Barry Munday wakes up after being attacked to realize that he's missing his family jewels. To make matters worse, he learns he's facing a paternity lawsuit filed by a woman he can't remember having sex with.
A drama exploring the romantic past and emotional present of Ann Grant and her daughters, Constance and Nina. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life 50 years prior, when she was a young woman. Harris is the man Ann loves in the 1950s and never forgets.
Young Augusten Burroughs absorbs experiences that could make for a shocking memoir: the son of an alcoholic father and an unstable mother, he's handed off to his mother's therapist, Dr. Finch, and spends his adolescent years as a member of Finch's bizarre extended family.
A group of guys who sang together in a college a cappella group reunite 15 years later to perform at a friend's wedding and discover how their lives have progressed -- and in some cases regressed -- since their college heyday.
Centers on 40-year-old Ella who, in order to successfully navigate through the demanding life of being a mother of three, a lover, a friend and a career woman, constantly lies her way out ... See full summary »
Maggie Elizabeth Jones,
A strong-minded, ambitious political personality espouses the conservative, right-wing agenda. However, while she has this tough, conservative personality for the public, behind the scenes she's consumed by her foibles and flaws.
If you like Edward Burns films, you will like this.
I'm not sure what the deal was with the reviewer before me. Apparently Ed Burns must've urinate in his corn flakes the morning he wrote the review, because it is scathing and hardly true to the content of the film. Overall the movie plays similar to other Ed Burns films. The music selection is pretty good, and most of the storyline is contingent on the dialogue and character relationships. The lead roles were solid all around. Patrick Wilson, played his character effectively and simply, as necessary. Burns roll was reduced but still charming. Selma Blair was also convincing. The notion of Debra Messing looking like a man in drag is pretty far fetched. She looked great in the film, and her part was small but well played.
Referring to Edward Burns as being a women is way off course. The previous reviewer apparently came off of a 10 day Michael Bay film binge when he wrote his review, so obviously he would have no comprehension on what makes a film succeed. This movie has authentic dialogue with believable character dynamics, which is as much as you can ask for in any movie. As I mentioned before, if you like Edward Burns as an actor, director, or both, you will get enjoyment from this movie. If you are a JJ Abrams nut, can't understand how emotion and dialogue are used in a film, and are afraid to even fathom the notion of romance in the film, then you may not like this movie. You could always look up the previous reviewer and check out a Larry the Cable Guy film with him.
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