A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, Aubrey, a wheelchair-bound mute who also is a patient at the nursing home.
Grant and Fiona Anderson have been married for forty-four years. Their marriage has been a generally happy and loving one although not perfect due to some indiscretions when Grant was working as a college professor. Fiona has just been admitted to Meadowlake, a long term care facility near their country home in southwestern Ontario, because her recent lapses of memory have been diagnosed as a probable case of Alzheimer's disease. She and Grant made this decision together, although a still lucid Fiona seems to have made peace with the decision and her diagnosis more so than Grant. With respect to the facility, what Grant has the most difficulty with are what he sees as the sadness associated with the facility's second floor - where the more advanced cases are housed - but most specifically the facility's policy of no visitors within the first thirty days of admission to allow the patient to adjust more easily to their new life there. Based on what he sees when he is finally able to ... Written by
The misspelling of Fiona's name by Fiona herself is a typical and revealing error made by Alzheimer's patients. Coming as it does just after Grant has tried to use the episode of her remembering the recent walk in the park and finding the skunk lilies as a means of continuing his denial, the misspelling brings home to him the futility of his resistance to the truth about her condition. See more »
They have to learn to get over these things by themselves. They've got short memories, and that's not always so bad.
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The fact that Fiona - the "her" from the title - is played by Julie Christie makes the painful journey crystal clear. Julie Christie is a wonder. She manages for us,without sentimentality but with an intelligence that makes the point of the story profoundly human, to get close to the illness with sadness yes but without fear. Alzheimer's disease is like a dark tunnel that the afflicted enter without wanting to, without being able to avoid it. I've wondered what was like to be aware of it, I mean, to know that sooner rather than later you will forget everything and everyone. Sarah Polley, the director, works a little miracle here giving us Julie Christie to answer that question. I felt enormously close to Fiona's husband - a wonderful performance by Gordon Pinsent - and came out of the experience uplifted rather than depressed.
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