Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
Filmmaker Davis Guggenheim reminds us that education "statistics" have names: Anthony, Francisco, Bianca, Daisy, and Emily, whose stories make up the engrossing foundation of WAITING FOR ... See full summary »
In a rare and refreshing reversal of roles, filmmakers put the powerful Motion Picture Association of America (MPAA for short) under the microscope for inspection in Academy Award-nominated director Kirby Dick's incisive look at stateside cinema's most notorious non-censoring censors. Compelled by the staggering amount of power that the MPAA ratings board wields, the filmmaker seeks out the true identities of the anonymous elite who control what films make it to the multiplex. He even goes so far as to hire a private investigator to stake out MPAA headquarters and expose Hollywood's best-kept secret. Along the way, Dick speaks with numerous filmmakers whose careers have been affected by the seemingly random and sexual-content obsessed judgments of the MPAA, including John Waters, Mary Harron, 'Darren Aranofsky' , Wayne Kramer, Kevin Smith, Matt Stone, and Atom Egoyan. Written by
David L. Robb:
The military and the film studios have colluded for more than 50 years. Anytime filmmakers want military assets - ships or tanks or planes - they have to give the Pentagon five copies of their script. And, if there's anything in the script that's negative, the Pentagon wants them to take it out. And so they negotiate, and take out any war crimes or foul language, or drinking. Anything that would make the military look bad. And than, after the agreement is made, the military sends a minder onto ...
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At the end credits a count of what the film shows: FUCKS(OR DERIVATIONS OF): 20 MOTHERFUCKERS: 3 HUMPS: 220 NIPPLES: 10 INTERCOURSE WITH PIE: 1 CARTOONS/PUPPETS IN SEXUAL POSITIONS: 15 SPLOSHING: 1 FELCHING: 0 See more »
Since the Hays Code, filmmakers have had a lot more freedom over the content of their films. However, the MPAA ratings board still does exercise a certain de facto censorship power. Most people do not realize this.
"This Film is not Yet Rated" exposes the arbitrariness, secrecy, and bias of the MPAA ratings board and makes the viewer question why movies receive the ratings they do.
Kirby Dick puts together a nice cross-section of directors and "talking heads" who discuss the MPAA ratings board's biases when it comes to realism, sex, violence, gay themes, and other taboo issues in films.
Dozens of major directors have had problems with the MPAA ratings board
they either received the NC-17 (or the old "X") rating or had to cut
their films to meet the requirements of the ratings board. Some examples are: Kubrick, Tarantino, Lynch, Woo, Friedkin, Peckinpah, Aronofsky, and countless others.
This film exposes the fact that the ratings board is made up of people who are given NO criteria and NO training for rating films, so they basically use their own personal (and obviously heavily biased) judgments to decide what rating a particular movie should receive.
This is an important film because so few people realize how movies are rated in the U.S. Even fewer realize how problematic (biased, anti-democratic, non-transparent, not accountable) our system is.
It is also well put together, so it is easier to watch than most documentaries.
I would have liked to have heard more comparisons between the U.S. rating system and others worldwide, something that was only briefly touched upon.
9 out of 10
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