In nineteenth century Yorkshire wealthy orphan Anne Lister lives with an aunt and uncle, anxious for her to marry well and blissfully - unaware that she is a lesbian. Anne is recording her ... See full summary »
A group of delinquents are sent to clean the Blackwell Hotel. Little do they know reclusive psychopath Jacob Goodnight (Jacobs) has holed away in the rotting hotel. When one of the teens is captured, those who remain -- a group that includes the cop who put a bullet in Goodnight's head four years ago -- band together to survive against the brutal killer.
Michael J. Pagan
Three friends start the day on a fishing trip, but before they can make it to their destination, they are split apart. When split, the characters come face to face with the brutality of a ... See full summary »
All Charlotte wants from life is to be cut a slice of the media agency she has devoted herself to building. When Charlotte's life disintegrates, we follow her on a heart-racing journey of self-discovery, atonement and danger.
***Based on a true story*** On 7th August 1997 while walking home drunk with his sisters boyfriend,17 year old Jamie Robe makes an off-the-cuff remark to a nearby boy who is kissing a girl.... See full synopsis »
1965:- Following the cot death of their baby daughter young marrieds Maureen and David Smith are comforted and ultimately influenced by Maureen's older sister Myra Hindley and her boyfriend Ian Brady but David is horrified to witness Brady murder teen-ager Edward Evans and goes to the police, as a result of which Brady is arrested. The police investigation links Brady and Hindley to the disappearance of several local children, especially when a pornographic photo of 10-year old Lesley Ann Downey is found, along with a tape of her pleading for her life. The bodies of Lesley and John Kilbride are discovered in shallow graves on Saddleworth moor and Brady and Hindley are tried for murder, receiving multiple life sentences, though David is exonerated despite the pair trying to implicate him and it will be some years before the murderers confess to the whereabouts of other victims. Five years later the Smiths have separated and Maureen is persuaded by her grandma to visit Myra, who has now... Written by
don @ minifie-1
The police use Maglite® torches which did not exist until 1979. See more »
[talking about Myra, several years after her conviction and imprisonment]
I have to believe what my heart tells me, Dave. And my heart tells me whatever Myra did in the past, she's a different person now.
She's worse than Brady, Maureen. I mean, he's just a sicko, a sex case - the king of the sex cases. But Myra - she's human: she had feelings. Remember the tears when Angela Dawn died? That card she gave us? "Another little flower for God's fucking garden"! Jesus! She was killing kids at the ...
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This is the first known dramatisation of the infamous Moors Murders around the Northern English city of Manchester in the 1960's.Even four decades on,the case still provokes utter revulsion at such evil and depraved acts of murder.It was apparently made with full co-operation of the victims' families,which in hindsight was a sensible and sensitive decision by the filmmakers involved.It could quite easily have lapsed into sensationalism and exploitation;that it doesn't is a tribute to all involved;it is very well made with excellent performances all round;Sean Harris and Maxine Peake(previously better known for her comedic roles)are chilling and believable as the callously evil Brady and Hindley;newcomer Michael McNulty gives a very fine performance as the naive,easily-led David Smith,but Joanne Froggatt is outstanding as Hindley's sister Maureen Smith.In a part that could easily have turned into rampant hysteria,Ms Froggatt is very moving and heartbreaking as the decent-minded young woman whose life is more or less ruined by the horrific actions of her sibling.It is arguable that the stress involved led to Maureen's early death aged only 34.
The one large problem with the production is with the story being so unremittingly harrowing and unpleasant,one is somewhat confused as to what to say in conclusion.That it is very well made,acted and produced,certainly.That we do not see the killings themselves(with the savage exception of Edward Evans,very brutal and in semi-darkness),and none of the gruesome details related to them is praiseworthy;but the extreme nastiness surrounding the whole case still makes for a very dubious and disturbing cumulative effort despite it's considerable technical quality.In my view,a more documentary approach to the subject would've been the correct way to dramatise such a story,but nevertheless full marks to cast and crew for their sensitivity in handling such a dreadfully grim subject.
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