The death of the presumptive future PM is predicted during a séance in a snowbound country hotel and, not surprisingly, he is found stabbed to death the next morning.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Gwenda Halliday, a wealthy young Englishwoman recently emigrated from India, intuitively buys a seaside manor house, where she re-experiences a murder.
Dolly Bantry calls upon her old friend Miss Marple when the strangled corpse of an unknown blonde girl is found in the library of her home, Gossington Hall.
Director:
Andy Wilson
Stars:
Geraldine McEwan,
Ian Richardson,
Tara Fitzgerald
No one seems surprised when Colonel Lucius Protheroe, the most disliked person in St. Mary Mead, is found murdered in the local vicarage. Red herrings abound, especially when his widow and her lover both confess to the murder.
Director:
Charlie Palmer
Stars:
Geraldine McEwan,
John Owens,
Jana Carpenter
Old wounds are reopened for the Argyle family when a man suddenly turns up after being abroad and claims that the black sheep of the family could not have murdered its tyrannical matriarch.
When Clive Trevelyan - Member of Parliament, war hero and heir apparent to Prime Minister Winston Churchill- is killed, Miss Marple sets about to solve the case. Trevelyan has made his fortune many years before in Egypt having secretly uncovered a lost tomb. He is killed during a major snowstorm when there are no police available. There are several possible suspects including Trevelyan's ward, James Pearson and his fiancée Emily Trefusis; his political agent, John Enderby; a journalist Charles Burnaby; a visiting American Martin Zimmerman; and several other apparently disinterested parties. A convict has also escaped from Dartmoor prison. Miss Marple concludes that Trevalyan's murder is related to his days in Egypt and sets about to identify the murderer. Written by
garykmcd
First Agatha Christie novel to incorporate the supernatural/occult as part of the plot line See more »
Goofs
This film is set in 1952. In the cottage at Exhampton, Miss Marple is seen speaking in an Ericofon single-piece telephone. But this phone wasn't put in production until 1954, and was adopted by the British Post Office as late as 1974. See more »
Quotes
Stanley Kirkwood:
[Referring to the dead body]
Shall we shift him into the garage while the guests are having dinner?
Dr. Ambrose Burt:
e should pack snow around the body... to prevent leakage.
See more »
The Sittaford Mystery is one of those classic mystery stories - isolated community, a hint of the paranormal, legacies, prodigal relatives, all given a strong sense of location by being tied in with the Dartmoor landscape.
Enough of the book though, what of the TV adaptation? Calling it utter crap is being needlessly unkind to the brown stuff. Changing the murderer is one thing which should never be done at all. The victim was completely rewritten, as was the motive. ITV also saw fit to fling in an extra murder (purely for effect - note how nobody bothered to comment on it later on). Presumably this was an attempt to wake up people being bored rigid by the nonsense. Two characters appeared to swap names during the course of the story, and the largest part of the mystery (how the seance ties in with the murder) was totally scuppered by the changes made to the murder itself. The cast tried their best, but they'd have been much better off just making it up as they went along.
The only positive thing that you can say about this woeful heap of nonsense is that, as it is so different, even down to the culprit, even if you have seen the film, it won't have spoilt the book for you. Go and read that instead - it's got a plot, and it even makes sense.
37 of 48 people found this review helpful.
Was this review helpful to you?
The Sittaford Mystery is one of those classic mystery stories - isolated community, a hint of the paranormal, legacies, prodigal relatives, all given a strong sense of location by being tied in with the Dartmoor landscape.
Enough of the book though, what of the TV adaptation? Calling it utter crap is being needlessly unkind to the brown stuff. Changing the murderer is one thing which should never be done at all. The victim was completely rewritten, as was the motive. ITV also saw fit to fling in an extra murder (purely for effect - note how nobody bothered to comment on it later on). Presumably this was an attempt to wake up people being bored rigid by the nonsense. Two characters appeared to swap names during the course of the story, and the largest part of the mystery (how the seance ties in with the murder) was totally scuppered by the changes made to the murder itself. The cast tried their best, but they'd have been much better off just making it up as they went along.
The only positive thing that you can say about this woeful heap of nonsense is that, as it is so different, even down to the culprit, even if you have seen the film, it won't have spoilt the book for you. Go and read that instead - it's got a plot, and it even makes sense.