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Itty Bitty Titty Committee (2007)
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Overview
User Rating:
Director:
Writers:
Release Date:
28 September 2007 (USA)
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Tagline:
Every generation needs a new revolution.
Plot:
High School grad and all American gal, Anna finds her purpose and herself after she hooks up with the radical feminists in The Itty Bitty Titty Committee. full summary | full synopsis
Plot Keywords:
Awards:
4 wins
&
1 nomination
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NewsDesk:
(14 articles)
10 Most Underrated Young Actresses
(From The Movie Fanatic. 22 October 2009, 1:48 AM, PDT)
10 Most Underrated Young Actresses
(From The Movie Fanatic. 22 October 2009, 1:48 AM, PDT)
(From The Movie Fanatic. 22 October 2009, 1:48 AM, PDT)
10 Most Underrated Young Actresses
(From The Movie Fanatic. 22 October 2009, 1:48 AM, PDT)
User Comments:
An itty bit disappointing
more (14 total)
Cast
(Cast overview, first billed only)| Melonie Diaz | ... | Anna | |
| Nicole Vicius | ... | Sadie | |
| Daniela Sea | ... | Calvin | |
| Deak Evgenikos | ... | Meat | |
| Lauren Mollica | ... | Aggie | |
| Guinevere Turner | ... | Marcy Maloney | |
| Carly Pope | ... | Shulamith | |
| Melanie Mayron | ... | Courtney Cadmar | |
| Ana Mercedes | ... | Kate | |
| Cecile Rivore | ... | Seamstress | |
| Marisa Ramirez | ... | Ellen | |
| Ruben Garfias | ... | Sam | |
| Leslie Grossman | ... | Maude | |
| Jimmi Simpson | ... | Chris | |
| Mircea Monroe | ... | Justine |
Additional Details
Parents Guide:
Runtime:
87 min | Germany:87 min (Berlin International Film Festival)
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Filming Locations:
Company:
Fun Stuff
Trivia:
In one sequence, Anna and Sadie go to a music/book store and check out a bunch of books, albums and magazines. The ones visible on-screen are as follows: Books: "Confessions of the Guerrilla Girls" by the Guerrilla Girls; "The Best Democracy Money Can Buy" by Greg Palast; "Pretty in Punk" by Lauraine Leblanc; "Backlash" by Susan Faludi; "How Wal-Mart is Destroying America..." by Bill Quinn; "The Power of Feminist Art" by Broude & Garrard; "Radical Feminism: A Documentary Reader" by Barbara Crow; "The New Our Bodies, Ourselves" by The Boston Women's Health Book Collective; "Emma" by Howard Zinn; "We Owe You Nothing" by Daniel Sinker; "The Beauty Myth" by Naomi Wolf; "Zines! Volume One" by V. Vale; "Grassroots" by Baumgardner, Richards & LaDuke; "The Radical Women Manifesto" by The Radical Women; "Angry Women" by Vale & Juno. Magazines: Ms., February/March 2001 ("Oh My God, I'm a Hardcore Feminist!" cover); Bitch, Spring 2002 (Sandra Tsing Loh cover); Venus, Summer 2005 (Sleater-Kinney cover). Albums: Gossip - Standing in the Way of Control; PJ Harvey - Rid of Me; The Queers - Punk Rock Confidential; Tiger Trap - Tiger Trap; Sleater-Kinney - The Hot Rock; Sleater-Kinney - Dig Me Out; Sleater-Kinney - All Hands on the Bad One; various artists - Otis' Opuses (Kill Rock Stars sampler). This sequence lasts for 30 seconds.
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Quotes:
Sadie:
You do realize that Calvin's a girl?
Shuli: And? I want to see if she will come to Sacramento with us.
Anna: [sarcastic] This isn't a dating service, you know.
Sadie: Sorry, Shuli. Last time anyone checked, you liked men.
Shuli: Who said I didn't? Jesus, you dykes are such closed-minded bitches.
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Shuli: And? I want to see if she will come to Sacramento with us.
Anna: [sarcastic] This isn't a dating service, you know.
Sadie: Sorry, Shuli. Last time anyone checked, you liked men.
Shuli: Who said I didn't? Jesus, you dykes are such closed-minded bitches.
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Soundtrack:
Complicated
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FAQ
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This film presents itself as edgy and revolutionary, but at its core it's just a moderately fun and forgettable romantic comedy. The main problem is that there's not much biting satire or clear political insight. Instead we get plenty of childish jokes about penises.
The protagonists are angry about rampant sexism in society, but their anger is mostly expressed through silly pranks and ranting; never do they offer any kind of clear, original thoughts on politics or gender roles in society. Nevertheless, the two stars (Diaz and Vicius) are charming, even if their romance feels forced and clichéd, and there are some moments of fun with the cast of colorful main characters. The outrageous ending, however, nearly obliterates the script with all its obvious plot holes.
Ultimately, IBTC's actors and rock 'n' roll aesthetic give it some appeal, but its flimsy plot and pretenses about being political ruin a lot of the fun.