| Photos (see all 37 | slideshow) | Videos (see all 2 videos ) |
| Leonardo DiCaprio | ... | Narrator | |
| Kenny Ausubel | ... | Himself | |
| Thom Hartmann | ... | Himself | |
| Wangari Maathai | ... | Herself | |
| Sandra Postel | ... | Herself | |
| Paul Stamets | ... | Himself | |
| David Orr | ... | Himself | |
| Stephen Hawking | ... | Himself | |
| Oren Lyons | ... | Himself | |
| Andrew C. Revkin | ... | Himself (as Andy Revkin) | |
| Sylvia Earle Ph.D. | ... | Herself (as Sylvia Earle) | |
| Paul Hawken | ... | Himself | |
| Janine Benyus | ... | Herself | |
| Stuart Pimm | ... | Himself | |
| Paolo Soleri | ... | Himself | |
| David Suzuki | ... | Himself | |
| James Hillman | ... | Himself | |
| James Parks Morton | ... | Himself | |
| Nathan Gardels | ... | Himself | |
| Wes Jackson | ... | Himself | |
| Joseph Tainter | ... | Himself | |
| Richard Heinberg | ... | Himself | |
| James Woolsey | ... | Himself | |
| Vijay Vaitheeswaran | ... | Himself | |
| Brock Dolman | ... | Himself | |
| Stephen Schneider | ... | Himself | |
| Bill McKibben | ... | Himself | |
| Peter de Menocal | ... | Himself | |
| Sheila Watt-Cloutier | ... | Herself | |
| Ray Anderson | ... | Himself | |
| Tim Carmichael | ... | Himself | |
| Omar Freilla | ... | Himself | |
| Wallace J. Nichols | ... | Himself | |
| Diane Wilson | ... | Herself | |
| Andrew Weil | ... | Himself | |
| Theo Colborn | ... | Herself | |
| Jeremy Jackson | ... | Himself | |
| Tzeporah Berman | ... | Himself | |
| Gloria Flora | ... | Herself | |
| Mikhail Gorbachev | ... | Himself | |
| Thomas Linzey | ... | Himself | |
| Michel Gelobter | ... | Himself | |
| Lester Brown | ... | Himself | |
| Herman Daly | ... | Himself | |
| Betsy Taylor | ... | Herself | |
| Wade Davis | ... | Himself | |
| Jerry Mander | ... | Himself | |
| William McDonough | ... | Himself (as Bill McDonough) | |
| Bruce Mau | ... | Himself | |
| John Todd | ... | Himself | |
| Rick Fedrizzi | ... | Himself | |
| Greg Watson | ... | Himself | |
| Leo Gerard | ... | Himself | |
| Mathew Petersen | ... | Himself | |
| Peter Warshall | ... | Himself | |
| Andy Lipkis | ... | Himself | |
| rest of cast listed alphabetically: | |||
| David Attenborough | ... | Himself (archive footage) (uncredited) | |
| George W. Bush | ... | Himself (archive footage) (uncredited) | |
| Al Gore | ... | Himself (archive footage) (uncredited) | |
| Arnold Schwarzenegger | ... | Himself (archive footage) (uncredited) | |
| Brian Williams | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Nadia Conners | |||
| Leila Conners Petersen | |||
Writing credits(in alphabetical order) | ||
| Nadia Conners | writer | |
| Leonardo DiCaprio | writer | |
| Leila Conners Petersen | writer | |
Original Music by | |||
| Jean-Pascal Beintus | |||
Cinematography by | |||
| Peter Youngblood Hills | |||
Film Editing by | |||
| Luis Alvarez y Alvarez | |||
| Pietro Scalia | |||
Makeup Department | |||
| Stayc St. Onge | .... | hair stylist: New York | |
| Stayc St. Onge | .... | makeup artist: New York | |
Production Management | |||
| Nick Case | .... | unit production manager | |
| Dessie Markovsky | .... | production supervisor | |
| Kevin L. James | .... | post-production executive (uncredited) | |
Second Unit Director or Assistant Director | |||
| Bettina Godi | .... | assistant director | |
Sound Department | |||
| Ron Bartlett | .... | sound re-recording mixer | |
| Eric Flickinger | .... | sound recordist | |
| Nick Foley | .... | adr recordist | |
| Dennis Haggerty | .... | additional sound mixer | |
| Doug Hemphill | .... | sound re-recording mixer | |
| Richard King | .... | supervising sound editor | |
| Hamilton Sterling | .... | sound effects editor | |
| Ted Swanscott | .... | adr mixer | |
| Richard Thornsberry | .... | boom operator (as Rick Thornsberry) | |
| Hugo Weng | .... | dialogue editor | |
Visual Effects by | |||
| Larry Ewing | .... | visual effects producer | |
Camera and Electrical Department | |||
| Nico Bally | .... | camera crane technician | |
| Christina Fiers | .... | first assistant camera | |
| Felipe Perez-Burchard | .... | second assistant camera (specific segments) | |
| Andrew Rowlands | .... | camera operator: specific segments | |
Editorial Department | |||
| Padraic Culham | .... | on-line editor | |
| Mark Dinicola | .... | digital intermediate colorist | |
| Sean Martin | .... | assistant editor | |
| Shawn P. Mitchell | .... | assistant editor | |
| Eric Potter | .... | assistant editor | |
| Miklos Wright | .... | additional editor | |
| Heidi Zimmerman | .... | assistant editor | |
Music Department | |||
| Eric Avery Weiss | .... | composer: original music | |
| Andy Snavley | .... | music editor | |
| Andy Snavley | .... | music scoring mixer | |
Other crew | |||
| Brent Bailey | .... | production assistant | |
| David Thomas Jenkins | .... | production assistant | |
| Eric Potter | .... | script supervisor | |
| Kate Pulley | .... | key set production assistant | |
| Sylvia Sether | .... | production assistant | |
Thanks | |||
| Jason Krieger | .... | special thanks | |
| Nathan Mills | .... | special thanks | |
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| An Inconvenient Truth | Flock of Dodos: The Evolution-Intelligent Design Circus | Arid Lands | Sustainable Table: What's on Your Plate? | U2 3D |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
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Although it deals with many of the same issues as Al Gore's Oscar winning documentary from last year it lacks some of the style, presentation, and gravitas the former VP exudes so easily.
Still, for what you get it's a pretty good film, though the second half is far superior to the first.
The documentary, as narrated by Leonardo DiCaprio, goes into detail of what's wrong with our world, what changes and challenges our generation must accept, and how close we are getting to the point of no return. The first half of the film deals with the destruction and disasters happening all over the globe and comes close, though it never steps over the line, of using the kind of scare tactics many, wrongly, accused Gore of. The second half of the movie deals with what we can do, technology that currently exists and new technology that's on the way. As the film gets more hopeful, peers into the future, and presents amazing opportunities and challenges, it becomes moving and quite powerful.
I'd give the first half of the film a 6, the last half a 10, and so I split the difference and gave it an 8 overall.
If you enjoyed this film and want more you should check out other recent documentaries like An Inconvenient Truth and Who Killed the Electric Car?, both from last year.
Go to RazorFine Review to read my full review for this film, and the others listed above.