When the antisocial and lonely medical student Adam Schmidt receives a mysterious e-mail inviting him to participate of a unique medical research, he accepts the job opportunity and travels to an isolated snowing area to a cabin in the middle of nowhere. He meets Dr. Franklin Vick that kills him cutting his throat with a hunting knife. When Adam resurrects, Franklin calls him Subject Two and explains that he is engaged in an unethical medical research, bringing dead to life. Along the days, Adam is killed and resurrected over and over again, with Franklin improving his research, until the day Adam decides to leave the isolated spot. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Shot at 12,000 feet atop Aspen Mountain, Colorado, eight miles from civilization, in the middle of winter. See more »
When "Subject Two" first arrives at Doc's cabin, there is just a bit of snow on his shoulders. When he starts to talk to the doctor in the cabin, there is a lot of snow on his right shoulder. After the second time the camera switches back to the doctor, the snow is completely gone. See more »
What a surprise this film is! It's a quiet, get-absorbed-in-it sort of horror film, and properly light on gore. The story is similar to Mary Shelley's Frankenstein, whereas life is created from death in the name of science. The acting is solid and moving; there is no mugging, no sly popular culture wink-winks. The focus is on the story, not special effects, not body count, and there's a steady sense of sadness and madness that made me not want to watch the bonus features afterward; I got so drawn into the characters that I did not want their effect on me altered by watching the actors goof around or discuss the film.
The actor who played Adam, the loner medical student, was wonderful -- and very handsome, to boot. He conveyed very well the pain and isolation that Adam felt, and it made sense why Adam would take part in Dr. Vick's experiment for, in part, he'd finally have a connection with another person, regardless of any personal consequences.
Any faults I found with the film were too minor for me to give them much consideration. It's too nice to finally see a low-budget film that obviously was a work of love and is dedicated to its story, not to getting its talent noticed by making yet another indistinguishable gorefest that is a checklist of a dozen other horror films.
And not once does a screeching cat leap out from a closed cupboard door. Mad props for that, guys.
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