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Away from Her (2006)

PG-13 | | Drama | 25 May 2007 (USA)
A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, Aubrey, a wheelchair-bound mute who also is a patient at the nursing home.

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Writers:

, (short story "The Bear Came Over the Mountain")

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Nominated for 2 Oscars. Another 62 wins & 38 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Stacey LaBerge ...
Young Fiona
...
...
Deanna Dezmari ...
Veronica
Clare Coulter ...
Phoebe Hart
...
William Hart
...
Dr. Fischer
...
Nurse Betty
Lili Francks ...
Theresa
...
Liam
...
Madeleine Montpellier
Judy Sinclair ...
Mrs. Albright
Tom Harvey ...
Michael
Carolyn Hetherington ...
Eliza
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Storyline

Grant and Fiona Anderson have been married for forty-four years. Their marriage has been a generally happy and loving one although not perfect due to some indiscretions when Grant was working as a college professor. Fiona has just been admitted to Meadowlake, a long term care facility near their country home in southwestern Ontario, because her recent lapses of memory have been diagnosed as a probable case of Alzheimer's disease. She and Grant made this decision together, although a still lucid Fiona seems to have made peace with the decision and her diagnosis more so than Grant. With respect to the facility, what Grant has the most difficulty with are what he sees as the sadness associated with the facility's second floor - where the more advanced cases are housed - but most specifically the facility's policy of no visitors within the first thirty days of admission to allow the patient to adjust more easily to their new life there. Based on what he sees when he is finally able to ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

It's never too late to become what you might have been See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

25 May 2007 (USA)  »

Also Known As:

Lejos de ella  »

Box Office

Budget:

CAD 4,000,000 (estimated)

Opening Weekend:

$53,267 (USA) (4 May 2007)

Gross:

$15,830,046 (USA) (13 July 2007)
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Company Credits

Show detailed on  »

Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Bought by Lionsgate Films for $750,000 (US Dollars). See more »

Goofs

The misspelling of Fiona's name by Fiona herself is a typical and revealing error made by Alzheimer's patients. Coming as it does just after Grant has tried to use the episode of her remembering the recent walk in the park and finding the skunk lilies as a means of continuing his denial, the misspelling brings home to him the futility of his resistance to the truth about her condition. See more »

Quotes

[Madeleine is leading Grant down a garishly lit corridor during a tour of the nursing home]
Madeleine Montpellier: So as you can see, we get a lot of natural light.
Grant Anderson: Yes, I can see that.
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Connections

Featured in 14th Annual Screen Actors Guild Awards (2008) See more »

Soundtracks

Missing You
Music & Lyrics by Pam Armstrong
Performed by The Strap-Ons
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User Reviews

 
A love like fresh snow underfoot . . .
12 April 2007 | by (United Kingdom) – See all my reviews

I remember the last time I saw my mother. I sat on the end of her bed, strumming guitar, and singing a song she used to sing to us as children. I hoped she might remember it. She would probably not, however, recognise her son. Or even speak. She had Alzheimer's.

After self-righteous 'disease of the week' movies such as Iris, it is maybe hard to imagine a riveting, nuanced love story of depth and imagination, one centred on loss of memory, but Away From Her succeeds in spades.

Fiona (Julie Christie) has been married to Grant for 44 years. They have reached a stage of lifetime love based on deep knowledge of each other and acceptance of past misdemeanours. Then Fiona's memory starts to fail. As her Alzheimer's begins to need 24hr care, she checks in to Meadowlake residential centre. There she not only forgets who her husband is, but develops an affection for another patient – an affection that holds all the tenderness she used to share with her (now onlooking) husband.

Says Producer Simone Urdl, "The role of Alzheimer's in the film is a metaphor for how memory plays out in a long term relationship: what we chose to remember, what we choose to forget." And our ability to recall things, as Oscar Wilde pointed out, is highly selective.

Secure in the knowledge that he has given his wife many years of happiness, Grant glosses over his unfaithfulness in their younger days. But Fiona's early memories stay longer, and come back to haunt him. To bring his wife joy now, he is driven to encourage her towards that which gives him most pain.

Away From Her takes us from frozen, luminescent mise-en-scene of the couple's secure existence in snow-drenched, rural Canada, to the hand-held cameras and uncertainty that hits in Meadowlake. Excerpts from Auden's Letters From Iceland are sprinkled into the script like shards of crystalline beauty. Julie Christie, for whom the lead role was written, exudes dynamic good looks and the vibrancy of a young woman, bathed in such warmth and passion of years. When she asks Grant to make love to her before leaving, there is an urgency and scintillating sexiness about her.

Away From Her sparkles as we watch Grant walk his emotional tight-rope. The movie is made with such surety that it comes as a shock to realise the director is a first time filmmaker in her twenties. Sarah Polley evokes Bergman, as she too touches "wordless secrets only the cinema can discover." This talented young woman is highly selective in her acting roles and now, behind the camera, impresses with her insight and intelligence.

My last conversation with my mother, before she was institutionalised, or I even realised what was happening, was a long distance phone call. After chatting happily for five minutes, she said, quite chirpily and very politely, "What's your name again?" Memory is not always a two-way process. Nor objective. But, like this film, it can be mesmerising, heart-wrenching, and a remarkably intimate vision.


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