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Release Date:
15 September 2006 (UK) See more »
A compilation of erotic films intended to illuminate the points where art meets sexuality. Full summary » | Full synopsis »
(5 articles)
The Ten Best Straight-to-dvd Releases of 2010
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Nowhere Boy | Film review
 (From The Guardian - Film News. 17 December 2009, 3:30 PM, PST)

Cannes proves that skin is in
 (From The Hollywood Reporter. 24 May 2006)

User Reviews:
I Know It When I See It... See more (19 total) »


  (in credits order)
Daniel ... Himself (from "Impaled")
rest of cast listed alphabetically:
August ... Herself (segment "Impaled")
Goce Balkovic ... Himself (segment: "Balkan Erotic Epic")
Shirin Barthel ... (segment "We Fuck Alone")
Richard Blondel ... (segment "We Fuck Alone")
Goran Brklja ... Himself (segment: "Balkan Erotic Epic")
Zoran Brklja ... Himself (segment: "Balkan Erotic Epic")
Jasmine Byrne ... Herself (segment "Impaled")
Christopher ... Himself (Segment: "Impaled")
Ana Hamljan Colic ... Herself (segment: "Balkan Erotic Epic")
Goran Delic ... Himself (segment: "Balkan Erotic Epic")
Dino Dinoni ... Himself (segment: "Balkan Erotic Epic")
Zivorad Dordevic ... Himself (segment: "Balkan Erotic Epic")
Mima Dukanovic ... Herself (segment: "Balkan Erotic Epic")

Manuel Ferrara ... (segment "We Fuck Alone")
Fikrija Filipovic ... Herself (segment: "Balkan Erotic Epic")
Aleksandar Gemaljevic ... Himself (segment: "Balkan Erotic Epic")
Bosiljka Gemanjevic ... Herself (segment: "Balkan Erotic Epic")
Tihomir Grbic ... Himself (segment: "Balkan Erotic Epic")
Dusan Jeftovic ... Himself (segment: "Balkan Erotic Epic")
Jesse ... Himself (Segment: "Impaled")
Joseph ... Himself (Segment: "Impaled")
Igor Kamberovic ... Himself (segment: "Balkan Erotic Epic")
Bosiljka Krkovic ... Herself (segment: "Balkan Erotic Epic")
Dillan Lauren ... Herself (segment "Impaled")
Aleksander Lazaervic ... Himself (segment: "Balkan Erotic Epic")
Luis ... Himself (Segment: "Impaled")
Michael ... Himself (Segment: "Impaled")
Natasa Milenkovic ... Herself (segment: "Balkan Erotic Epic")
Milan Mileoevic ... Himself (segment: "Balkan Erotic Epic")
Goran Mileovic ... Himself (segment: "Balkan Erotic Epic")
Vicente Pinho Neto ... Blooming Greenman (segment "Hoist")
Danka Nikolic ... Herself (segment: "Balkan Erotic Epic")
Jelena Novakovic ... Herself (segment: "Balkan Erotic Epic")
Jelena Obradovic ... Herself (segment: "Balkan Erotic Epic")
Branislava Petrovic ... Himself (segment: "Balkan Erotic Epic")
Chris Raines ... (segment "Death Valley")
Aleksandra Rankovic ... Herself (segment: "Balkan Erotic Epic")
Kora Reed ... The Patient (segment "House Call")
Robert ... Himself (Segment: "Impaled")
Sativa Rose ... Herself (segment "Impaled")
Saif ... Himself (Segment: "Impaled")

John Saint John ... The Doctor (segment "House Call")
Dragan Simeunovic ... Himself (segment: "Balkan Erotic Epic")
Durica Stankov ... Herself (segment: "Balkan Erotic Epic")
Vojkan Stankovic ... Himself (segment: "Balkan Erotic Epic")
Nenad Stevanovic ... Herself (segment: "Balkan Erotic Epic")
Jovana Stokic ... Herself (segment: "Balkan Erotic Epic")
Angela Stone ... Herself (segment "Impaled")
Taylor ... Himself (Segment: "Impaled")

Céline Tran ... (segment "We Fuck Alone") (as Katsumi)
Nancy Vee ... Herself (segment "Impaled")
Anjelka Vujinovic ... Herself (segment: "Balkan Erotic Epic")
Ana Vukovic ... Herself (segment: "Balkan Erotic Epic")
Natasa Vukovic ... Herself (segment: "Balkan Erotic Epic")
Electra Woodbridge ... Herself (segment: "Balkan Erotic Epic")
Destiny Deville ... Herself (segment "Impaled") (uncredited)

Directed by
Marina Abramovic (segment "Balkan Erotic Epic")
Matthew Barney (segment "Hoist")
Marco Brambilla (segment "Sync")
Cecily Brown (segment "Four Letter Heaven")
Larry Clark (segment "Impaled")
Sante D'Orazio (segment "Scratch This")
Marilyn Minter (segment "Green Pink Caviar")
Gaspar Noé (segment "We Fuck Alone")
Richard Prince (segment "House Call")
Sam Taylor-Johnson (segment "Death Valley") (as Sam Taylor-Wood)
Tunga (segment "Cooking")
Writing credits
(in alphabetical order)
Matthew Barney  segment "Hoist"
Richard Prince  segment "House Call"
Sam Taylor-Johnson  segment "Death Valley" (as Sam Taylor-Wood)

Produced by
Marina Abramovic .... producer (segment "Balkan Erotic Epic")
Mel Agace .... producer
Fredrik Carlström .... producer
Bas Celik .... co-producer (segment "Balkan Erotic Epic")
Veronica Cordeiro .... line producer (segment "Hoist")
Emma Dewing .... assistant producer (segment "Hoist")
Mark Fletcher .... executive producer
Andrew Hale .... producer
Andrew Herwitz .... executive producer
Igor Kecman .... co-producer (segment "Balkan Erotic Epic")
Robert Lombard .... line producer (segment "Impaled")
Jelena Mitrovic .... co-producer (segment "Balkan Erotic Epic")
Jared Moshe .... associate producer (as Jared Moshé)
Chelsea Romersa .... associate producer (segment "Hoist")
Aimee Schuler .... assistant producer
Sigurjon Sighvatsson .... executive producer
Monica Summerville .... co-producer
Neville Wakefield .... producer
Original Music by
Jonathan Bepler (segment "Hoist")
Andrew Hale (segment "Death Valley")
Matmos (segment "Death Valley")
Richard Prince (segment "House Call")
Cinematography by
Aleksandar Ilic (segment "Balkan Erotic Epic")
Seamus McGarvey (segment "Death Valley")
Peter Strietmann (segment "Hoist")
Erik Voake (segment: "Impaled")
Film Editing by
Alex Blatt 
Marco Brambilla (segment "Sync")
Akiko Iwakawa-Grieve (segment "Sync")
Michael D. Thomson 
Casting by
Robert Lombard (segment "Impaled")
Production Design by
Matthew D. Ryle 
Makeup Department
Mirjana Acin .... makeup artist (segment "Baskan Erotic Epic") (as Mirjana Zaric)
Tamara Spasojevic .... makeup artist (segment "Baskan Erotic Epic")
Production Management
Tareq Kubaisi .... post-production executive (segment "Death Valley")
Alexander Lee .... production manager: New York (segment "Hoist")
Robbi Dawn Pheln .... production manager: Los Angeles (segment "Death Valley") (as Robbie Pheln)
Jesse Roberts .... post-production supervisor
Christopher Seguine .... post-production supervisor (segment "Hoist")
Milan Stojanovic .... production manager
Art Department
Gabriel Bartalos .... prosthetics artist (segment "Hoist") (as Gabe Bartalos)
Gabriel Bartalos .... sculpturer (segment "Hoist") (as Gabe Bartalos)
Mark Farrow .... graphic designer
Robin Perl .... interactive designer
Gary Stillwell .... graphic designer
Dejan Vidic .... props (segment "Balkan Erotic Epic")
Sound Department
Jonathan Beblar .... sound mixer (segment "Hoist")
Jonathan Beblar .... sound
Romenild Borges dos Santos .... boom grip (segment "Hoist")
José Joaquim de Souza .... boom operator (segment "Hoist")
Silvano Livio Guglielmoni .... boom operator (segment "Hoist")
Andrew Hale .... sound
Matmos .... sound
Matt Rocker .... sound editor (segment "Hoist")
Goran Stifanic .... sound (segment "Balkan Erotic Epic")
Kelly Vandever .... sound re-recording mixer (segment "Impaled")
Special Effects by
Gabriel Bartalos .... special effects makeup (segment "Hoist") (as Gabe Bartalos)
Dan Gates .... fabricator (segment "Hoist")
Sheila Lloyd .... seamstress (segment "Hoist") (as Shiela Gates)
Clayton Martinez .... moldmaker (segment "Hoist")
Ljubomir Simic .... special effects (segment "Balkan Erotic Epic")
Jeff Small .... fabricator (segment "Hoist")
Visual Effects by
Matt Wallin .... visual effects supervisor
Camera and Electrical Department
Rafael Assef .... assistant still photographer (segment "Hoist")
Alessia Bulgari .... still photographer (segment "Balkan Erotic Epic")
Edson Conceicao dos Santos .... grip (segment "Hoist")
Ricardo Santos de Almeida .... grip (segment "Hoist")
Sasa Djordjevic .... key grip (segment "Balkan Erotic Epic")
Gustavo Hadba .... assistant cinematographer (segment "Hoist") (as Luis Gustavo Hadba)
Frank Heslop .... assistant cinematographer (segment "Hoist")
James Lozeau .... camera operator: second camera (segment "Impaled")
Dakov Milan .... still photographer (segment "Balkan Erotic Epic")
Paulo Souza .... gaffer (segment "Hoist")
Sandor Temlock .... assistant camera (segment "Hoist")
Chris Winget .... lighting designer (segment "Hoist")
Chris Winget .... photography designer (segment "Hoist")
Flávio Zangrandi .... assistant cinematographer (segment "Hoist") (as Flavio Zangrandi)
Editorial Department
Lorraine Bautista .... assistant editor (segment "Impaled")
Mike Bellon .... post-production assistant (segment "Hoist")
Joseph K. Chen .... assistant editor (segment "Impaled") (as Joseph Chen)
Todd Holmes .... series on-line editor
Edvin Megrabyan .... on-line editor (segment "Impaled") (as Edvin Mehrbyan)
Joel Saunders .... on-line editor (segment "Sync")
Christopher Seguine .... on-line editor (segment "Hoist")
Music Department
Byron Wong .... music supervisor (segment "Sync")
Other crew
Marc Boucrot .... crew assistant (segment "We Fuck Alone")
Kenny Brant .... location manager (segment "Death Valley")
Angela da Silva Rocha .... house catering (segment "Hoist")
Aditya Ezhuthachan .... assistant to executive producer
Mike Koller .... production design assistance (segment "Hoist")
Hal McFeely III .... production design assistance (segment "Hoist") (as Hal McFeely)
Tânia Mills .... controller (segment "Hoist")
Vera Lúcia Oliveira da Silva Nascimento .... house host (segment "Hoist")
Michelle Oznowicz .... researcher (segment "Sync")
Ellen Ross .... production insurance (segment "Hoist")
Peter Saville .... identity consultant
Olivier Théry-Lapiney .... crew helper (segment "We Fuck Alone") (as O. Thery-Lapiney)
Nilo Sérgio Vital .... supplier: Jimmy Jib (segment "Hoist")
Pamela Vitale .... intern (segment "Hoist")
Mike Figgis .... thanks
Danny Rafic .... thanks (segment "Impaled")

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
116 min | USA:129 min

Did You Know?

This film contains the longest sexually explicit scenes passed by the British Board of Film Classification for exhibition in British cinemas.See more »
Marina Abramovic:In Balkan culture, since ancient times, the male and female organs, like phalics, vaginas, and brest, have been used as tools against sickness, evil forces of nature, etc.See more »
Movie Connections:
Edited from Last Tango in Paris (1972)See more »
Save Our Slavic SoulsSee more »


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5 out of 9 people found the following review useful.
I Know It When I See It..., 29 March 2008
Author: Dries Vermeulen (Nodriesrespect) from Brugge, Belgium

The set-up for DESTRICTED was both simple and ingenuous, an idea whose time had come. Seven highly regarded visual artists, mostly hailing from the affiliated worlds of cinema and photography, were asked to shoot a short film with pornography as its subject and given total freedom as to their personal interpretation of this assignment. The results are diverse, to say the least, wildly varied in relevance as well as achievement though I would argue that none of the episodes is wholly without interest, this in marked contrast to what the generally lukewarm critical reception would seem to indicate. Being a longtime porno fan rather than a patron of the arts, I will be the first to admit that I might be out of my depth – just a smidgen – as I was relatively unfamiliar with work and background of most of the film's featured artists. Yet a variety of views keeps discussions lively and enlightening and, in that spirit, I would like to put in my two cents worth.

San Francisco's own Matthew Barney, revered and reviled for his gargantuan CREMASTER cycle – which doubled as exhibit installations as well as regular (well…) movies – and something of an upmarket tabloid darling for fathering a love child with Icelandic songstress Björk, shoves "Hoisted" down our collective throats first. An impressively endowed if crud-encrusted "Blooming Greenman" as the credits would have it, performed by Vicente Pinho Neto although several sources claim it's the director himself, makes love to and therefore gradually melds into a towering deforestation machine, with a turnip lodged halfway up his rectum ! Hey, it made me laugh. Unsure of what it's trying to say (if anything), this episode still exerts tremendous fascination out of sheer weirdness, its man merging into machinery theme reminiscent of David Cronenberg taken to visual extremes or Fred Halsted's classic gay short SEX GARAGE. Performance artist Marina Abramovic, daughter of the former Republic of Yugoslavia, injects a seriously whacked out yet admirably straight-faced sense of humor into her "Balkan Erotic Epic" relating a number of peculiar superstitions and sexual practices from the Old Country, illustrated through charmingly crude animation and live action. You haven't truly lived until you have seen the all female choir, encompassing all ages from nubile to pension, passionately rubbing their bare breasts in a plea for their crop's fertility !

Painter/photographer Richard Prince's "House Call" may seem like the most rudimentary installment, shooting a '70s hardcore loop (starring Mike Ranger and a large-breasted lady who looks a bit like Anita Sands from Joe Bardo's DEEP ROOTS but probably isn't, though credits identify the pair as "John Saint John" and "Kora Reed" respectively) off a TV screen with a self-composed organ soundtrack. In retrospect, this technique offers an incisive critique of porn viewing as a solitary (masturbatory ?) action, passive so by association not "responsible" for the visual "act", an excuse men have frequently resorted to in defense to their spouses ! The filming of the monitor removes us one step further still. Italian Marco Brambilla, who directed the okay Sly Stallone/Sandy Bullock sci fi flick DEMOLITION MAN but also the inexcusable Alicia Silverstone fiasco EXCESS BAGGAGE, edited together a huge pile of split second images from anonymous porno features as well as "risqué" mainstream fare such as Chen Kaige's ludicrous KILLING ME SOFTLY and Martin Scorsese's CAPE FEAR remake into a semi-continuous sexual encounter in "Sync", expressions of pleasure and pain – as can be spotted in a few blood-spattered frames – becoming indistinguishable. Sam Taylor-Wood's British and, although the name could go either way, a girl – if not, she would most definitely be a gay guy – as you will be able to tell from "Death Valley", showing a solitary man (Chris Raines) feverishly masturbating in the titular void. Male nudity seems to be prevalent in most episodes, perhaps going some way to explain the lack of enthusiasm in the straight male critic's response. Being queer myself, I take a "different" view, of course !

The contribution of Gaspar Noé, shock auteur of SEUL CONTRE TOUS and IRREVERSIBLE, apparently raised a lot of commentators' expectations to a level he would have trouble living up to, hence the general disappointment. Still, "We F*ck Alone" is a beautifully crafted, eerily strobe-lit juxtaposition of two lonely people separately watching a porn video starring Katsumi and Manu Ferrara. A baby's continuous wails in the background (reality intruding on porno fantasy) underscores a young woman's (Shirin Barthel) self-pleasuring session with a stuffed toy while a cute Goth guy (Richard Blondel) makes use of a gun and a blow up doll. Larry Clark, of KEN PARK infamy, comes up trumps with the misleadingly labeled "Impaled", interviewing a series of regular American boys on their relationship to nowadays readily available explicit imagery, having literally grown up with porn, in a selection process to actually perform with a real adult actress. The remarkably level-headed Daniel ultimately makes the grade and gets to pick a partner from a line-up including the likes of August, Angela Stone and Sativa Rose before settling on nervous, self-deprecating Nancy Vee, star of Kris Kramski's amazing MODELS. At the ripe old age of 40 (reflecting current society's twisted set of values), Vee's pathetically insecure and grateful for the opportunity, remarking how most guys would gladly trade her in for a couple of 20 year-olds ! Clark records yet never judges, treating his physically and emotionally naked subjects with dignity and compassion, ironically resulting in a featurette – at nearly half an hour, it's the most elaborate of the bunch – that's nowhere near as sleazy as some of his full length films like KIDS or BULLY. It may, in fact, be his best work to date as a semi-documentary filmmaker and certainly the most riveting part of this rarely less than intriguing grab bag.

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The most awfull collection.... manosav
Is It Porn, or Is It Art? anubis-45
Balkan Erotic Epic blejaja
Oh, don't let Larry fool you... happy_paraguay
Porn in the style of Impaled? Kabukiman
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