Executive transvestite Eddie Izzard takes his show to San Francisco to give a brief history of pagan and Christian religions, the building of Stonehenge, the birth of the Church of England ... See full summary »
Wayne and Dahlia Malloy spent their youth pulling cons with a traveling band of modern Irish travelers roaming about the US. Now years later, Wayne hits a spiritual and midlife crisis and begins to question their lifestyle just as his wife, newly sprung from prison, rejoins the family. They decide to finally settle down in suburbia where they battle to live a normal life while trying to escape their former friends. Written by
The youngest boy, Sam, is a cross-dresser. In real life, series star and executive producer 'Eddie Izzard' is a transvestite. Sam's choice of clothing was decided by series creator Dmitry Lipkin before Eddie was a part of the show. See more »
Set in Baton Rouge, Louisiana, the series clearly shows mountains in the background in several episodes. There are no mountains anywhere near Baton Rouge. The nearest "mountain" in the entire state can be found hundreds of miles away in the northern part of the state, near Shreveport. See more »
I missed the first airing of the pilot but caught an encore Saturday night, and I am glad I did. The plot was challenging, characters engaging, dialog tight and raw, atmosphere gritty.
I have an inexplicable soft spot in my heart for Gypsies, and I am usually disappointed in how cold and inaccessible modern nomads are in film and T.V. The Riches family are portrayed with enough warmth and pathos (and unexpected poetry!) to let the viewer in, while in no way slipping into the criminals-with-a-heart-of-gold cliché. This ain't no Hallmark channel program!
I was particularly impressed with Eddie Izzard's rich use of language which really did touch on the poetic at times. Minnie Driver was especially compelling and complex. And their marriage was one of the few believable mature relationships I've seen on television in a long time.
With the absurd premise and the comedy-background casting, I expected a few laughs, but didn't find them. Instead, I had the strange yet familiar feeling reminiscent of picking up a Frank Miller comic book the first time, expecting superheroes and finding horror in its place.
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