The story of a married silkworm merchant-turned-smuggler in 19th century France traveling to Japan for his town's supply of silkworms after a disease wipes out their African supply. During his stay in Japan, he becomes obsessed with the concubine of a local baron.
The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted. While he's resisting temptation, his wife encounters her past love.
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
A meditation on love and its various incarnations, set within a community of friends in Oregon. and is described as an exploration of the magical, mysterious and sometimes painful incarnations of love.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
A married silkworm smuggler, Herve Joncour, in 19th Century France who travels to Japan to collect his clandestine cargo. While there he spots a beautiful Japanese woman, the concubine of a local baron, with whom he becomes obsessed. Without speaking the same language, they communicate through letters until war intervenes. Their unrequited love persists however, and Herve's wife Helene begins to suspect. Written by
Steaming water. Strange trees. Laughing children. Her skin... those eyes. But why should I tell you about it? Why now? Maybe I just need to tell someone about it. And that someone is you.
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Can we really watch a movie lasting almost two hours just for its stunning cinematography and some glimpse of storytelling, or should it rather be the other way around? I think "Silk" proves that it is often impossible to adequately translate a deep, emotionally charged book into a credible and enjoyable movie. Personally, I just got terribly bored less than halfway through the movie. Yes, it is visually compelling. And yes, there are some fine moments in the acting, especially from Alfred Molina. But as a whole this leaves with quite a disappointing feeling in the viewer, the feeling that with all that money and resources and brilliant actors perhaps they could have come up with something a bit different. And a little less slow.
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