| Kellan Lutz | ... | Chad | |
| Marnette Patterson | ... | Julie | |
| Mandy Amano | ... | Keri | |
| Scott Whyte | ... | Dean | |
| Chuck Zito | ... | George Winfield | |
| Ashly Margaret Rae | ... | Elizabeth (as Ashly Rae) | |
| John Bloom | ... | Clancy | |
| Teri Corcoran | ... | Can Can Dancer | |
| Roddy Piper | ... | Jackson Smith | |
| rest of cast listed alphabetically: | |||
| Richie Chance | ... | Man in suit (uncredited) | |
Directed by | |||
| Ed Winfield | (as Edwin F. Winfield) | ||
Writing credits(in alphabetical order) | ||
| Dominic Biondi | screenplay | |
| Brian McMahon | story (as Brian O. McMahon) | |
Produced by | |||
| Benny Binion-Behen | .... | co-executive producer | |
| Diana Bojko | .... | executive producer | |
| John Bojko | .... | executive producer | |
| Nick Calcarone | .... | executive producer | |
| Douglas Crook | .... | co-executive producer | |
| Mark Griesen | .... | co-executive producer | |
| Debra Isaacs | .... | producer | |
| Brian O.W. McMahon | .... | executive producer (as Brian O. McMahon) | |
| Noam Schwartz | .... | co-executive producer | |
| Bryan Todd | .... | co-producer | |
| Straw Weisman | .... | associate producer | |
| Ed Winfield | .... | producer (as Edwin F. Winfield) | |
| Delaura Gundle | .... | associate producer (uncredited) | |
Original Music by | |||
| Steve Yeaman | (as Steven A. Yeaman) | ||
Cinematography by | |||
| Adrian M. Pruett | (co-director of photography) | ||
| Roland 'Ozzie' Smith | |||
Film Editing by | |||
| Bryan Todd | |||
Casting by | |||
| Jan Glaser | |||
| Christine Joyce | |||
| Gerald I. Wolff | (as Gerald Wolff) | ||
Art Direction by | |||
| Monica Tullar | (as Mo Tullar) | ||
Makeup Department | |||
| Allison Carelli | .... | key hair stylist | |
| Andy Chavez | .... | special makeup effects artist | |
| Michael Peterson | .... | special makeup effects artist | |
| Jim Sacca | .... | key hair stylist | |
| Jim Sacca | .... | makeup artist | |
Production Management | |||
| Delaura Gundle | .... | production manager (as DeLaura Gundle) | |
Art Department | |||
| Chris Coleman | .... | art assistant | |
| Kneely Morgan | .... | art assistant | |
| Kate Womack | .... | set dresser | |
Sound Department | |||
| Marcus Clotfelter | .... | sound mixer | |
| Jared Neal | .... | sound editor | |
| Phillip Perpich | .... | adr mixer | |
Special Effects by | |||
| Michael Taglianetti | .... | special effects | |
Stunts | |||
| Lauren Dennis | .... | stunt double | |
| Loren Dennis | .... | stunt double | |
| Tony Galuppi | .... | stunt rigger | |
| Johnny Gray | .... | stunt rigger | |
| Scott Leva | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Dan Ayers | .... | Steadicam operator | |
| Ken Bowder | .... | electrician | |
| Chris Cod | .... | electrician | |
| Clay Elting | .... | still photographer | |
| Reed Fanning | .... | best boy | |
| Ted Harrison | .... | gaffer | |
| Brian Holgate | .... | video assistant | |
| Mitch Isaacs | .... | electrician | |
| Joshua Jose | .... | best boy | |
| Kevin Kuehnast | .... | assistant camera | |
| May May Luong | .... | assistant camera (as May May Lu Wong) | |
| Roger Peterson | .... | dolly grip | |
| Michael Ricks | .... | camera operator | |
| Gary Sauer | .... | key grip | |
| Bryan Todd | .... | still photographer | |
| Charlie Tollefson | .... | electrician | |
| Jeff Woolley | .... | camera operator (as Jeff Wooley) | |
Animation Department | |||
| Eric Woods | .... | digital artist | |
Editorial Department | |||
| John Columbo | .... | assistant editor | |
| John Dobrich | .... | associate editor | |
Transportation Department | |||
| Kyle Beddington | .... | transportation | |
| John Muldoon | .... | transportation | |
Other crew | |||
| Kyle D. Betterton | .... | production assistant | |
| Liam Brady | .... | production assistant | |
| Grant Cross | .... | production assistant | |
| Samantha Davis | .... | production assistant | |
| Sandy Harmon | .... | location manager | |
| Rita Hawn | .... | production coordinator | |
| Richard Hopper | .... | script supervisor | |
| Mitch Isaacs | .... | production staff | |
| Katie Larson | .... | production assistant | |
| Ferris Lau | .... | production assistant | |
| Penny Patrick | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| who played mike/michael? | misstiffie |
| Real life hauntings. | misbegotten |
| Why the name change? | brittothaney |
| Release date | geo374 |
| Answers | kberry37 |
| Trailer online | geo374 |
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| The Shining | Séance | Jaws 3-D | Pumpkinhead | Children of the Night |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I saw nothing than bad reviews about Ghosts Of Goldfield. Indeed, that title is more like a western instead of a horror so they changed it in Europe to Paranormal Ghost to make use of the success of the "Paranormal" word. Naturally that isn't enough so they made use of the title "Twilight" as coming from the movie Twilight, Kellan Lutz. If you have seen my review on the Twilight trilogy then you know it's in my top 5 of worst flicks ever. So that was no reference for me. Another name that I notice was Roddy Piper. If I put the word Rowdy between then I guess you know that I'm talking about the Hall Of Fame from the WWE. I had no problem with his acting like so many had, I know him from his WWF period in the eighties, screaming and very aggressive. He do appears sometimes in the new WWE world and here in this flick, I thought he did it well, hoped I could say that from the other actors too. Some you really see acting, sadly, Mandy Amano is number one on that list. The scene about the rat in the bar, so bad acting. She is also the only one who goes nude but there's nothing to see for the Kleenex boys out there. It's funny that Paranormal Ghosts started off pretty well. And it even had some blood in the first minutes but after a while the ghost appears in real life and it all becomes a bit dull. There's a lot of talking and suggesting that the ghost is there but when the red stuff comes in it's all to late. The ending is predictable and so it's not all that ghostly as it should be. The version I have is 18+ well if someone can tell why please do so. You can sit through it easily with your family just before the children TV starts. Nevertheless, due the good beginning of the film and the decapitation scene I give it a 4.