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Karol - The Pope, the Man (2006)

Karol, un Papa rimasto uomo (original title)
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Cast

Cast overview, first billed only:
...
Dariusz Kwasnik ...
...
Dr. Renato Buzzonetti
Alberto Cracco ...
...
...
Father Thomas (archive footage)
...
Julia Ritter
Alkis Zanis ...
Carlos Kaniowsky ...
Fabrice Scott ...
Paolo Maria Scalondro ...
Wojciech Jaruzelski
Daniela Giordano ...
Tobiana Sobótka
Malgorzata Bela ...
Lech Mackiewicz ...
Pietro Ragusa ...
Vadim Belijaev
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Details

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Release Date:

16 April 2006 (Canada)  »

Also Known As:

Karol - The Pope, the Man  »

Box Office

Opening Weekend:

$150,125 (Mexico) (29 September 2006)

Gross:

$619,668 (Mexico) (6 October 2006)
 »

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Technical Specs

Runtime:

(theatrical)

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The images of the mourners in St. Peter's Square at the beginning and the end of the movie are real newsreel footage. The images of John Paul's return to Poland, the reports of the assassination attempt, and the images from World Youth Day in Paris are also real footage. See more »

Goofs

On 13 December 1981, the Pope is informed by the cardinals about the introduction of martial law in Poland. When he asks for fatalities, he is told about nine miners shot at the Wujek coal mine - an example of clairvoyancy, since the shooting at Wujek took place three days later, on 16 December 1981. See more »

Connections

Follows Karol: A Man Who Became Pope (2005) See more »

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User Reviews

part of ladder
10 December 2012 | by (Romania) – See all my reviews

a brave act to continue history of a man of century with same actor, in same manner. but the courage is not imprudence but wise exercise to do a large fresco. with little pieces, without hurry or great ambitions. only a drawing in which every line is a way to public soul. a huge carpet - key of a world or only portrait of a fisherman in search of better society. secret - John Paul II is not perfect. it remains same man from Krakow, same intelligent builder of transformation beyond the Iron Curtain. this is sense of this work. and source of its touching beauty.in rest, inspired music, best acting, right atmosphere. and emotion as step for each level of story.because Karol, un Papa rimasto uomo is not propaganda or manifesto. only a map.new part of ...un uomo diventato papa but in different nuances. tale about use of authority, it is only short flash from a never ending beginning.


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