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Freezer Burn (2007)

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A brilliant scientist falls for his wife's 14-year-old art student and, using the technology from his research, he figures out a way for them to be together.

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3 wins. See more awards »
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Cast

Cast overview, first billed only:
...
...
Rex
...
Mendelsen / Diamond Head
...
Blake
...
Emma
Matthew Morgan ...
Driver
Jamie Milward ...
Older Emma
John Oppenheimer ...
Dr. Samson
...
The Investor (as T. Boomer Tibbs)
...
Guard #1 (as Miles McVane)
Max Parker ...
Guard #2
Susan Holden ...
Storage Lady
...
Moving Man
...
Suzie
Denise Michelle Johnson ...
Veterinarian
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Storyline

Virgil is a thirty-year-old scientist developing technology to permanently preserve human organs for transplant. However, his marriage is suffering because he's such a workaholic. Virgil's only distraction is Emma, a fourteen-year-old student in his wife's high school art class. His sanity hangs in the balance as he struggles to suppress his taboo attraction to the girl. Virgil must decide if he wants to risk everything and find a way to be with the girl he truly loves. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The Story Of A Man And His Cryogenic Quest For Love

Genres:

Comedy | Drama | Sci-Fi

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Details

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Release Date:

1 February 2007 (USA)  »

Filming Locations:


Box Office

Budget:

$45,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Quotes

[first lines]
Virgil Stamp: It looks like it hasn't cracked.
Rex Turner: Yeah.
Virgil Stamp: We'll have to wait until tomorrow
Rex Turner: [takes a picture]
Rex Turner: I'm leaving Virg... Pay the bill for the monkey lovers?
Virgil Stamp: Take it.
Rex Turner: Alright. Uh Virg, you are gonna leave soon, right? Virgil. Virg?
Virgil Stamp: Huh!
Rex Turner: You gonna leave soon?
[...]
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Connections

References Demolition Man (1993) See more »

Soundtracks

Race Walkin' (Smoothe Talkin')
Written by William Smits and The Deej Taliefero
Performed by Billy Smits & DJ Bungle Dwarf
Courtesy of MCA Records
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User Reviews

 
Pedophilia and Independent Film
29 October 2010 | by (United States) – See all my reviews

Freezer Burn directed by Charles Hood sounds like a good movie. A scientist falls for a younger girl and he decides to freeze himself so that he can wake up and be with her in the future. This was an interesting enough synopsis for me to place this in my Netflix Instant Queue. I would come to immediately regret this decision.

This movie is beyond indie; it walks the delicate line between an indie film and guerrilla-style shooting. In general, this is not something that I mind; I welcome indie films wholeheartedly. However, adding this camera-work to terrible acting and an inane script made this movie unbearable to watch.

It opens on Virgil and Rex, two scientists working on a way to preserve things in ice so that they might wake up later fully functional and just as they were before. After many unimportant plot points and absurd dialogue, Virgil eventually meets a 14-year-old student of his wife's and immediately falls into pedophilic love with her. He decides erratically that he will test his new scientific theories by freezing himself in order to wait for her to be the same age as he is. As you might have guessed, this plays out as the stupidest romantic ploy in the history of film. Once Virgil is awoken in the future, this movie really takes a turn for the worst. Nonetheless, I will not ruin the end for you as you may want to torture yourself by watching this later.

I was slightly reminded of another cinematic pedophile, Lester Burnham from American Beauty. Kevin Spacey played that role beautifully, to where you were almost rooting for this poor man to hook up with the high school girl. It was to the point that you hardly even noticed it was a pedophilic crush. This was certainly not the case with Virgil. Throughout the whole film, all you can think about is how creepy and disturbing his immediate love for this ninth grader is. As well, Virgil took it much further than Lester did by freezing himself and forfeiting fifteen years of his life to attempt to be with (legally) a girl he has only met twice.

There was literally nothing redeeming about this film. The acting was awful; the script was full of plot twists that made no sense and sad attempts at quippy dialogue; and the camera-work was just appalling, appearing to not have any control over lighting whatsoever. I have sat here and endeavored to think of anything positive I could say about the film; all I could come up with is that I am thankful no one in this movie has yet to do another project. Another encouraging note is that this movie gave me hope. If these people can make a horrible movie as such and get it onto DVD and even to Netflix, then maybe I, too, can one day shoot a movie worthy of Netflix.

If you are an indie filmmaker yourself, then you may be able to watch this and identify with someone's first try at film. Or you may, like me, watch it and become mortified that this script was able to get any recognition, let alone money to endorse turning it into a movie.


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