After a botched bank job, a gang takes a hostage, Japanese girl on the run from arranged marriage, and escapes. Their wheelman saves the girl from them and the two go on the run with the cops, the gang and her psycho father on their tail.
Monica teaches, Steve's a photographer. They've dated more than two years. They're arguing, and she leaves for her apartment, only to return in a few minutes to say they should stop seeing ... See full summary »
This is the story of the crippled young Alan Marshall and his hero worship of the local he-man horse trainer East Driscoll, the schoolboy crush Alan has on the local aristocratic English ... See full summary »
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Set in the 1950s, Rough Magic tells the story of what happens when a pretty apprentice magician goes to Mexico to escape her fiancé, a wealthy politician, and to find a Mayan shaman who ... See full summary »
When F.B.I. Agent Zack Grant's partner is killed during a blown-up operation, he attempts to find the person responsible. Mafiaso Frank Serlano believes Zack is responsible for his only ... See full summary »
Frank A. Cappello
Three lives. Buffalo detective Lt. Cristofuoro, whose catatonic wife is in hospital, takes a special interest in Eric Komenko, a juvenile who killed his parents and will be freed on his 18th birthday. So has Lori Cranston, 15 or 16, her body fully developed and the object of lust by her boss and her mother's new boyfriend. She keeps a scrapbook about Eric, and when he's released from custody, she hides in the backseat of his car, insisting he take her with him on a trip toward Albany where he's planning to meet a girl. Cristofuoro is certain Eric will kill again, so he follows. It's clear early on that Cristofuoro's probably right, but what's Lori's motivation? Written by
Near the end when the Detective is sponging off his wife's dead body, she has bikini tan lines, which make no sense since she's been paralyzed in the hospital for a long time. See more »
My wife likes to say there are two kinds of people, those chasing pleasure, and those running from pain. Lorelei Cranston is Running. Running from all kinds of everything. Probably has been her whole life.
If you ask me, nobody gets to escape their pain. It's there when you brush your teeth at night. It's there before breakfast. It will come up fierce and sharp, and lay in to you blunt and heavy. The most you can hope for is one good day. Because on a good day you get to tell ...
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I hadn't heard of this film until Redbox e-mailed me and reported it as a new release. I went out and rented it right away, curious to see what Russell Crowe had done as I like to watch him work.
Hats off to Jon Foster and Sophie Traub for telegraphing internal dialogue well enough to keep me nearly interested. There is tension, as you can't tell if Foster's character will act on impulse to bring more grief to the world.
Grief is the common theme. Life as Grief, Actions and Consequences as Grief, Breathing as Grief. Fortunately I took my Welbutrin this morning so I was in a pretty good mood both going in and coming out of the film experience.
All the professional elements are present: acting, directing, lighting, set design, and even a minimal amount of music. There is a story here, but its one that neither added to my life or made me feel better about the human condition.
Skip this one, don't waste the spot in your Netflix queue.
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