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Iraq in Fragments (2006)

7.3
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Ratings: 7.3/10 from 1,171 users   Metascore: 84/100
Reviews: 20 user | 54 critic | 26 from Metacritic.com

Stories from modern day Iraq as told by Iraqis living in a time of war, occupation and ethnic tension.

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Nominated for 1 Oscar. Another 11 wins & 6 nominations. See more awards »

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Cast

Credited cast:
Mohammed Haithem ...
Himself
Suleiman Mahmoud ...
Himself
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Storyline

Iraq in Fragments illuminates post-war Iraq in three acts, building a picture of a country pulled in different directions by religion and ethnicity. Filmed in verité style with no scripted narration, the film explores the lives of ordinary Iraqis to illustrate and give background to larger trends in Iraqi society. Written by James Longley

Plot Summary | Add Synopsis

Genres:

Documentary | War

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Details

Official Sites:

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Release Date:

19 January 2007 (UK)  »

Also Known As:

Irak w kawalkach  »

Filming Locations:

 »

Box Office

Opening Weekend:

$24,435 (USA) (10 November 2006)

Gross:

$55,057 (USA) (17 November 2006)
 »

Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film was originally intended as a multi-part series on Iraq but was later shortened into a single film when the country became too dangerous to work in. See more »

Connections

Featured in The 79th Annual Academy Awards (2007) See more »

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User Reviews

 
most fascinating documentary I've seen this year
14 September 2006 | by (United States) – See all my reviews

Let me just say right from the start that I came to this film not expecting much. I saw some other Iraq films like Gunner Palace and wasn't too impressed, but this one is totally new. First of all, the whole thing takes place from the POV of Iraqis - and I mean *really* from their POV - like almost looking out of their eyes. I have never seen a documentary that gets this close to its characters, both physically and emotionally, but where the camera stays invisible the entire time.

This in itself feels like an innovation when you're watching the film, but beyond that there is the kinetic editing and the absolutely gorgeous photography. So what you get is a film of substance that not only shows you a reality we never get shown on TV, but a documentary that feels like a true step forward in style. Documentary film makers are going to be playing catch up now that films like this one are out there.


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