| Photos (See all 18 | slideshow) | Videos (see all 2) |
| Will Shortz | ... | Himself | |
| Merl Reagle | ... | Himself | |
| Tyler Hinman | ... | Himself | |
| Trip Payne | ... | Himself | |
| Al Sanders | ... | Himself | |
| Ellen Ripstein | ... | Herself | |
| Jon Delfin | ... | Himself | |
| Jon Stewart | ... | Himself | |
| Ken Burns | ... | Himself | |
| Amy Ray | ... | Herself | |
| Emily Saliers | ... | Herself | |
| Daniel Okrent | ... | Himself | |
| Mike Mussina | ... | Himself | |
| Bob Dole | ... | Himself | |
| Bill Clinton | ... | Himself (as William Jefferson Clinton) | |
| Miriam Raphael | ... | Herself | |
| Liane Hansen | ... | Herself | |
| Alex Ripitsky | ... | Himself | |
| Nancy Ellwood Fasulo | ... | Herself (as nancy Ellwood) | |
| Marc Romano | ... | Himself | |
| Eileen Mogan | ... | Herself | |
| Patrick Jordan | ... | Himself | |
| Joy Dewing | ... | Herself | |
| Selmer Bringsjord | ... | Himself (as Dr. Selmer Bringsjord) | |
| Brian Dominy | ... | Himself | |
| Vic Fleming | ... | Himself | |
| Stella Daily | ... | Herself | |
| Ben Tausig | ... | Himself | |
| Fred Piscop | ... | Himself | |
| Byron Walden | ... | Himself | |
| Amy Reynaldo | ... | Herself | |
| Kiran Kedlaya | ... | Himself | |
| Lloyd Mazer | ... | Himself | |
| Katherine Bryant | ... | Herself | |
| Jim Jenista | ... | Himself | |
| Dan Katz | ... | Himself | |
| Norma Mindell | ... | Herself | |
| Judie Berger | ... | Herself | |
| Leslie Billig | ... | Herself | |
| Doug Heller | ... | Himself | |
| Mel Rosen | ... | Himself | |
| Neal Conan | ... | Himself | |
| Stanley Newman | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Susan Hoffman | ... | Herself | |
| Julia Royter | ... | Herself | |
| Chris Astoyan | ... | Himself (uncredited) | |
Directed by | |||
| Patrick Creadon | |||
Writing credits(in alphabetical order) | ||
| Patrick Creadon | ||
| Christine O'Malley | ||
Produced by | |||
| Michael Creadon | .... | associate producer | |
| Christine O'Malley | .... | producer | |
| Patrick Walsh | .... | associate producer | |
Original Music by | |||
| Peter Golub | |||
Cinematography by | |||
| Patrick Creadon | (director of photography) | ||
Film Editing by | |||
| Douglas Blush | (as Doug Blush) | ||
Art Department | |||
| Bob Wilson | .... | artist: oil painting | |
Sound Department | |||
| Joseph Adorisio II | .... | audio layback | |
| Larry Ellis | .... | sound designer | |
| Larry Ellis | .... | sound mixer | |
| Andy Potvin | .... | sound consultant: Dolby | |
Visual Effects by | |||
| Brian Oakes | .... | title sequence and motion graphics | |
Camera and Electrical Department | |||
| Matthew Beals | .... | additional camera operator (as Matt Beals) | |
| Skip Blumberg | .... | additional camera operator | |
| Donald Christensen | .... | still photographer | |
| Alex Kobbs | .... | additional camera operator | |
| Alexis Martino | .... | still photographer | |
| Emily Shur | .... | still photographer | |
Editorial Department | |||
| Jeff Garcia | .... | assistant editor | |
| Adrian Guedin | .... | colorist | |
| Adrian Guedin | .... | on-line editor | |
| Steve Lemley | .... | color timer | |
| Darla Marasco | .... | director of post-production | |
Music Department | |||
| Stewart Clark | .... | musician: clarinet | |
| Jeremy Drake | .... | musician: guitar | |
| Aram Goldberg | .... | music coordinator | |
| Peter Golub | .... | conductor | |
| Peter Golub | .... | music arranger | |
| Peter Golub | .... | musician: piano | |
| Matt Havron | .... | music coordinator | |
| Alexei Helenius | .... | musician: harp | |
| Jeff Levine | .... | musician: bass | |
| Tracy McKnight | .... | music supervisor | |
| Monte Namadio | .... | musician: bassoon | |
| Adam Rudolph | .... | musician: percussion | |
| Roger Sorkin | .... | musician: marimba | |
| Derek Syverud | .... | musician: percussion | |
| Mark Wheaton | .... | music recording engineer | |
Other crew | |||
| P.F. Bentley | .... | archival photographs | |
| Donald Christensen | .... | archival photographs | |
| Jon Delfin | .... | archival photographs | |
| Winston Emano | .... | publicist: David Magdael & Associates Inc. | |
| Erin Heidenreich | .... | sales agent | |
| Theodore James | .... | production assistant (as T.J. Hemleben) | |
| David Magdael | .... | publicist: David Magdael & Associates Inc. | |
| Julia McMorrow | .... | production assistant | |
| Dana O'Keefe | .... | sales agent | |
| Caitlin O'Malley | .... | production assistant | |
| Trip Payne | .... | archival photographs | |
| Christopher Powers | .... | production associate | |
| Miriam Raphael | .... | archival photographs | |
| Ellen Ripstein | .... | archival photographs | |
| Al Sanders | .... | archival photographs | |
| Nancy Shack | .... | provider: archival footage | |
| Will Shortz | .... | archival photographs | |
| Ashley Simpson | .... | production assistant | |
| Robert Stein | .... | legal counsel | |
| Anne Stulz | .... | publicist: David Magdael & Associates Inc. | |
| Steven Wallace | .... | publicist: David Magdael & Associates Inc. | |
Thanks | |||
| Nancy Shack | .... | acknowledgment: archival footage provided by | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Crossword puzzles, and the many people who make them popular, are the focus in Wordplay, including the editor of the NY Times puzzle (the most notorious of them in the USA), celebrities and politicians, and the general public obsessed with them. As a documentary Wordplay is good, not great, film-making about its subject with a couple of montages and interlocking scenes that are weak. But the subject matter, and usually how its presented, sparks a fine interest even in a non-crossword puzzle player like myself. As words are all that we have to work with in communication and just everyday discourse, it's also attached here to the idea of testing, of competition, and how different and varying crosswords can get. Like the documentary Spellbound from a few years back, the director is also after the kind of irony of making such an isolated experience of finishing a puzzle into an event with hundreds of players once a year with friendships and acquaintances- a social event as much as a match-up.
Many parts are amusing as well; we get interviews from Jon Stewart, Bill Clinton, Bob Dole, and the editor of NY Times Crossword himself, Will Shortz, and they all give some insightful, funny little bits of interest into making the puzzles and playing them. But for the most part we're into the mind-set of several key players, real people whom will all come together for the tournament in Jaunary. What makes all of this work, and what actually makes crossword puzzles become good enough for cinema, is watching smart people, un-cluttered for the most part with problems, who can focus all of their attentions on this one activity, to the point of obsessive compulsive behavior. It's really fun, in a nerdy way, trying to guess some of these words (or rather watching them guessing the words) along with the players. And the way the puzzles are created sparks a little interest too, as it's one of those parts of life I myself could never, ever accomplish. Worth a look, though probably more so for fans of the activity.