Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
On July 23 of 1802, the Duchess of Alba, the richest and most liberated woman of her time, offers a gala to inaugurate her new palace. Attendance is extraordinary: the Prime Minister Manuel... See full summary »
"A Matador's Mistress" is a tragically eloquent dance of the cold brutality of uncommitted love and the high stakes of the Bullfight. Immerse yourself in the culture of Spain surrounding the age old traditions of the Matador. While the bullfight is controversial by today's standards, the ancient art-form is depicted with unflinching realism. The story is of man against beast, the bullfighter's zen, if you will; his nightly dance with death. A world-class lover enters his world; their code is their truth. Life being lived, edgy, relentlessly flirting with disaster, untamed, beautiful. Written by
In Iberia in the era of this film it was common to display your wealth by having at least one prominent gold tooth - this is still usual in the African continent - and is for show, having nothing to do with a dental repair. Lupe Sino is depicted as enjoying the company of men, is frequently called a "whore" by Manolete's entourage (who disapprove of the relationship because they fear for their own status), and has a basket-crown on her upper left incisor - this is not the habit of a "respectable" woman in 1940s Spain. When she has it removed she shows Manolete by tapping her front tooth and saying "Look, respectable" and there is a huge close-up of her front teeth. Also, during the course of the film her wardrobe and hair-style become gradually less gaudy - her way of showing Manolete that she is willing to settle down and become a "respectable" woman he can marry. See more »
The young challenger matador's hat is missing as the camera moves from long shot to the close-up. He was in mid swing of his cape with nowhere he could have placed the cap, no one near enough to hand it to, and it is not on the ground. See more »
nice costumes, great cast. and a lot of crumbs. the sin of film is the lost of story. nothing coherent, few poetic images, many good intentions and a fake result - too pink, too kitsch, too unrealistic. the solutions are many for save the story. but the great problem is the absence of a clear project. it is a film about corrida and a legendary matador, about love and infidelity, about the vulnerability of a hero but nothing profound - only a large collection of sketches without a real purpose. for Adrien Brody and Penelope Cruz the film is only occasion for another role. but that is the basic problem. why that actors for a confuse project ?a film like many others. not bad. only uninspired.
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