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Anna is a young lesbian high school graduate who still lives with her parents, and works as a receptionist in a plastic surgeon's office. She embarks on a wild ride when she hooks up with a cadre of ultra-radical feminist lesbians hell-bent on raising hell. But things get even more complicated when Anna falls in love with Sadie, the radical group's leader who's already involved with an older woman named Courtney. Written by
In one sequence, Anna and Sadie go to a music/book store and check out a bunch of books, albums and magazines. The ones visible on-screen are as follows: Books: "Confessions of the Guerrilla Girls" by the Guerrilla Girls; "The Best Democracy Money Can Buy" by Greg Palast; "Pretty in Punk" by Lauraine Leblanc; "Backlash" by Susan Faludi; "How Wal-Mart is Destroying America..." by Bill Quinn; "The Power of Feminist Art" by Broude & Garrard; "Radical Feminism: A Documentary Reader" by Barbara Crow; "The New Our Bodies, Ourselves" by The Boston Women's Health Book Collective; "Emma" by Howard Zinn; "We Owe You Nothing" by Daniel Sinker; "The Beauty Myth" by Naomi Wolf; "Zines! Volume One" by V. Vale; "Grassroots" by Baumgardner, Richards & LaDuke; "The Radical Women Manifesto" by The Radical Women; "Angry Women" by Vale & Juno. Magazines: Ms., February/March 2001 ("Oh My God, I'm a Hardcore Feminist!" cover); Bitch, Spring 2002 (Sandra Tsing Loh cover); Venus, Summer 2005 (Sleater-Kinney cover). Albums: Gossip - Standing in the Way of Control; PJ Harvey - Rid of Me; The Queers - Punk Rock Confidential; Tiger Trap - Tiger Trap; Sleater-Kinney - The Hot Rock; Sleater-Kinney - Dig Me Out; Sleater-Kinney - All Hands on the Bad One; various artists - Otis' Opuses (Kill Rock Stars sampler). This sequence lasts for 30 seconds. See more »
[upon seeing Anna]
Oo, another baby dyke trying to save the world.
See more »
Anna (Melonie Diaz from Be Kind Rewind and A Guide to Recognizing Your Saints) catches Sadie (Nicole Vicius from Hal Nelson) tagging the windows where she works. She is a quiet, doormat kind of girl, and now she is in the middle of a group of radical women out to change the world.
Will the experience change her? Will Sadie leave her current girlfriend for her? Will they change anything? Does it matter if you affect change, or is trying enough? Questions, questions, questions.
Anna changes as things progress and becomes less of a doormat. This amid a continual stream of punk, home-movie like shots of girls just having fun, the politics of direct action, and, yes, sex; but only as an exclamation point, not a continual conversation.
A "real" lesbian movie that was a real joy from start to finish.
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