of anamorphosis is rather original and has a lot of potential. Yet I feel as if the filmmakers thought that this concept was SO ingenious that they didn't need to develop other parts of the film. The back story, for example, is explicated through memories and conversations so that the past is never wholly or even adequately revealed to the audience. What's worse, the character development is completely lacking. Willem Dafoe, who acting-wise does a nice enough job, reveals certain attributes about his character in very subtle ways. The rest of the characters, however, are pretty one-dimensional and used strictly as plot devices. And, as is common in film, the police work done in the film is a bit illogical.
All and all, the film is all right. I'm a big fan of psychological thrillers and I was certainly on the edge of my seat for a great deal of this one. It's pretty instantly gratifying, but if you take a few minutes to think about what you just saw, you might see some of the flaws I just mentioned.
PS - for those of you who are squeamish: there is little/no actual violence, but plenty of gross dead bodies.
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