A female theatre dresser creates a stir and sparks a revolution in seventeenth century London theatre by playing Desdemona in Othello. But what will become of the male actor she once worked for and eventually replaced?
Anna Foster has never had an ordinary life. At eighteen years old, she is the most protected girl in America; she is the First Daughter. Frustrated with her overprotective father, the ... See full summary »
Jordan Donavan, a photographer in New York, is so disappointed when after five years of going steady Edward Morgan offers her not marriage but just to move in with him, that she accepts the... See full summary »
David S. Cass Sr.
Three young friends decide to share a house together in London over the summer. But as the outside world infiltrates their happy home, truths are revealed, tensions rise and their ... See full summary »
Henry Roth: obsessive-compulsive, somewhat misanthropic, a writer of children's books. His illustrator and only friend, Rudy, dies after a fabulously successful collaboration on "Marty, the Beaver." Henry is under contract to produce another Marty book for Christmas sales. His publisher, Arthur Planck, assigns penniless, lovelorn illustrator Lucy Reilly to work with Henry. She's sought by her ex-boyfriend Jeremy, who dumped her two years ago but shows up apologetic, having dedicated his new book to her. She and Henry go to a house on the shore to work. Will love bloom amid the rocks, or is Henry a bump on Lucy's road to Jeremy? Rudy's voice, from the grave, gives Henry counsel. Written by
Yes, you can.
We have to work.
Lucy, come on please. It's going to get very complicated. Ahh, it's going to get so complicated.
Do you just genuinely dislike me, Henry?
A week ago, I didn't give a rat's ass about nebulas and now I can't get enough of them. Ok?
It's nebulae... not nebulas.
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"No corporations were harmed in the making of this movie" See more »
Response to Boston Globe review (9/21/07) It took dedication and perseverance to see the Sundance Festival (not mentioned) film "Dedication" after reading your negative review. Having overcome the barriers created by your dissection of characters and plot I was surprised to find the film both rewarding and enjoyable despite Mandy Moore's hair color. The cinematography was fresh as was the use of music. The characters had emotional dimensions of complexity and interest in contrast to the flat facades too often presented in today's films. Henry's deep neuroses were believably quirky and contributed to the intrigue of an unpredictable character. His intense dialog with his dead friend and partner gave vent to his inner confusion and added a charmingly bizarre facet of interest to the film. I regret that you did not recognize the film's attributes.
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