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Saibogujiman kwenchana (2006)
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Overview
User Rating:
Release Date:
7 December 2006 (South Korea) morePlot:
A girl who thinks she is a combat cyborg checks into a mental hospital, where she encounters other psychotics. Eventually, she falls for a man who thinks he can steal people's souls. full summary | full synopsisPlot Keywords:
moreAwards:
5 wins & 5 nominations moreUser Comments:
Namsan nightmares more (37 total)Cast
(Credited cast)| Su-jeong Lim | ... | Cha Young-goon | |
| Rain | ... | Park Il-sun | |
| rest of cast listed alphabetically: | |||
| Hie-jin Choi | ... | Choi Seul-gi | |
| Byeong-ok Kim | ... | Judge | |
| Yong-nyeo Lee | ... | Young-goon's mother | |
| Dal-su Oh | ... | Shin Duk-cheon | |
| Ho-jeong Yu | ... | Il-sun's mother | |
Additional Details
Also Known As:
I'm a Cyborg, But That's OK (International: English title) (USA)I'm a Cyborg (UK)
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Parents Guide:
View content advisory for parentsRuntime:
South Korea:105 minCountry:
South KoreaLanguage:
KoreanColor:
ColorAspect Ratio:
1.85 : 1 moreCertification:
Singapore:NC-16 | Hong Kong:IIA | South Korea:12 | Germany:12 | France:U | UK:15 | Sweden:11 | Finland:K-13Fun Stuff
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Like all good movies, "I'm a Cyborg" is more than the sum of its plot points. So don't be put off by the synopsis. Normally, the minute I'm hearing "modern fairy tale", "touching love story", or "poetic images", I'll turn tail and run. But when I found out this is by the guy who made "Old Boy", I knew it had to be different. And it is. Think "Angels of the Universe" meets "Twelve Monkeys", packed with visual thrills. The opening sequence is one of the biggest kicks of its kind.Wheels are spinning are gears are grinding in pale translucent green, vaguely reminiscent of x-ray images. It turns out we are observing a Cyborg's inner life, cleverly interwoven with the opening scenes of the actual feature. Before we really understand how Cha (cover girl Su-Jeong Lim) ended up on the funny farm, the camera is gliding downstairs in an impossible dolly shot, smoothly passing through closed doors, down to the asylum's mysterious sub-basement with its candy-colored pipework. In the course of the movie's 105 minutes, Chan-Wook Park takes us from Seoul to the Swiss alps and back again. I say, forget Bollywood. South Korea is the new Hollywood.