A vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before.
When the First Lady of the United States is abducted during a diplomatic trip overseas, unbeknownst to her captors and the public, she was once a highly-trained CIA operative prior to ... See full summary »
The family man Abe Dale is having lunch with his wife and son in a restaurant, when a man kills them in front of Abe and shoots himself in the mouth. A couple of days later, the grieving Abe misses his family and commits suicide ingesting many pills at home, but is rescued by his friend Marty Bloom and saved by the doctors. His Near Death Experience makes him see white light in some people and to hear Electronic Voice Phenomena, i.e., manifestations of voices of ghosts or spirits through static on electronic devices. Soon he discovers that the white light means that the person is going to die, and Abe saves three lives including his nurse Sherry Clarke. While watching a video recorded by his son, Abe finds that the killer had saved the lives of his wife and son three days before the murder. He investigates the incident and finds that when you save, you must kill; otherwise many innocents will die three days later. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
(at around 1h 6 mins) The phrase "Tria mera" isn't proper greek, nor is it how "third day" is in the Bible. In greek "third day" is "triti mera". "Tria" means three and "triti" means third. The actual phrase from the bible is also "triti mera". Furthermore, if you try to turn "Tria mera" to numerical value using the greek numericals, you get 557 and not 666. Using the movie's numerical values, "triti mera" would have a value of 1074. However, "Tria Mera" does work if you take into account that the numerical values of letters are different for lowercase vs. uppercase. See more »
Old Man Voice:
[Old man lying on his stomach under an incorrectly jacked van]
Look I don't need some dipshit kid telling me what to do all right? Just take you metrosexual ass back to your yuppy car
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I admit I went to see this film simply because of Nathan Fillion, but I have to say I wasn't disappointed. He carries the character so well that I actually cried at the end ... and while the 'romance' aspect can only ever be hinted at (he is grieving for his wife and son, after all) it doesn't seem forced.
There is a Firefly/Serenity reference for fans that made me smile, but I won't spoil that! Suffice it to say it is a 'blink and you'll miss it' type of thing, but for those of us who are Browncoats, pretty obvious.
Maybe it does get a little convoluted in the middle, and we have seen the ghostly light and psychic wind before, but I never felt it was too long, and would recommend it to most (non robot) people!
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