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IMDb > Everyone Stares: The Police Inside Out (2006)

Everyone Stares: The Police Inside Out (2006) More at IMDbPro »


Overview

User Rating:
7.0/10   160 votes
MOVIEmeter: ?
Down 33% in popularity this week. See rank & trends on IMDbPro.
Director:
Stewart Copeland
Contact:
View company contact information for Everyone Stares: The Police Inside Out on IMDbPro.
Release Date:
31 March 2007 (Japan) more
Genre:
Documentary | Music
Plot:
Stewart Copeland, drummer for The Police, compiles his Super 8 footage for an intimate look at what it was like to be a member of one of the world's biggest rock bands. | add synopsis
NewsDesk:
Sundance: Spectrum
 (From ioncinema. 16 January 2006)

User Comments:
Great documentary for Police fans more

Cast

  (Credited cast)
Terry Chambers ... Himself
Ian Copeland ... Himself
Miles A. Copeland III ... Himself

Stewart Copeland ... Himself (archive footage)
Dave Gregory ... Himself
Colin Moulding ... Himself
Andy Partridge ... Himself
Danny Quatrochi ... Himself
Jeff Seitz ... Himself

Sting ... Himself (archive footage)
Andy Summers ... Himself (archive footage)
Kim Turner ... Himself
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Additional Details

Runtime:
USA:74 min
Country:
USA
Language:
English
Color:
Color

Fun Stuff

Quotes:
Sting: I blame the man behind the camera for all my troubles. more

FAQ

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12 out of 14 people found the following comment useful:-
Great documentary for Police fans, 26 January 2006
9/10
Author: jeff-1232 from United States

I saw the film at what I think was the third of three screenings at the Sundance Film Festival Tuesday night. I had modest expectations -- that were exceeded. The film's clearly not a glossy documentary, but it's certainly a cut above watching someone else's home movies. Copeland did a fine job of making the viewer feel included in the inner circle and created a fascinating document of a band's rise in popularity.

Everyone Stares is surprisingly poignant: you see the early camaraderie and friendship strain under the pressures of success and increased commercial expectations. Some reviewers have commented negatively on the story stopping before Synchronicity. I, on the other hand, think the core pieces of the story were told without embracing the final album (which, I'll add, is my least favorite of the five).

The soundtrack was inventive and enjoyable: Copeland deconstructed and remixed Police tracks, providing dubbed-out, looped versions that I really enjoyed both as film music and on its own.

From a music archivist point of view, it's unique and fascinating how Copeland managed to document as much as he did. Unlike a contrived "making of" video, this footage feels intimate and natural.

Here's how I'd sum this up: if you're predisposed to like The Police in the first place, you'll likely enjoy this movie. If not, well, there are other documentaries that probably relate to things you're interested in.

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