Set on the east coast of New Zealand in the year 1984, Boy, an 11-year-old kid and devout Michael Jackson fan gets a chance to know his father, who has returned to find a bag of money he buried years ago.
Follow the lives of Viago (Taika Waititi), Deacon (Jonathan Brugh), and Vladislav (Jemaine Clement) - three flatmates who are just trying to get by and overcome life's obstacles-like being ... See full summary »
Two people meet as guinea pigs in a weekend drug trial. Andre (an unethical high school teacher) and Juliet (a bookish teenager) soon discover their lives are in more danger than they ... See full summary »
A film crew are making a Reality TV show about a couple brought together by a dating agency. However, the couple are so incompatible that the crew must manipulate the relationship to get the footage they need.
Sami hilariously transforms into acutely observed and very different characters all living in our country's super city. In season two, Ofa is a welfare case-manager demanding everyone ... See full summary »
Toby has always been unlucky with girls. Ever since being stabbed in the throat after asking a girl out in a café, Toby has resolved to learn everything he can about girls before meeting them - so he can become the man of their dreams.
When Nige finds himself in a spot of bother after a series of unfortunate incidents, he is forced to ask Deano for help. The problem is Deano is not really the kind of guy you should turn to in a crisis.
In Wellington, Lily is a wallflower, inexplicably attracted to Jerrod, a loser. He's nursing a decade-long grudge against someone who teased him in high school; she's just out of a job. She goes home with him to a seacoast town where he intends to have it out with his nemesis; she meets his father, his daughter from a one-night stand, and other family members - and there's the memory of his talented (and dead) brother. Jerrod treats Lily badly, invents a relationship with a women he had a crush on years before, and gears up for his fight. Will she finally have enough and go home? Written by
Jarrod originally had a son but 'Taika Waititi' was so impressed by Morag Hills that he changed the character to a girl so she could play the role. See more »
At the gas station, when the camera is on Lily in the car, the letters on the pump have been humorously vandalized to read "FUCK PUMP." When the shot changes, the letters read "TRUCK PUMP." See more »
[Jarrod's family and Lily are all eating dinner together. Jarrod clumsily clinks his fork on his glass to get everybody's attention]
Well, I suppose I should say a few words...
[shoots Nancy a look before continuing]
Now we're all here, I'd just like to say that I'm really happy that we're all together under the same roof. It's always great to come home. And I'd also like to say that this Saturday I will be having a scheduled fight with Eric Elisi, the Samoan.
[...] See more »
Eagle vs. Shark is not another "inspired-by" high school athletic epic but rather a romantic comedy as strange as you will find this year. Actually I had to go back to 1971 with John Cassavetes' Minnie and Moskowitz and Hal Ashby's Harold and Maude to find equivalently eccentric couples meeting the challenges of decidedly unromantic love. Lily (Loren Horsley) is the naïve victim of society's meanness (she loses a job at Meaty Burger, where most of us wouldn't even eat, much less work; Jerrod (Jemaine Clement) is a slacker clerk out of Napoleon Dynamite's class.
This New-Zealand funky romance is partly funded by a fellowship from Sundance, not a guarantee of quality but a sign there might be something more that the initial impression that director Taika Waititi is being condescending to these less than brilliant lovers. After a while, I lost my own condescension and warmed to the simplicity of Lily's love for the obtuse and dorky Jerrod, as well as Jerrod's struggle with his feelings for this lovable flake. I also found comfort as I placed the protagonists in the same lineup with eccentric characters out of the imaginations of Bill Forsythe and David Lynch.
For example, the socially-clumsy Jarrod asks the introverted Lily if she'd like to have sex; she immediately replies, "Yep." The fleeting act, in which it takes longer to affix the condom than to perform, is charmingly innocent and inept.
Most of the family members are either socially unprepared or physically handicapped, a metaphor for the difficulties of social integration for unsophisticated but good-hearted underachievers. The oddball spirit of the film is embodied in the animal-costume party, for which Jarrod hosts as an eagle and Lily arrives as a shark. Thus the title, the endearing characters, and the difficulty deciding if this is an understated farce about the fringes of society or an exaltation of diversity and simplicity. You decide.
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