| Lindsey Haun | ... | Tara | |
| Jack Huston | ... | Jake | |
| Max Kasch | ... | Troy | |
| Maya Hazen | ... | Lisa | |
| Alice Greczyn | ... | Holly | |
| Robert Hoffman | ... | Bluto | |
| Don Wycherley | ... | Ernie | |
| Sean McGinley | ... | Bernie | |
| Toby Sedgwick | ... | Black Brother | |
| André Pollack | ... | The Dog | |
| Jack Gleeson | ... | Lonely Twin | |
| Mike Carbery | ... | Paramedic | |
| Anna Tikhonova | ... | Mysterious Woman 1 | |
| Goranna McDonald | ... | Mysterious Woman 2 | |
| Berry Murphy | ... | Lonely Twin's Brother | |
| Joe Murphy | ... | Feral Boy | |
| Joe Phelan | ... | Young Lonely Twin | |
| rest of cast listed alphabetically: | |||
| Stuart Rankin | ... | Extra (uncredited) | |
Directed by | |||
| Paddy Breathnach | |||
Writing credits | ||
| Pearse Elliott | (written by) | |
Produced by | |||
| Simon Channing Williams | .... | executive producer | |
| James Clayton | .... | executive producer | |
| Gail Egan | .... | executive producer | |
| Eva Juel Hammerich | .... | co-producer (as Eva Juel) | |
| Katie Holly | .... | associate producer | |
| Nina Lyng | .... | co-producer | |
| Kim Magnusson | .... | executive producer | |
| Paddy McDonald | .... | producer | |
| Rebecca O'Flanagan | .... | associate producer | |
| Duncan Reid | .... | executive producer | |
| Robert Walpole | .... | producer | |
Original Music by | |||
| Dario Marianelli | |||
Cinematography by | |||
| Nanu Segal | (director of photography) | ||
Film Editing by | |||
| Dermot Diskin | |||
Casting by | |||
| Natasha Cuba | |||
| Kelly Wagner | (as Kelly Martin Wagner) | ||
Production Design by | |||
| Mark Geraghty | |||
Art Direction by | |||
| David Wilson | |||
Costume Design by | |||
| Rosie Hackett | |||
Makeup Department | |||
| Catherine Biggs | .... | assistant hair stylist | |
| Dave Bonneywell | .... | special makeup effects artist | |
| Chris Lyons | .... | special effects teeth | |
| Tom McInerney | .... | assistant makeup artist | |
| Ian Morse | .... | special makeup effects artist | |
| Steve Painter | .... | special makeup effects artist | |
| Simon Rose | .... | special makeup effects artist | |
Production Management | |||
| Clare Kavanagh | .... | production manager: pick-ups | |
| Carol Moorhead | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Keith Barry | .... | trainee assistant director | |
| Denis Fitzpatrick | .... | additional trainee assistant director | |
| Andrew Hegarty | .... | first assistant director | |
| Alex Jones | .... | second assistant director | |
| Jonathan Shaw | .... | third assistant director | |
| Rory Shaw | .... | trainee assistant director | |
Art Department | |||
| Dermot Blighe | .... | stand-by props | |
| Rory Bruen | .... | assistant art director | |
| Keith Cullen | .... | props | |
| Keavy Lalor | .... | props buyer | |
| Aine Smith | .... | art department assistant | |
Sound Department | |||
| Peter Blayney | .... | sound re-recording mixer | |
| Caoimhe Doyle | .... | foley artist | |
| Andrew Felton | .... | boom operator | |
| Brendan Geaney | .... | foley editor | |
| Fionn Higgins | .... | dialogue editor | |
| Tom Johnson | .... | sound re-recording mixer | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Jon Stevenson | .... | sound designer | |
| Don White | .... | foley recording mixer | |
| Simon J. Willis | .... | sound mixer | |
Special Effects by | |||
| Kevin Byrne | .... | special effects supervisor | |
| Kevin Nolan | .... | special effects technician | |
| Cliff Wallace | .... | special effects makeup designer | |
Visual Effects by | |||
| Sam Bassett | .... | digital compositor | |
| Peter Hartwig | .... | digital compositor | |
| Troels Hoe | .... | digital compositor | |
| Michael Holm | .... | digital effects artist | |
| John Kennedy | .... | digital effects consultant | |
| Alexander Marthin | .... | visual effects supervisor | |
| Patrick O'Casey | .... | digital compositor | |
Stunts | |||
| Gerry Behan | .... | stunts | |
| Paul Burke | .... | stunt rigger | |
| Brendan Condren | .... | stunts | |
| Joe Condren | .... | stunt coordinator | |
| Niamh Connell | .... | stunt double | |
| Ken Doherty | .... | utility stunts | |
| Samantha Heaney | .... | stunts | |
| Norman Kelly | .... | stunts | |
| John Sheridan | .... | stunt rigger | |
| Paul Valentine | .... | stunts | |
Camera and Electrical Department | |||
| John Bailie | .... | additional first assistant camera | |
| Liam Daniel | .... | still photographer | |
| Tim Fletcher | .... | electrician | |
| Andy Gardner | .... | second assistant camera | |
| Mark Maidment | .... | first assistant camera | |
| Rory O'Riordan | .... | camera trainee | |
| Kurt Savage | .... | first assistant camera | |
| Roger Tooley | .... | Steadicam operator | |
Casting Department | |||
| Joanne Bloom | .... | casting assistant: LA | |
| Rosalie Clayton | .... | casting: UK | |
| Chuck Dukas | .... | casting intern | |
| Viktoria Flídr | .... | casting: Prague | |
| Chris Gehrt | .... | casting intern | |
| Sinead MacManus | .... | casting: UK | |
| Dominika Posserén | .... | casting assistant: LA | |
| Rebecca Roper | .... | casting: Ireland | |
Editorial Department | |||
| David O'Brien | .... | assistant editor | |
| Shane Woods | .... | assistant editor | |
Music Department | |||
| Christopher Benstead | .... | music editor | |
| Jody Jenkins | .... | composer: additional music (as Jody K. Jenkins) | |
| Maggie Rodford | .... | music coordinator | |
| Jane Runnalls | .... | lead vocals | |
| Hilary Skewes | .... | musician contractor | |
| Benjamin Wallfisch | .... | conductor | |
| Benjamin Wallfisch | .... | orchestrator | |
Transportation Department | |||
| Alan Dixon | .... | unit driver | |
| Michael Phelan | .... | transportation | |
| Kenneth Quinn | .... | unit driver | |
Other crew | |||
| Michelle Carew | .... | assistant production coordinator | |
| Miriam Coleman | .... | location scout | |
| Karl Daly | .... | location trainee | |
| Rory Mac Dermott | .... | production accountant (as Rory MacDermott) | |
| Fionnuala Dorney | .... | assistant accountant | |
| Mike Hayes | .... | production assistant | |
| Cathy Mooney | .... | production coordinator | |
| Dearbhaile O'Hanlon | .... | location assistant | |
| Brendan O'Sullivan | .... | assistant location manager | |
| Sarah Power | .... | assistant to producers | |
| Nic Ransome | .... | script consultant | |
| Andrew Reid | .... | head of production: NIFTC | |
| Clodagh Tierney | .... | location manager | |
| Billie Webster | .... | post-production accountant (as Billi Webster) | |
| Kathleen Weir | .... | script supervisor | |
| Lesley Wise | .... | legal & business affairs | |
Thanks | |||
| Ed Clarke | .... | thanks | |
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| Dreamcatcher | Borstal Boy | King Arthur | Breakfast on Pluto | Defiance |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Ireland section |
I saw this movie tonight. Never have left comment here but feel compelled to warn you all before wasting your money in cinema - AVOID! I'm Irish and this film was made by Irish people, but never have I been so insulted by such deedley-i-isms, or laughed so hard at the completely rubbish and regurgitated story that they peddle here. Absolute load of tosh - stolen sequences from at least 10 different films, not the slightest bit scary or ironic. They were too cheap to spend any money on gore so decided to go for the 'unseen horror' option. The film actually got booed in the cinema as the end credits rolled, by not just me, but half the audience. Breathnach should be ashamed of himself, never show this film in Ireland again, and stay well away from the horror genre. Shame on Bord Scannan na hEireann for giving him the money, but it just goes to show what an old boys club the 'Irish Film Industry' actually is. *response to 'Johnofgod'* I do not work anywhere near the entertainment industry, and have as such no grudge to carry against anyone therein. In fact I'm a science student, and have no desire to pick up a movie camera. I am however a fan of cinema and horror movies and take offense when a 'popular' director picks a 'popular' genre and makes a total pigs ear out of it, when I then in turn am expected to shell out premium prices for someone else's vanity and back-clapping. I am quite certain also that the good money thrown after bad towards salaries, production and marketing on this one, could have funded 5 superior new hopefuls with the aim of in fact igniting a revival in the 'Industry' and saving the rest of us from the embarrassing drivel we got. I saw the film as the surprise film at the Horrorthon in the IFI, and certainly did not choose to see it as such. Given the surprise film from previous years, this one certainly was a surprise, and I'll be hard pressed to attend again next year. I don't know if you were there but certainly the boos I heard were not phantomised. I am entitled however to express my opinion of the film on this opinion page for the film, and given the other comments I do not think I am alone in my musings. Your unashamed vitriol towards my comments only serves to make me think that I have possibly hit a nerve with your own misgivings towards an 'industry' within which you are vaguely 'un/employed'.