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Ocean's Thirteen (2007)

 -  Crime | Thriller  -  8 June 2007 (USA)
6.9
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Ratings: 6.9/10 from 202,315 users   Metascore: 62/100
Reviews: 281 user | 236 critic | 37 from Metacritic.com

Danny Ocean rounds up the boys for a third heist, after casino owner Willy Bank double-crosses one of the original eleven, Reuben Tishkoff.

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Title: Ocean's Thirteen (2007)

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Cast

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Storyline

The last time we saw Danny Ocean's crew, they were paying back ruthless casino mogul Terry Benedict after stealing millions from him. However, it's been a while since they've come back together, which is all about to change. When one of their own, Reuben Tishkoff, builds a hotel with another casino owner, Willy Bank, the last thing he ever wanted was to get cut out of the deal personally by the loathsome Bank. Bank's attitude even goes so far as to finding the amusement in Tishkoff's misfortune when the double crossing lands Reuben in the hospital because of a heart attack. However, Danny and his crew won't stand for Bank and what he's done to a friend. Uniting with their old enemy Benedict, who himself has a vendetta against Bank, the crew is out to pull off a major plan; one that will unfold on the night Bank's newest hot spot opens up. They're not in this for the money, but for the revenge. Written by mystic80

Plot Summary | Plot Synopsis

Taglines:

Revenge is a funny thing. See more »

Genres:

Crime | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for brief sensuality | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

8 June 2007 (USA)  »

Also Known As:

13  »

Filming Locations:

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Box Office

Budget:

$85,000,000 (estimated)

Opening Weekend:

£3,021,302 (UK) (8 June 2007)

Gross:

$117,144,465 (USA) (14 September 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Obscure reference: In the scene where Ocean's crew is breaking the bank, so to speak, the numbers of amounts won are displayed near specific gamblers to show how much the house is losing. When the shot pans over to George Clooney, the number "5150" is displayed next to him. This corresponds to the health and safety code for placing a psychiatric hold on a deranged individual. In other words, a crazy person is often referred to as a "5150" around police and medical circles. See more »

Goofs

In one part of the movie, from the air, it shows that The Bank Hotel and Casino is on the west side of Las Vegas Blvd and just south of the Excalibur Hotel. In another part, out front of The Bank after the "earthquake", it show The Bank right across the street from the Bellagio Hotel which would make it north of The Excalibur and on the east side of Las Vegas blvd. See more »

Quotes

[first lines]
Rusty Ryan: [answering phone] Yeah. Shit. Where is he? Gotta go.
See more »

Crazy Credits

Each of the logos from the studios involved in the opening sequence is colored a dull blue color, a throwback to the original studio cards from "Ocean's 11" See more »

Connections

Features Solitaire (1981) See more »

Soundtracks

Hansel and Pretzel
(1959)
Written by Henri Rene (as Henri René)
Performed by Henri René and His Orchestra
Courtesy of The RCA Records Label
By Arrangement with Sony BMG Music Entertainment
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Sexual Editing
17 June 2007 | by (Virginia Beach) – See all my reviews

Is this the most valuable franchise in film? Will it last for a decade?

I like Soderbergh. I even like him when he has no goal in the world but making money through simple entertaining.

I like him because he actually thinks about film. About the bullets the towels. The phrases and melodies.

Superficially, this has two overt components. One is the well established con form. The strict version is that we don't fully understand what is going on and "see" it only at the end. Then it all makes sense. This is a weaker version where we see some of the plotting and problems. This is where the jokes are.

The second overt component is simply coolness. Its the sort of coolness that Apple-inspired ad editing has given us, in opposition to the heavy rap-gangster intimidation-coolness of the last great sales cycle. This is referenced within the movie with a bit about an all American black jumper (with a Jewelled flag on his teeth). Its colorful, fast. The pace is translucent with the music. Vegas Cellophane. The actors are cool. Even Matt Damon, who knows cool, plays uncool with coolness.

But its the technique here that impresses. Shots have shape and how those shapes are modulated (as they usually are not) and then assembled with those shapes forming new ones, is a matter of unique style with this filmmaker. Look at how fertile soft ends are punctured by sharp beginnings so that the very passage of time in the eye here is a matter of conceptual copulation.

Look at how many shots end on one of those colored artificial flavors and create a romantic movie at the atomic level as if a John Coltrane was compressing a thousand easy ballads into a few moments. This takes knowledge and the filmmaker has to actually operate the camera to pull this off. It was in his "Limey" and not in the other Ocean's.

And it takes an editor who knows. The best editor was found fresh off "Babel" which among other variations, had the three segments vary on shotshape assembly. This matters. This is a five diamond film, yes?

Ted's Evaluation -- 3 of 3: Worth watching.


11 of 19 people found this review helpful.  Was this review helpful to you?

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