Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
In Wellington, Lily is a wallflower, inexplicably attracted to Jerrod, a loser. He's nursing a decade-long grudge against someone who teased him in high school; she's just out of a job. She goes home with him to a seacoast town where he intends to have it out with his nemesis; she meets his father, his daughter from a one-night stand, and other family members - and there's the memory of his talented (and dead) brother. Jerrod treats Lily badly, invents a relationship with a women he had a crush on years before, and gears up for his fight. Will she finally have enough and go home? Written by
Greetings again from the darkness. While comparisons to "Napoleon Dynamite" are inevitable, writer/director Taika Cohen/Waititi actually delivers much more depth than the cult classic from Idaho. The multiple story lines involve family relationships, one on ones, self-esteem and self-discovery. Of course it may also be one of the quirkiest films of all time.
Of the two leads, Jemaine Clement as Jarrod and Loren Horsley as Lily, Clement's role is much flashier, but Ms. Horsley steals every scene. She is such a delight and a curiosity on screen. Her crooked smile and expressive eyes are exquisitely charming and as a viewer, we immediately embrace her desire to be loved.
Most of Mr. Clement's role is gearing up for his big revenge fight against the high school bully. As with most things in his life, he doesn't handle the moment very well, but it does become his moment of awakening.
The family relationship issues are complex and handled very realistically as very little is actually said amongst the individuals. Body language speaks much louder than words. Don't miss the director in the flashbacks as Jerrod's "perfect" brother Gordon.
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