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Boston, Mass. 1962: Thirteen innocent women were brutally slaughtered by a faceless monster. Now, through the eyes of the killer himself, we are taken on a sadistic journey from the jail cell to the grave, reliving each terrifying event one murder at a time. Mauro Lannini, as Albert DeSalvo, gives a frighteningly real performance that has you guessing his innocence or guilt until the very end. Written by
It follows the conventional pattern of the persistent detective against the clever quasi-genius murderer, but in this case the detective is not willing to prove the guilt of a murderer trying to evade it, but rather the contrary.
Nothing spectacular in this film, but nothing so dreadful either. You won't remember this movie after you see it... ...but you won't feel you completely waste your idle time either.
The story is supposed to develop along many years, with the core in the sixties, a soft twist by the seventies, and a short epilogue by the beginning of the new millennium. But I have to confess that it looks to me as at least the eighties all the time, no way at any point the viewer will even consider that any of the action takes place in the sixties. Even more, if they tell you that it's contemporary it won't be hard to believe so. So there you have one weakness of this movie: lack of temporal credibility.
It's based on the true case that gives its name to the film, and the murdered represented here is actually the one accused, sentenced and killed in prison. The movie respects this but adds doubt about his culpability. This is the core of the plot and the reason-tyo-be of this movie.
Surpraisingly the third credited character (the beautiful and supportive detective's wife) the delicious Camille Lannan was not included in the profile. I've sent the update to make justice to this subtle beauty!
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