IMDb > Strange Circus (2005)
Kimyô na sâkasu
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Strange Circus (2005) More at IMDbPro »Kimyô na sâkasu (original title)


Overview

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7.1/10   2,692 votes »
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Director:
Writer:
Shion Sono (written by)
Contact:
View company contact information for Strange Circus on IMDbPro.
Release Date:
6 March 2007 (USA) See more »
Genre:
Plot:
The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear. Full summary » | Add synopsis »
Plot Keywords:
Awards:
1 win See more »
User Reviews:
Wheels turning with the stuff of nightmare See more (22 total) »

Cast

  (in credits order)
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Directed by
Shion Sono 
 
Writing credits
Shion Sono (written by)

Produced by
Masayuki Fujita .... assistant producer
Kôji Hoshino .... producer
Mizue Kunizane .... planner
Toshiaki Nakazawa .... producer
Takahiro Ohno .... assistant producer
Toshihiro Satô .... producer
Toshiie Tomida .... producer
 
Original Music by
Shion Sono 
 
Cinematography by
Yûichirô Ôtsuka 
 
Film Editing by
Jun'ichi Itô 
 
Casting by
Mai Sugiyama 
 
Art Direction by
Yûto Ohba 
 
Makeup Department
Yoshihiro Nishimura .... special makeup effects and prosthetics
 
Production Management
Masanori Murase .... production manager
 
Second Unit Director or Assistant Director
Shukei Amano .... first assistant director
Takao Kurokawa .... second assistant director
Kyûya Nakagawa .... fourth assistant director
Ryusuke Shinada .... third assistant director
 
Sound Department
Shin Fukuda .... sound recordist
 
Special Effects by
Yoshihiro Nishimura .... moldmaker
 
Camera and Electrical Department
Aiko Nakano .... still photographer
 

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Additional Details

Also Known As:
"Kimyô na sâkasu" - Japan (original title)
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Runtime:
108 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Filming Locations:
Company:

Did You Know?

Trivia:
The house the film uses as a set is a real house. Director Sion Sono asked its owners for permission to shoot inside it.See more »
Soundtrack:
Aus der Tiefe Rufeich (Chorale Prelude) BWV 745See more »

FAQ

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2 out of 4 people found the following review useful.
Wheels turning with the stuff of nightmare, 2 July 2011
Author: chaos-rampant from Greece

What a strange movie. It reminds me of Chan-wook Park in the way that it teeters so close to the edges of bad taste, or the trite movie conventions of melodrama, in an effort to ultimately transform them into grand gestures. So that the lowly and visceral can be ennobled, humanized into something akin to an opera.

The first half hour of this is superb stuff, or really close to it. The violated mind as a vaudeville stage, to which we are literally invited by the impresario holding out a hand at a first-person camera; once inside, the reality of vicious trauma involving pedophilia, incest, and a cello case, this perversity that we usually find in Miike reflected, thus reversed (a mirror is crucial in this segment, and eventually fractured), into a nightmare world of the mind rendered with images of Cronenberg and rooms painted bloodred.

This part is great because it understands the stuff of nightmares, and how the mind is a funhouse mirror that distorts the violence heaped upon it.

Then the movie becomes something like an inverse Audition, about an unstable woman with a cello case full of dark secrets weaving her web and about another web being woven by her prey meant to ensnare her. She is an author writing a novel about the childhood stuff we just witnessed in the first part. The most interesting notion here is that her victim sets out to find out about her and why she writes herself in her books, what kind of self hides behind the facade.

All this is marred by a pretty juvenile finale, where we are tossed about through a bunch of shocking revelations from one reality to the other, in an effort to know what 'actually' happened. Here lies the problem for me; we are told too much, too much of what was earlier a suggestion is attempted to be explained away (we even experience an earlier scene in the way that it actually happened, this tacky Fight Club device) and too much of this hinges on some unexpected twist than something that crawls underneath.

Interesting movie and I will keep from it the amazing shots of the damaged mind envisioned as a neon-lit luna park, but it only reminds me again of how important it is that we have David Lynch.

Having achieved the fame and exposure that he has, surprising in itself, it is perhaps easy to leave him behind in lieu of more obscure, undiscovered works such as this. But none of these can sustain and sublimate like he knows the dreamy illusion within movie structures that remain vague, mere outlines that hint at spiritual perils. He knows the stuff of nightmares but more importantly what mechanisms control them in the mind, how illusions are formed. This one has some intuitive grasp, but grasps blindly.

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Message Boards

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Recent Posts (updated daily)User
The director: 'Not a pedophilia film' mikpii
This and Audition... Which is better? favouritez
Is it wrong to laugh? CahillSellers
Confused about the hotel scene near the end (spoilers) caboose128
Teenage Mitsuko *Spoilers* blitz_ace_8
My Interpretation (Spoilers!) trumpetgirllife
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