The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and ... See full summary »
Julie Delpy revealed in a 2014 interview with entertainment reporter Darby Maloney that the film was a huge success in France, so successful that she is practically guaranteed financial backing from French financiers for any project she wants to pursue in the future. See more »
(at around 1h 15mins) The fifth book on the bookshelf is the "Dictionnaire De Boyer". Abel Boyer was born in 1664 and did write a French-English dictionary. Countess Báthory died in 1614. See more »
It would be improper for me to marry you. You're a Count by marriage, whereas nobility has been in my family for centuries.
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The legend of the Red Countess, like that of Dracula and so many others has yielded several theatrical and film adaptations. The challenge is to make something new with this ancient legend, and to try to be equal to the great directors who brilliantly tackled the subject. Julie Delpy likes challenges of this kind. Not only did she write the script, direct, act, and compose the music, but her adaptation can compete with what I thought was the best previous film adaptation of the legend by Walerian Borowczyk (from the collection called Immoral Tales, and with Paloma Picasso). Delpy acknowledges her debt to this director through a number of details that those familiar with Borowczyk's works can recognize. Another great reference is Coppola's Dracula, of which Delpy borrowed the lyrical and tragic tones. Of course,this can only situate Delpy's aesthetic choices, and much of her originality rests in her interpretation of the legend. Here, she blends her own speculations about the Countess's character and motivation with historical facts, to make a new and provocative statement about the legend. The best way to see this film is to compare it with the other adaptations not as much to see who spent the money the most intelligently, but what each director has to say through the same legend.
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