Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth... See full summary »
In July 1979, during the Summer holidays, in a house somewhere in Brittany, a whole family (parents, uncles, aunts, cousins and other relatives) are gathered to celebrate Granny Amandine's ... See full summary »
A young Spaniards arriving excursion to Slovakia; decide to camp in the woods, near the ruins of the old castle Cachtice, former home of Countess Erzsébet Báthory. What none might suspect, ... See full summary »
Two women find themselves in a dark dungeon tormented by distant memories of the horrific legend of Countess Elizabeth Bathory and looming feelings of sinister forces as they struggle to find an escape.
An unemployed hairdresser and a strange nurse, meet at a club and start a romance. Since meeting her, the young man encounters unexplained things which she says are spirits she can see. ... See full summary »
Julie Delpy revealed in a 2014 interview with entertainment reporter Darby Maloney that the film was a huge success in France, so successful that she is practically guaranteed financial backing from French financiers for any project she wants to pursue in the future. See more »
(at around 1h 15mins) The fifth book on the bookshelf is the "Dictionnaire De Boyer". Abel Boyer was born in 1664 and did write a French-English dictionary. Countess Báthory died in 1614. See more »
Every month I sign dozens of death warrants for those witches. It has become worse than the plague. When will it stop?
When men become wise... which will not be soon.
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The legend of the Red Countess, like that of Dracula and so many others has yielded several theatrical and film adaptations. The challenge is to make something new with this ancient legend, and to try to be equal to the great directors who brilliantly tackled the subject. Julie Delpy likes challenges of this kind. Not only did she write the script, direct, act, and compose the music, but her adaptation can compete with what I thought was the best previous film adaptation of the legend by Walerian Borowczyk (from the collection called Immoral Tales, and with Paloma Picasso). Delpy acknowledges her debt to this director through a number of details that those familiar with Borowczyk's works can recognize. Another great reference is Coppola's Dracula, of which Delpy borrowed the lyrical and tragic tones. Of course,this can only situate Delpy's aesthetic choices, and much of her originality rests in her interpretation of the legend. Here, she blends her own speculations about the Countess's character and motivation with historical facts, to make a new and provocative statement about the legend. The best way to see this film is to compare it with the other adaptations not as much to see who spent the money the most intelligently, but what each director has to say through the same legend.
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