BC's illegal marijuana trade industry has evolved into a business giant, dubbed by some involved as 'The Union', Commanding upwards of $7 billion Canadian annually. With up to 85% of 'BC ... See full summary »
The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains... See full summary »
In a rare and refreshing reversal of roles, filmmakers put the powerful Motion Picture Association of America (MPAA for short) under the microscope for inspection in Academy Award-nominated director Kirby Dick's incisive look at stateside cinema's most notorious non-censoring censors. Compelled by the staggering amount of power that the MPAA ratings board wields, the filmmaker seeks out the true identities of the anonymous elite who control what films make it to the multiplex. He even goes so far as to hire a private investigator to stake out MPAA headquarters and expose Hollywood's best-kept secret. Along the way, Dick speaks with numerous filmmakers whose careers have been affected by the seemingly random and sexual-content obsessed judgments of the MPAA, including John Waters, Mary Harron, Darren Aronofsky, Kevin Smith, Matt Stone, and Atom Egoyan. Written by
The MPAA announced that starting in March of 2007, it will change their policy and allow filmmakers to cite other film's ratings as comparison. The MPAA will also provide information about the demographics of its board. See more »
David L. Robb:
The military and the film studios have colluded for more than 50 years. Anytime filmmakers want military assets - ships or tanks or planes - they have to give the Pentagon five copies of their script. And, if there's anything in the script that's negative, the Pentagon wants them to take it out. And so they negotiate, and take out any war crimes or foul language, or drinking. Anything that would make the military look bad. And than, after the agreement is made, the military sends a minder onto ...
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At the end credits a count of what the film shows: FUCKS(OR DERIVATIONS OF): 20 MOTHERFUCKERS: 3 HUMPS: 220 NIPPLES: 10 INTERCOURSE WITH PIE: 1 CARTOONS/PUPPETS IN SEXUAL POSITIONS: 15 SPLOSHING: 1 FELCHING: 0 See more »
Very good insight in American censorship and media manipulation
America is the land of the free, so in order to constrain people to do what you want them to do, you have to let them think it's their choice. How do you do that? You create a completely anonymous committee, supposedly composed of concerned parents, to rate the films that appear and, depending on that rating, they will get more or less media coverage, distribution, target audience size. You also finance this body with the money of the seven largest film studios in the US. This functioning censorship committee is called the MPAA.
The film is highly biased, to a point where it gets a little annoying, but the information contained in it is sound, proved and makes one think about the way public opinion is manipulated, ever so slightly, towards a desired average point of view. If you ever wondered how Americans can seem so ordinary, yet have completely different opinions about the same subjects as any other people, then this movie will answer part of that question. Very insightful is the presentation of the seven major film studios who own 95% of the American film industry, parts of larger conglomerates that own 90% of all mass-media. Also interesting, the role of the clergy in movie rating. Yes, I did say clergy, as in priests. In the appeals commission there are always an episcopalian priest and a catholic one. No other religions get to add their input.
A must see movie, not a conspiracy theory film, but certainly one that is against the system. The system here being the absurd movie rating system of the MPAA.
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