American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
In January, 2004, in Al-Falluja, Iraq, a documentary film crew follows an infantry squad of the 82nd Airborne, US Army. Cameras accompany the squad of seven on day and night patrols, as ... See full summary »
Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.
Set during the current Intifada, this documentary follows four Palestinian families living in Dheisheh Refugee Camp near Bethlehem. Fadi is 13 and cares for his 4 younger brothers, the ... See full summary »
The filmmaker's subjects are patriotic young Americans - ordinary men and women who heeded the call for military service in Iraq - as they experience recruitment and training, combat, ... See full summary »
Iraq in Fragments illuminates post-war Iraq in three acts, building a picture of a country pulled in different directions by religion and ethnicity. Filmed in verité style with no scripted narration, the film explores the lives of ordinary Iraqis to illustrate and give background to larger trends in Iraqi society. Written by
300 hours of material was filmed in Iraq over a period of more than two years for this production. 1600 pages of typed transcripts, translations of material from Arabic and Kurdish, were made before picture and sound editing could begin. See more »
This is a documentary about three Iraqis. The first is a Sunni boy who works and goes to school in Baghdad. The second is a Shiite religious figure in a city to the south. The third is a Kurdish boy (and his family) in the north.
I've seen a lot of documentaries and cinema verite, but this one is one of the most successful. It's as if the camera is invisible, and the photographer got access to whatever he wants. Any documentarian is going to be jealous of this one. I could give many examples. One of the more chilling is the Shiite vigilante raid on the town's market, in which they beat up and kidnap fellow Shiites for the sin of selling alcohol. How on earth does an American get access to that? He actually climbs right into the trucks with the masked militants and films the whole thing from beginning to end.
And the result is spectacular. There's this Iraqi fellow sitting on the floor, surrounded by men with guns, his hands tied and a bag over his head, and he makes the comment "What's changed since Saddam? I've done nothing and I'm still sitting on the floor with a bag over my head!"
When we move up north to visit the Kurds, we see a brick factory where men are making mud bricks, just as they have been doing for many thousands of years. This is clearly not Nebraska, and anyone who invades a country like this, even with the most altruistic of motives, clearly has no idea what Iraq is about. Whatever the American foreign policy mistakes, military and political mistakes, the bottom line is we lost totally the small window of opportunity we had to turn Iraq into a democracy.
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