Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth... See full summary »
A young Spaniards arriving excursion to Slovakia; decide to camp in the woods, near the ruins of the old castle Cachtice, former home of Countess Erzsébet Báthory. What none might suspect, ... See full summary »
An unemployed hairdresser and a strange nurse, meet at a club and start a romance. Since meeting her, the young man encounters unexplained things which she says are spirits she can see. ... See full summary »
In July 1979, during the Summer holidays, in a house somewhere in Brittany, a whole family (parents, uncles, aunts, cousins and other relatives) are gathered to celebrate Granny Amandine's ... See full summary »
Widowed Audrey retreats to an isolated Welsh cabin after a failed suicide attempt, to recuperate. Still haunted by the tragic death of her husband and struggling with her psychosis, she begins to hear strange noises.
Two women find themselves in a dark dungeon tormented by distant memories of the horrific legend of Countess Elizabeth Bathory and looming feelings of sinister forces as they struggle to find an escape.
After the death of his mother, Angela, a young nurse, meets Lucia, the premium has not seen for years, from when they were teenagers. Lucia is now a photographer and performs dark rituals with their lovers.
(at around 1h 15mins) The fifth book on the bookshelf is the "Dictionnaire De Boyer". Abel Boyer was born in 1664 and did write a French-English dictionary. Countess Báthory died in 1614. See more »
God, you have abandoned me. In war hundreds are killed and tortured and they are left there to rot and feed the vultures. And yet, we glorify our warriors. We give them laurel wreaths and honors. But all I get is torment, I cannot be humiliated this way. Give me an illness that will kill me fast. I cannot do it myself, I must go to heaven. Amen.
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The legend of the Red Countess, like that of Dracula and so many others has yielded several theatrical and film adaptations. The challenge is to make something new with this ancient legend, and to try to be equal to the great directors who brilliantly tackled the subject. Julie Delpy likes challenges of this kind. Not only did she write the script, direct, act, and compose the music, but her adaptation can compete with what I thought was the best previous film adaptation of the legend by Walerian Borowczyk (from the collection called Immoral Tales, and with Paloma Picasso). Delpy acknowledges her debt to this director through a number of details that those familiar with Borowczyk's works can recognize. Another great reference is Coppola's Dracula, of which Delpy borrowed the lyrical and tragic tones. Of course,this can only situate Delpy's aesthetic choices, and much of her originality rests in her interpretation of the legend. Here, she blends her own speculations about the Countess's character and motivation with historical facts, to make a new and provocative statement about the legend. The best way to see this film is to compare it with the other adaptations not as much to see who spent the money the most intelligently, but what each director has to say through the same legend.
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