After a botched bank job, a gang takes hostage a Japanese girl on the run from an arranged marriage, and escapes. Their wheel man saves the girl from them and the two go on the run with cops, the gang and her psycho husband on their tail.
When F.B.I. Agent Zack Grant's partner is killed during a blown-up operation, he attempts to find the person responsible. Mafiaso Frank Serlano believes Zack is responsible for his only ... See full summary »
Frank A. Cappello
Monica teaches, Steve's a photographer. They've dated more than two years. They're arguing, and she leaves for her apartment, only to return in a few minutes to say they should stop seeing ... See full summary »
Multifaceted story about youth, decountrifying and attitude. Life snapshots of 4 characters which alternating fates are portraying a world of noncommittal, dynamic relations. There are shown different "tendernesses" toward life challenges.
Three lives. Buffalo detective Lt. Cristofuoro, whose catatonic wife is in hospital, takes a special interest in Eric Komenko, a juvenile who killed his parents and will be freed on his 18th birthday. So has Lori Cranston, 15 or 16, her body fully developed and the object of lust by her boss and her mother's new boyfriend. She keeps a scrapbook about Eric, and when he's released from custody, she hides in the backseat of his car, insisting he take her with him on a trip toward Albany where he's planning to meet a girl. Cristofuoro is certain Eric will kill again, so he follows. It's clear early on that Cristofuoro's probably right, but what's Lori's motivation? Written by
When Eric and Lori are at the Reststop/Store, where Lori try's on clothes and Eric is seen purchasing a necklace, it is day time and the sun is out. Next, when Lt. Cristofuoro is driving in his car it is now very dark and obviously nighttime. However, when we go back to the next scene, as Eric and Lori explore the abandoned trailer and Lt. Cristofuoro shows up, it is now back to day time and the sun is out again. See more »
My wife likes to say there are two kinds of people, those chasing pleasure, and those running from pain. Lorelei Cranston is Running. Running from all kinds of everything. Probably has been her whole life.
If you ask me, nobody gets to escape their pain. It's there when you brush your teeth at night. It's there before breakfast. It will come up fierce and sharp, and lay in to you blunt and heavy. The most you can hope for is one good day. Because on a good day you get to tell ...
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Terderness is not a thriller, it is a drama with suspense, if you don't get it, then you don't. It is an indie, different, and not a happy one, not by far. It reminds me of the Korean film Seom (The Isle), although it is not as brutal, just as sad. People in it, very well portrayed all in all, are desperate, trying to be anything else than they have to be. It is rare to find this slowly moving film with such strong emotions beneath the surface, specially when the problems are so far off, at least an American one, they are use to be about people finding themselves. This film is about trying to lost oneself. It deserves to get noticed, although I can't imagine normal people liking it. But if you like such films as The Isle, Underground, Funny Games, it is a must.
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